A S Byatt

Possession is an exhilarating novel of wit and romance, at once a literary detective novel and a triumphant love story. It is the tale of a pair of young scholars investigating the lives of two Victorian poets. Following a trail of letters, journals and poems they uncover a web of passion, deceit and tragedy, and their quest becomes a battle against time. WINNER OF THE BOOKER PRIZE

A Romance

Possession

A luminous selection of short stories from the prize-winning imagination of A. S. Byatt WITH AN INTRODUCTION BY DAVID MITCHELL Mirrors shatter at the hairdressers when a middle-aged client explodes in rage. Snow dusts the warm body of a princess honing it into something sharp and frosted. Summer sunshine flickers on the face of a smiling child who may or may not be real. Medusa's Ankles celebrates the very best of A. S. Byatt's short fiction, carefully selected from a lifetime of writing. Peopled by artists, poets and fabulous creatures, the stories blaze with creativity and travel from Ancient myth to an English sweet factory, a Chinese restaurant to a Mediterranean swimming pool, a Turkish bazaar to a fairytale palace. Driven by curiosity, Byatt takes her readers beyond the veneer of the ordinary and the gloss of the fantastical, to a place rich in ideas, vivid in colour and wholly unforgettable. 'A cabinet of curiosities... Glitteringly beautiful. Byatt is a vivid colourist' Sunday Times 'A cerebral extravaganza, bristling with ideas' Spectator 'These little stories by one of Britain's foremost grandes dames of the writing world are a delightful surprise, packing a much greater punch than many full-length novels... They are moving, thought-provoking, witty and shocking all at once' Sunday Telegraph

Selected Stories

Medusa’s Ankles

Like A.S. Byatt’s Booker Prize-winning novel, Possession, these two mesmerising novellas are set in the nineteenth century. In Morpho Eugenia, an explorer realises that the behaviour of the people around him is alarmingly similar to that of the insects he studies. In The Conjugal Angel, curious individuals – some fictional, others drawn from history – gather to connect with the spirit world. Throughout both, Byatt examines the eccentricities of the Victorian era, weaving fact and fiction, reality and romance, science and faith into a sumptuous, magical tapestry.

Angels And Insects

In Yorkshire, the Potter family are preparing to celebrate Elizabeth II’s arrival on the throne. Its three youngest members, however, are preoccupied with other matters. Stephanie has grown tired of their overbearing father and resolves to marry the local curate. Anxious teenager Marcus gains a new teacher and suffers increasingly disturbing visions. Then there is Frederica. On the brink of adulthood, a love affair with a young playwright may offer the freedom she desperately desires. THE FIRST FREDERICA POTTER NOVEL

The Virgin in the Garden

Leaves rustle underfoot in a dark wood: two little girls, extracted from their homes in wartime London, encounter something terrifying in a forest. Later when they meet as grown women, they realise the experience has coloured their lives. A dark tale about the nature of stories themselves. Part of the Storycuts series, this short story was originally published in the collection Little Black Book of Stories.

The Thing in the Forest (Storycuts)

After her husband becomes violent, Frederica Potter flees with her young son to London. There, she secures a teaching position in an art school, and finds herself surrounded by painters and poets with dreams of rebellion. Then Frederica meets Jude Mason, the strange and charismatic author of a wildly controversial novel. When her husband files for divorce and Jude becomes the target of a high-profile court case, Frederica’s life threatens to spiral out of control. THE THIRD FREDERICA POTTER NOVEL

Babel Tower

A S Byatt's fairy tales and fables are among the best-loved features of her fiction. Innumerable readers have asked for the two marvellous fairy tales in POSSESSION - 'The Glass Coffin' and 'Gode's Tale' of the Breton Naie des Trepasses - to be published seperately. Here they take their place with three other stories with medieval and oriental settings. The title story, 'The Djinn and the Nightingale's Eye', a long story about an Englishwoman in Turkey who unwittingly releases a genie from his bottle, is a reflection on women's lives, on magic and on the power of storytelling itself.

Five Fairy Stories

The Djinn In The Nightingale's Eye

Famous author Olive Wellwood writes a special private book, bound in different colours, for each of her children. In their rambling house near Romney Marsh they play in a story-book world - but their lives, and those of their rich cousins and their friends, the son and daughter of a curator at the new Victoria and Albert Museum, are already inscribed with mystery. Each family carries its own secrets. They grow up in the golden summers of Edwardian times, but as the sons rebel against their parents and the girls dream of independent futures, they are unaware that in the darkness ahead they will be betrayed unintentionally by the adults who love them. This is the children's book.

The Children's Book

It is 1968 and Frederica Potter is surprised to find herself embarking on a new career in television. While she endeavours to navigate this fast-paced and occasionally bewildering industry, her lover John takes up a post working with a pair of unusual scientists. Yet in Frederica’s home county of Yorkshire, tumultuous events are unfolding. Soon her future, and that of the people closest to her, begins to look rather different. THE FOURTH FREDERICA POTTER NOVEL

A Whistling Woman

Frederica Potter arrives at Cambridge University greedy for knowledge, sex and love. It isn’t long before she becomes infatuated with a mysterious and controlling poet. Back in Yorkshire, her sister Stephanie abandons academia and is confronted with the boredom and frustrations of motherhood. Meanwhile, their younger brother Marcus begins to recover from a nervous breakdown. Each sibling is desperate to shape their own future, but a horrifying event will soon change their lives forever.

Still Life

The story of Ragnarok plays out the endgame of Norse mythology. It is a tale of the destruction of life on this planet and the end of the god themselves. What more relevant myth could any modern writer choose to retell? As the bombs rain down in the Battle of Britain, one young girl is evacuated to the countryside. she is struggling to make sense of her new wartime life. then she is given a copy of Asgard and the Gods - a book of ancient Norse myths - and her inner and outer worlds are transformed. War, natural disaster, reckless gods and the impermanence of life itself are just some of the threads that A.S.Byatt weaves into The End of the Gods. just as Wagner borrowed from this dramatic and catasrophic Norse saga for the climax of his Ring Cycle, so AS Byatt reinvents it for our time in all its intensity and glory. Linguistically stunning and imaginatively abundant, this is a landmark piece of storytelling from one of the world's greatest writers.

The Myth of Ragnarok

The End of Gods

A downtrodden creative writing teacher despairs at the efforts of his students, at turns nakedly autobiographical or fanciful beyond reason. When an elderly lady begins submitting work in accordance with his 'write what you know' directive, his enthusiasm for the craft re-emerges. However some sources are best left unexplored. Part of the Storycuts series, this short story was originally published in the collection Little Black Book of Stories.

Raw Material (Storycuts)

Cassandra is an Oxford don; Julia, her sister, a bestselling novelist. They share a set of disturbing memories of a strange childhood game and of Simon, the handsome young neighbour who loved them both. Years later Simon re-enters their lives via a television programme on snakes and intrudes into their uneasy compromise of mutual antagonism and distrust. The old, wild emotions surge back, demanding and urgent, and this time the game is played out to a fatal finish.

The Game

First published in 1965, A.S. Byatt's Degrees of Freedom examined the first eight novels of Iris Murdoch, identifying freedom as a central theme in all of them, and looking at Murdoch's interest in the relations between art and goodness, master and slave, and the novel of character in the nineteenth century sense. Drawing on Iris Murdoch's own critical and philosphical writing, A.S. Byatt discussed her interest in the thought of Sartre, Plato, Freud and Simone Weil, and related this to the form of the novels themselves. This edition of Degrees of Freedom has an added dossier of later essays and reviews of Iris Murdoch's work by A.S Byatt, taking us up to the publication of The Book and the Brotherhood in 1987. It also includes a substantial pamplet written for the British Council which follows Murdoch's fiction as far as The Good Apprentice.

The Early Novels of Iris Murdoch

Degrees of Freedom

Following the death of her mother, an elderly woman begins to undergo a transfiguration. Her body grows flinty, toughens and crystallises. An Icelandic stonemason she meets in a graveyard becomes her sole confidant. As her inexorable metamorphosis continues, the stories he has to tell of his homeland and its legends begin to resonate. Part of the Storycuts series, this short story was originally published in the collection Little Black Book of Stories.

A Stone Woman (Storycuts)

It should come as no surprise that short stories by the author of the magical Possession are populated by erudite paranoiacs, witches, changelings, and the ghost of a dead child. A S Byatt's short fictions explore the fragile ties between generations, the dizzying abyss of loss and the elaborate memories we construct against it, resulting in a book that compels us to inhabit other lives and returns us to our own with new knowledge, compassion, and a sense of wonder.

Sugar And Other Stories

In Passions of the Mind, A.S. Byatt writes as an artist and scholar taking the reader on a journey of discovery as she explores the ideas, images and attitudes to language underpinning some of her own fiction, and also the work of Great Victorians and a varied range of twentieth-century women writers. Fascinated by the coincidence of the symbolic and real which she finds in her favourite writers – Robert Browning, George Eliot and Wallace Stevens – A.S. Byatt also celebrates this quality in the sun and shadows of Van Gogh's painting.

Selected Writings

Passions Of The Mind

In the same delectable format as The Matisse Stories, this collection deals with betrayal and loyalty, quests and longings, loneliness and passion - the mysterious absences at the heart of the fullest lives. A scholar pursues an elusive biographer, stumbling upon buried fragments of distant lives; a woman walks out of her previous existence and encounters an ice-blond stranger from a secretive world; a schoolgirl draws a blood-filled picture of jael; a swimming pool reveals a beauteous monster in its depths. The settings range from the heart of Provence in summer to the cold forests of Scandinavia, form chalk-strewn classrooms to herbscented hillsides, from suburban streets to rocky wilds.

Stories of Fire and Ice

Elementals

Each story is in some way inspired by a painting of Henri Matisse, each is also about the intimate connection between seeing and feeling -- about the ways in which a glance we meant to be casual may suddenly call forth the deepest reserves of our being. Their subjects' lives unravel from simple beginnings -- a trip to the hair dresser, a cleaning woman's passion for knitting, lunch in a Chinese restaurant but gradually the veneer of ordinariness is peeled back to expose pain, reveal desire, or express the intensity of joy in color and creation. These stories are all about human beings: about how little we can know (or may care to know) about the people with whom we spend our lives, and how tragic the results of that ignorance or indifference can be.

The Matisse Stories

Portraits seem the opposite of fiction, fixed in time and space, not running with the curve of a story or a life. Yet since the birth of the novel, writers have been fascinated by portraits as icons, as motifs, as images of character and evocations of past time. A. S. Byatt delves into the complex relations between portraits and characters, and between portraits and novels as whole works of art. Her authors range from Henry James to Iris Murdoch, her artists from Holbein to Botticelli, Manet to the present day. She looks at the way writers use portraits to conjure up the past, as in Ford Madox Ford's The Fifth Queen and Virginia Woolf's Orlando. She explores their erotic use, the idea of painting as a sexual act, full of danger. And she examines the creation of fictional portrait painters by writers like Balzac and Zola, whose writing was closely linked, in different ways to the art of Cézanne. A portrait can defy the process of age but its very stillness can also seem like death. Art can be a murderer. And sometimes, as in Salman Rushdie's The Moor's Last Sigh, a portrait can itself become the victim of Gothic rage.

A S Byatt

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