Adam Gopnik

Revisiting a recurring American obsession with the French capital, the author takes a look at Paris and what it means to Americans as he describes his own relationship with the city.

Paris to the Moon

The New York Times-bestselling author offers a stirring defense of liberalism against the dogmatisms of our time Not since the early twentieth century has liberalism, and liberals, been under such relentless attack, from both right and left. The crisis of democracy in our era has produced a crisis of faith in liberal institutions and, even worse, in liberal thought. A Thousand Small Sanities is a manifesto rooted in the lives of people who invented and extended the liberal tradition. Taking us from Montaigne to Mill, and from Middlemarch to the civil rights movement, Adam Gopnik argues that liberalism is not a form of centrism, nor simply another word for free markets, nor merely a term denoting a set of rights. It is something far more ambitious: the search for radical change by humane measures. Gopnik shows us why liberalism is one of the great moral adventures in human history--and why, in an age of autocracy, our lives may depend on its continuation.

The Moral Adventure of Liberalism

A Thousand Small Sanities

Collects the thoughts and perspectives of artists, poets, composers, writers, explorers, and scientists on the season of winter, from reflections on snow and God to the future of northern culture.

Five Windows on the Season

Winter

"From the author of Paris to the Moon--one man's quest for the meaning of food in a time obsessed with what to eat. Never before have we cared so much about food. It preoccupies our popular culture, our fantasies, even our moralizing--"You still eat meat?" How could the land of Chef Boyardee have come so far overnight? And where can we possibly go from here? Locating the roots of our foodways in France, Adam Gopnik traces our rapid evolution from commendable awareness to manic compulsion and how, on the way, we lost sight of a timeless truth: what goes on around the table--families, friends, lovers coming together, or breaking apart; conversation across the simplest or grandest board--is always more important than what we put on the table. Gently satirizing the entire human comedy of the comestible, The Table Comes First seeks to liberate us from the twin clutches of puritanical guilt and cable TV glitz. It is the delightful beginning of a new conversation about the way we eat now"--

Family, France, and the Meaning of Food

The Table Comes First

On the Mystery of Mastery

Real Work

a short book about Lincoln, Darwin, and modern life

Angels and ages

From the earliest years of the American republic, Paris has provoked an extraordinary American literary response. An almost inevitable destination for writers and thinkers, Paris has been many things to many Americans: a tradition-bound bastion of the old world of Europe; a hotbed of revolutionary ideologies in politics and art; and a space in which to cultivate an openness to life and love thought impossible at home. Including stories, letters, memoirs, and reporting, Americans in Paris distills three centuries of vigorous, glittering, and powerfully emotional writing about the place that Henry James called “the most brilliant city in the world.” American writers came to Paris as statesmen, soldiers, students, tourists, and sometimes they stayed as expatriates. This anthology ranges from the crucial early impressions of Thomas Jefferson and Benjamin Franklin to the latter-day reflections of writers as varied as James Baldwin, Isadora Duncan, and Jack Kerouac. Along the way we encounter the energetic travelers of the nineteenth century—Emerson, Mark Twain, Henry James—and the pilgrims of the twentieth: Gertrude Stein, F. Scott Fitzgerald, E. E. Cummings, Cole Porter, Henry Miller. Come along as Thomas Paine takes a direct and dangerous part in the French Revolution; Harriet Beecher Stowe tours the Louvre; Theodore Dreiser samples the sensual enticements of Parisian nightlife; Edith Wharton movingly describes Paris in the early days of World War I; John Dos Passos charts the gathering political storms of the 1930s; Paul Zweig recalls the intertwined pleasures of language and sex; and A. J. Liebling savors the memory of his culinary education in delicious detail. Americans in Paris is a diverse and constantly engaging mosaic, full of revealing cultural gulfs and misunderstandings, personal and literary experimentation, and profound moments of self-discovery.

A Library of America Special Publication

Americans in Paris: A Literary Anthology

Bruce McCall

A Memoir

How Did I Get Here?

Next Big Idea Club: “40 Nonfiction Books to Watch Out For in 2023” AARP: Winter’s Best New Books Longtime New Yorker writer Adam Gopnik investigates a foundational human question: How do we learn—and master—a new skill? For decades now, Adam Gopnik has been one of our most beloved writers, a brilliantly perceptive critic of art, food, France, and more. But recently, he became obsessed by a more fundamental matter, one he had?often meditated on in The New Yorker: How do masters learn their miraculous skill, whether it was drawing a museum-ready nude or baking a perfect sourdough loaf? How could anyone become so good at anything? There seemed to be a fundamental mystery to mastery. Was it possible to unravel it? In The Real Work?the term magicians use for the accumulated craft that makes for a great trick?Gopnik becomes a dedicated student of several masters of their craft: a classical painter, a boxer, a dancing instructor, a driving instructor, and others. Rejecting self-help bromides and bullet points, he nevertheless shows that the top people in any field share a set of common qualities and methods. For one, their mastery is always a process of breaking down and building up—of identifying and perfecting the small constituent parts of a skill and the combining them for an overall effect greater than the sum of those parts. For another, mastery almost always involves intentional imperfection—as in music, where vibrato, a way of not quite landing on the right note, carries maximum expressiveness. Gopnik’s simplest and most invigorating lesson, however, is that we are surrounded by mastery. Far from rare, mastery is commonplace, if we only know where to look: from the parent who can whip up a professional strudel to the social worker who—in one of the most personally revealing passages Gopnik has ever written—helps him master his own demons. Spirited and profound, The Real Work will help you understand how mastery can happen in your own life—and, significantly, why each of us relentlessly seeks to better ourselves in the first place.

The Real Work: On the Mystery of Mastery

From The New York Times best-selling author of Paris to the Moon and beloved New Yorker writer, a memoir that captures the romance of New York City in the 1980s. When Adam Gopnik and his soon-to-be-wife, Martha, left the comforts of home in Montreal for New York, the city then, much like today, was a pilgrimage site for the young, the arty, and the ambitious. But it was also becoming a city of greed, where both life's consolations and its necessities were increasingly going to the highest bidder. At the Stranger's Gate builds a portrait of this particular moment in New York through the story of this couple's journey--from their excited arrival as aspiring artists to their eventual growth into a New York family. Gopnik transports us to his tiny basement room on the Upper East Side, and later to SoHo, where he captures a unicorn: an affordable New York loft. He takes us through his professional meanderings, from graduate student-cum-library-clerk to the corridors of Conde Nast and the galleries of MoMA. Between tender and humorous reminiscences, including affectionate portraits of Richard Avedon, Robert Hughes, and Jeff Koons, among many others, Gopnik discusses the ethics of ambition, the economy of creative capital, and the peculiar anthropology of art and aspiration in New York, then and now.

At the Stranger's Gate

«L’eccezionalità di Gopnik sta nella sua capacità di prendere un argomento sul quale sembra non ci sia più nulla da dire e di trattarlo in maniera originale e profonda...» Alain de Botton «Brillante, coinvolgente e intensamente moderno.» The Spectator Nel corso del Settecento, il mondo moderno si è garantito il lusso di poterlo ammirare da dietro un vetro nel tepore di una stanza ben riscaldata: da allora l’inverno ha smesso di essere soltanto una stagione buia e gelida ed è diventato molto altro e molto di più. Parte da questa constatazione Adam Gopnik per accompagnarci in un eclettico viaggio tra gli artisti, i libri, le musiche, le mode che hanno forgiato la nostra nuova visione dell’inverno. Scopriamo così come una poesia abbia imposto l’immagine del piacere borghese di radunarsi intorno a un camino mentre fuori nevica; come un’illustrazione abbia sancito il sincretismo tra Natale dei consumi e Natale degli affetti; come la passione per le stampe giapponesi abbia ammorbidito la nostra visione del freddo; come i resoconti delle esplorazioni polari abbiano dato vita a un nuovo senso dell’avventura. L’inverno aspro con cui i romantici tedeschi identificavano lo spirito nordico – in contrapposizione al razionalismo illuminista – nel tempo ha ceduto il passo alle eleganti mollezze di quello ritratto dagli impressionisti; i mesi invernali hanno trovato le loro forme di svago, dal sottile erotismo delle piste di pattinaggio alle folle dello shopping, e l’estetica boreale delle festività di fine anno ha conquistato anche i climi mediterranei, in un profluvio di neve finta, abeti, renne e rami di vischio.

L'invenzione dell'inverno

Ian Wardropper

Michaelyn Mitchell

& Other Reflections on Art at the Frick

Sleeve Should Be Illegal

Eleven-year-old Oliver, an American boy residing in Paris, discovers, much to his astonishment, that phantoms live within the windowpanes and have selected Oliver to lead a war against the "soul-stealers" that inhabit mirrors.

The King in the Window

Una casa a New York

A Home in New York

Through the Children's Gate

Oliver Parker is a ten-year-old American boy miserably trapped in Paris, where his father is stationed as a journalist. Intimidated by his French school and its prickly teachers, oppressed by gray and wintry Paris, and feeling curiously remote from his father--who spends more and more time staring dully into his computer screen--Oliver longs to return to America.

The author of Paris to the Moon describes the author's fall 2000 move from Paris back to New York with his family in a series of essays that profile the teachers, therapists, coaches, friends, adversaries, and others who make up their extended urban family and describe their new home, the impact of 9/11, real estate, and the meaning of life. 150,000 first printing.

New York Looks Best in the Fall

Il manifesto del rinoceronte. L'avventura del liberalismo

Following Adam Gopnik’s best-selling Paris to the Moon, the adventure continues against the panorama of another storied city. Autumn, 2000: the Gopnik family moves back to a New York that seems, at first, safer and shinier than ever. Here are the triumphs and travails of father, mother, son and daughter; and of the teachers, coaches, therapists, adversaries and friends who round out the extended urban family. From Bluie, a goldfish fated to meet a Hitchcockian end, to Charlie Ravioli, an imaginary playmate who, being a New Yorker, is too busy to play, Gopnik’s New York is charmed by the civilization of childhood. It is a fabric of living, which, though rent by the events of 9/11, will reweave itself, reviving a world where Jewish jokes mingle with debates about the problem of consciousness, the price of real estate and the meaning of modern art. By turns elegant and exultant, written with a signature mix of mind and heart, Through the Children’s Gate is at once a celebration of a newly fragile city and a poignant study of a family trying to find its way, and joy, within it.

Adam Gopnik

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