Adam Marek

A collection of surrealist fiction features fourteen stories in which ordinary people have such fantastical experiences as a woman discovering she is pregnant with thirty-seven children and a man learning Busta Rhymes controls his body.

Instruction Manual for Swallowing

Intelligent clothing, superhero dictators, contagion-carrying computer games, cross-species reproduction... Welcome to the strange and startling world of Adam Marek; a menagerie of futuristic technology, sinister traditions and scientifically-grounded superpowers a place where the absurd and the mundane are not merely bedfellows, but interbreed. Pulsing at the core of Adam Marek's much-anticipated second collection is a single, unifying theme: a parent s instinct to protect a particularly vulnerable child. Whether set amid unnerving visions of the near-future, or grounded in the domestic here-and-now, these stories demonstrate that, sometimes, only outright surrealism can do justice to the merciless strangeness of reality, only the fantastically illogical can steel us against what ordinary life threatens.

The Stone Thrower

Sara Maitland

Simon Ings

Sarah Schofield

Toby Litt

Gregory Norminton

Sean O'Brien

Justina Robson

Jane Rogers

Jane Feaver

Dilys Rose

K.J. Orr

Annie Kirby

Simon van Booy

Programmable memories, fatherless reproduction, nano-tech implants, amphibian-powered scar treatment, full body modification, brain-scanning lie-detectors, inter-species reproduction, self-determining synthetic ‘green goo’… Which of these would you wager is pure science fiction, and which currently being developed in the lab? Such is the speed and excitement of today’s bio-medical research – sprinting from the starting gun that was the Human Genome Project – it’s sometimes hard to tell. In a unique collaboration, fourteen short story writers have been invited to explore the increasingly grey area between the fantastical and that which is already within our reach. Closely collaborating with scientists and ethicists working at the forefronts of their respective fields, each writer has been tasked with predicting some of the potential ‘ethical side-effects’ of this ground-breaking work. Not all progress, after all, is progressive. And dark forces are afoot that threaten to hi-jack what many declared would be ‘the century of biology’. 'Fascinating reading.' - Financial Times 'An exhilarating read.' - The Short Review Toby Litt's Bio-Punk story 'Call it ''The Bug'' Because I Have No Time to Think of a Better Title' short-listed for the 2013 Sunday Times EFG Private Bank Short Story Award.

Bio-Punk

Adam Roberts

Frank Cottrell-Boyce

Lucy Caldwell

Julian Gough

Claire Dean

Stuart Evers

Robin Yassin-Kassab

Martyn Bedford

Margaret Wilkinson

Zoe Lambert

Joanna Quinn

Andy Hedgecock

Dinesh Allirajah

Computers are changing. Soon the silicon chip will seem like a clunky antique amid the bounty of more exotic processes on offer. Robots are changing too; material evolution and swarm intelligence are creating a new generation of devices that will diverge and disperse into a balanced ecosystem of humans and ‘robjects’ (robotic objects). Somewhere in between, we humans will have to change also… in the way we interact with technology, the roles we adopt in an increasingly ‘intelligent’ environment, and how we interface with each other. The driving motors behind many of these changes will be artificial life (A-Life) and unconventional computing. How exactly they will impact on our world is still an open question. But in the spirit of collective intelligence, this anthology brings together 38 scientists and authors, working in pairs, to imagine what life (and A-Life) will look like in the year 2070. Every kind of technology is imagined: from lie-detection glasses to military swarmbots, brain-interfacing implants to synthetically ‘grown’ skyscrapers, revolution-inciting computer games to synthetically engineered haute cuisine. All artificial life is here. Featuring scientific contributions from: Martyn Amos, J. Mark Bishop, Seth Bullock, Stephen Dunne, James Dyke, Christian Jantzen, Francesco Mondada, James D. O'Shea, Andrew Philippides, Lenka Pitonakova, Steen Rasmussen, Thomas S. Ray, Micah Rosenkind, James Snowdon, Susan Stepney, Germán Terrazas, Andrew Vardy and Alan Winfield. Supported by TRUCE (Training and Research in Unconventional Computation in Europe).

Stories From an A-Life Future

Beta-Life

Ramsey Campbell

Christopher Priest

Hanif Kureishi

Nicholas Royle

Etgar Keret

Alison MacLeod

Frank Cottrell Boyce

Ian Duhig

Gerard Woodward

A.S. Byatt

Mathew Holness

** Winner of the 2008 Shirley Jackson Award for Best Anthology** In 1919 Sigmund Freud published an essay that delved deep into the tradition of horror writing and claimed to understand one of its darkest tricks. Like a mad scientist, he performed literary vivisection on a still-breathing body of work, exploring its inner anatomy, and pulling out mysterious organs for classification. His aim: to present to the world a complete theory of ‘das unheimliche’, the uncanny. In the spirit of this great experiment, 14 leading authors have here been challenged to write fresh fictional interpretations of what the uncanny might mean in the 21st century, to update Freud’s famous checklist of what gives us the creeps, and to give the hulking canon of uncanny fiction a shot in the arm, a shock to the neck-bolts... 'It’s not too great a stretch to see Comma as the literary equivalent of Factory Records.' - The Herald, 2 Dec. 'Delightful and disturbing' - The Independent on Sunday, 14 Dec. 'A masterclass in understated creepiness... a deliciously macabre collection that the old Austrian might well have enjoyed.' - Book of the Week, Time Out, 12 Jan. 'If we need the uncanny – and I suspect we do – then we also need it updating... laudable.' - Book of the Week, The Independent, 2 Jan. 'A bold idea.' - The Guardian, 3 Jan.

The New Uncanny

***WINNER of the 2011 Arts Foundation Fellowship in Short Story Writing*** **Short-Listed for the 2010 Sunday Times EFG Private Bank Short Story Award** *Long-listed for the Frank O'Connor International Short Story Prize* Robotic insects, in-growing cutlery, flesh-serving waiters in a zombie cafe... Welcome to the surreal, misshapen universe of Adam Marek’s first collection; a bestiary of hybrids from the techno-crazed future and mythical past; a users’ guide to the seemingly obvious (and the world of illogic implicit within it). Whether fantastical or everyday in setting, Marek’s stories lead us down to the engine room just beneath modern consciousness, a place of both atavism and familiarity, where the body is fluid, the spirit mechanised, and beasts often tell us more about our humanity than anything we can teach ourselves.

Zoe Gilbert

Robin Ince

Ian Watson

Anneliese Mackintosh

Sandra Alland

Annie Clarkson

Marie Louise Cookson

Featuring leading scientists acting as consultants on the stories, and writing scientific afterwords, bringing the theory featured in the stories to life, including Prof. Sarah Bridle (Jodrell Bank), Prof. Jonathan Wolff and Prof. Frank Jackson (the inventor of the 'Mary's Room' thought experiment). Science is always telling stories. Whether in the creation myths of evolution or the Big Bang, or in the eureka moments of science history, narrative – just as much as metaphor – is a key tool in the scientist’s surprisingly literary toolkit. Perhaps the most interesting use of story is the thought experiment, the intuition pump, that draws on the most instinctive parts of the imagination to crack otherwise perplexing problems. From Newton's Bucket, to Maxwell’s Demon, from Einstein's Lift to Schrödinger’s Cat – all are examples of 'fiction' being used at the highest level, not just to explain, but to deduce, to prove. In this unique anthology, authors have collaborated with leading scientists, to bounce literary, human narratives against purely theoretical ones, alloying together real stories with abstract ones, to produce truly extraordinary results. Full list of thought experiments: The Twin Paradox, The Grandfather Paradox, Maxwell's Demon, Laplace's Demon, Mary's Room, The Chinese Room, Schrödinger's Cat, Galileo's Boat, The Infinite Monkey Typing Pool, Einstein in a LIft, Einstein Chasing a Beam of Light, Newton's Bucket, Olber's Paradox.

Fictions and Hypotheticals

Thought X

Brian Aldiss

Wojciech Orlinski

Jacek Dukaj

Trevor Hoyle

Piotr Szulkin

We know Stanislaw Lem, whether or not we consciously know that we do. He may only be recognised in the West as the author of the twice-filmed novel, Solaris, but the influence of his other work is legion. From computer games (The Sims was inspired by one of his short stories), to films (the red and blue pills of The Matrix owe much to his Futurological Congress); from the space comedies of Red Dwarf to the metaphysical satires of Douglas Adams... the presence of this masterly Polish writer can be traced far and wide. Nor was his genius confined to fiction. Lem's essays and pseudo-essays borne out of the military industrial tensions of the Cold War have outlived their original context and speak to the most current developments in virtual reality, nanotechnology, and artificial intelligence. To celebrate his name, as well as his vision, this anthology brings together writers, critics and scientists who continue to grapple with his concerns. British and Polish novelists join screenwriters, poets, computer engineers, and artists, to celebrate and explore Lem's legacy through short stories and essays - two literary forms that, as Lem knew well, can blend together to create something altogether new. As one of the barriers to Lem's fame was language, this book also features specially commissioned translations: three stories never to have appeared in English before. Lem was always ahead of us. It's time we caught up.

Lemistry

Paul Theroux

Mark Haddon

Saleem Haddad

Margaret Drabble

Lara Williams

David Constantine

Alan Beard

Gaia Holmes

Bernardine Bishop

Christine Poulson

Matthew Holness

Lucie McKnight Hardy

Mike Nelson

Meave Haughey

Karen Featherstone

SOMETHING HAS FALLEN AWAY. We have lost a part of ourselves, our history, what we once were. That something, when we encounter it again, look it straight in the eyes, disgusts us, makes us retch. This is the horror of the abject. Following the success of Comma’s award-winning New Uncanny anthology, The New Abject invites leading authors to respond to two parallel theories of the abject – Julia Kristeva’s theory of the psychoanalytic, intimate abject, and Georges Bataille’s societal equivalent – with visceral stories of modern unease. As we become ever-more isolated by social media bubbles, or the demands for social distancing, our moral gag-reflex is increasingly sensitised, and our ability to tolerate difference, or ‘the other’, atrophies. Like all good horror writing, these stories remind us that exposure to what unsettles us, even in small doses, is always better than pretending it doesn’t exist. After all, we can never be wholly free of that which belongs to us.

Tales of Modern Unease

The New Abject

Adam Marek

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