Aditya Malik

Offers a study of "Devnarayan ki par", along with an English translation of this Rajasthani oral narrative. Using the narrative, this book explores a range of questions relevant to the study of Indian folk culture and Hinduism as a whole: how is orality conceptualized and practiced? What is the relationship between spoken and visual signs?

An Analysis and Translation of the Rajasthani Oral Narrative of Devnarayan

Nectar Gaze and Poison Breath

Will Sweetman

A major contribution toward the ongoing debates on the nature and history of Hinduism in India Is Hinduism coherent, or should it be viewed as a conglomeration of many distinctive traditions? What were (or are) its most important and central teachings? When did the idea of “Hinduism” first arise and what have been the consequences? What were the effects of British rule on the religion and what are the effects of continuing modernization? This book responds to all such debates surrounding Hinduism in the colonial and contemporary periods. It emphasizes on Hinduism as it arose and developed in the subcontinent itself—an approach which facilitates greater attention to detail and an understanding of the specific context in which new movements and changes have taken place.

Modern and Contemporary Movements

Hinduism in India

Based on extensive ethnographic fieldwork conducted in the Central Himalayan region of Kumaon, Tales of Justice and Rituals of Divine Embodiment draws on oral and written narratives, stories, testimonies, and rituals told and performed in relation to the "God of Justice," Goludev, and other regional deities. The book seeks to answer several questions: How is the concept of justice defined in South Asia? Why do devotees seek out Goludev for the resolution of matters of justice instead of using the secular courts? What are the sociological and political consequences of situating divine justice within a secular, democratic, modern context? Moreover, how do human beings locate themselves within the indeterminateness and struggles of their everyday existence? What is the place of language and ritual in creating intimacy and self? How is justice linked to intimacy, truth, and being human? The stories and narratives in this book revolve around Goludev's own story and deeds, as well as hundreds of petitions (manauti) written on paper that devotees hang on his temple walls, and rituals (jagar) that involve spirit possession and the embodiment of the deity through designated mediums. The jagars are powerful, extraordinary experiences, mesmerizing because of their intensity but also because of what they imply in terms of how we conceptualize being human with the seemingly limitless potential to shift, alter, and transform ourselves through language and ritual practice. The petitions, though silent and absent of the singing, drumming, and choreography that accompany jagars, are equally powerful because of their candid and intimate testimony to the aspirations, breakdowns, struggles, and breakthroughs that circumscribe human existence.

Oral Narratives from the Central Himalayas

Tales of Justice and Rituals of Divine Embodiment

This book offers a detailed study of the oral narrative of Shri Devnarayan along with the first English translation of this popular Rajasthani folk narrative. The narrative extolling the deeds of Lord Devnarayan is performed by itinerant singers during all night vigils in front of a 9-meter long, elaborately painted cloth scroll that depicts scenes and characters from the story. Aditya Malik uses the narrative to explore and ask a range of innovative questions relevant to the study of Indian folk culture and Hinduism as a whole: How is orality conceptualized and practiced? What is the relationship between spoken and visual signs? How do Devnarayan's devotees create multiple discourses concerning religion, community, and history within and though the medium of the narrative? Malik's analysis suggests that the narrative provides a framework for establishing linkages between different communities, past and present, spoken word and visual image, as well as contending religious ideologies. His interpretation is interspersed with excerpts from interviews with devotees and singers, other tales and texts, and observations from his field research that together invoke the worlds created by the narrative.

Aditya Malik

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