Patrick Elliott

Adrian Clark

Davey Brown

The 'Two Roberts': Robert Colquhoun (1914-1962) and Robert MacBryde (1913-1966), were two of the most important and celebrated Scottish artists of the twentieth century. This catalogue with over 90 illustrations accompanies the only show to ever exhibit both artists together. The authors refer to previously unpublished letters and explore the 'Two Roberts' individual art practice as well as works the two executed together.

Robert Colquhoun & Robert MacBryde

The Two Roberts

Mark Billinghurst

Gun Lee

A Survey of Augmented Reality summarizes almost fifty years of research and development in the field of Augmented Reality (AR). It provides an overview of the common definitions of AR, and shows how AR fits into taxonomies of other related technologies.

A Survey of Augmented Reality

Jeremy Dronfield

One of the art world's biggest patrons, the legendary Peter Watson helped Francis Bacon and Lucian Freud begin their careers--and was tragically cut down in his prime by a jealous lover When Peter Watson was murdered in his bath by a jealous boyfriend in 1956, the art world lost one of its wealthiest, most influential patrons. This compellingly attractive man, adored by Cecil Beaton; a man who was called a legend by contemporaries, who was the subject of two scandalous novels, and who helped launch the careers of Francis Bacon, John Craxton, and Lucian Freud, fell victim to a fortune-hungry lover. Elegant and hungrily sexual, Peter Watson had a taste for edgy, disreputable boyfriends. He was the unrequited love of Cecil Beaton's life--his "queer saint"--but Peter preferred the risk of edgier, less sophisticated lovers, including the beautiful, volatile, drug-addicted prostitute Denham Fouts. Peter's thirst for adventure took him through the cabaret culture of 1930s Berlin, the demi-monde and aristocratic salons of pre-war Paris, English high society, and the glitz of Hollywood's golden age. Gore Vidal described him as "a charming man, tall, thin, perverse. One of those intricate English queer types who usually end up as field marshals, but because he was so rich he never had to do anything." Truman Capote called him "not just another rich queen, but--in a stooped, intellectual, bitter-lipped style--one of the most personable men in England." More than just a gay playboy, Peter Watson was a renowned connoisseur, and fueled the engine of mid-20th century art with his enormous wealth. Without his patronage, Bacon and Freud might have failed before they'd got started. He also founded the influential British arts journal Horizon with Cyril Connolly and Stephen Spender, and was one of the core founders of the Institute of Contemporary Arts, and organized most of its early exhibitions. From the mystery of his obscure family origins to the enigma surrounding his premature death, this book follows Peter Watson through an odyssey of the middle 20th century, from high society to sweaty underworld, and discovers a man tormented by depression and doubt; he ultimately wanted love and a sense of self-worth, but instead found angst and a squalid death.

The Cultured Life of Peter Watson, who Shook Twentieth-century Art and Shocked High Society

Queer Saint

From the mystery of his obscure family origins to the enigma surrounding his premature death, Queer Saint follows Peter Watson through an odyssey of the twentieth century, from high society to the sweaty underworld. When Peter Watson was murdered in his bath by a jealous boyfriend in 1956, the art world lost one of its wealthiest, most influential patrons. This compellingly attractive man, adored by Cecil Beaton - a man who was called a legend by contemporaries, who was the subject of two scandalous novels, and who helped launch the careers of Francis Bacon, John Craxton and Lucian Freud - fell victim to a fortune-hungry lover. Elegant and hungrily sexual, Peter Watson had a taste for edgy, disreputable boyfriends. He was the unrequited love of Cecil Beaton's life, his 'queer saint', but Peter preferred the risk of edgier, less sophisticated lovers, including the beautiful, volatile, drug-addicted prostitute Denham Fouts. Peter's thirst for adventure took him through the cabaret culture of 1930s Berlin, the demi-monde and aristocratic salons of pre-war Paris, English high society, and the glitz of Hollywood's golden age. More than just a gay playboy, Peter Watson was a renowned connoisseur, and fuelled the engine of mid-twentieth-century art with his enormous wealth. Anyone interested in contemporary art or cultural history is bound to enjoy this book. Adrian Clark is a Cambridge-educated lawyer, writer and commentator on art and art history, who has written several books and reviews. Jeremy Dronfield was born in Wales. After completing a doctorate in archaeology at Cambridge, he began writing fiction. His first novel, The Locust Farm, was shortlisted for the John Creasey Memorial award for debut crime fiction. He also has a parallel career as a ghostwriter and historical biographer. He is the author of the critically acclaimed Sunday Times bestseller The Boy Who Followed His Father Into Auschwitz.

The Cultured Life of Peter Watson

When Peter Watson was murdered in his bath by a jealous boyfriend in 1956, the art world lost one of its wealthiest, most influential patrons. This compellingly attractive man, adored by Cecil Beaton; a man who was called a legend by contemporaries, who was the subject of two scandalous novels, and who helped launch the careers of Francis Bacon, John Craxton and Lucian Freud, fell victim to a fortune - hungry lover. Elegant and hungrily sexual, Peter Watson had a taste for edgy, disreputable boyfriends. He was the unrequited love of Cecil Beaton's life - his 'queer saint' - but Peter preferred the risk of edgier, less sophisticated lovers, including the beautiful, volatile, drug - addicted prostitute Denham Fouts. Peter's thirst for adventure took him through the cabaret culture of 1930s Berlin, the demi - monde and aristocratic salons of pre - war Paris, English high society, and the glitz of Hollywood's golden age. Gore Vidal described him as 'a charming man, tall, thin, perverse. One of those intricate English queer types who usually end up as field marshals, but because he was so rich he never had to do anything.' Truman Capote called him 'not just another rich queen, but - in a stooped, intellectual, bitter - lipped style - one of the most personable men in England'. More than just a gay playboy, Peter Watson was a renowned connoisseur, and fuelled the engine of mid - 20th century art with his enormous wealth. Without his patronage, Bacon and Freud might have failed before they'd got started. He also founded the influential British arts journal Horizon with Cyril Connolly and Stephen Spender, and was one of the core founders of the Institute of Contemporary Arts, and organised most of its early exhibitions. From the mystery of his obscure family origins to the enigma surrounding his premature death, this book follows Peter Watson through an odyssey of the middle 20th century, from high society to sweaty underworld, and discovers a man tormented by depression and doubt; he ultimately wanted love and a sense of self - worth but instead found angst and a squalid death.

The Cultured Life of Peter Watson, Who Shook Twentieth-Century Art and Shocked High Society

Summary: This book puts history back into the history of art. It approaches the British and Irish art worlds from the historical viewpoint, avoiding theories unsupported by facts. By studying the intricate mechanisms whereby artists turned oil on canvas into money - or not - the book explains how artists' reputations were made or broken. Individual artists discussed include Francis Bacon, Lucian Freud, Henry Moore, John Piper, Graham Sutherland, Jacob Epstein, Ben Nicholson, Barbara Hepworth and many more. Readers will be startled and intrigued to find how such artists fought to survive amid the network of powerful individuals, critics and gallery owners that controlled their destinies.

Adrian Clark

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