Mark Twain

Shelley Fisher Fishkin

E. L. Doctorow

Albert E. Stone

The adventures and pranks of a mischievous boy growing up in a Mississippi River town in the early nineteenth century

The Adventures of Tom Sawyer

Stone rescues autobiography from the thickets of recent critical theory, in which the life portrayed has often seemed less important than the inventive literary techniques. He argues that the techniques are important because knowledge of the life is important to our culture. Restricting himself primarily to 16 writers of the 20th century, Stone juxtaposes two or three figures in given chapters, such as "Becoming a Woman in Male America: Margaret Mead and Anais Nin" and "Two Recreate One: The Act of Collaboration in Recent Black Autobiography -- Ossie Guffy, Nate Shaw, Malcolm X." Other writers considered are W.E.B. DuBois, Henry Adams, Black Elk, Thomas Merton, Louis Sullivan, Richard Wright, Norman Mailer, Frank Conroy, and Lillian Hellman.

Versions of American Identity From Henry Adams to Nate Shaw

Autobiographical Occasions and Original Acts

As Albert E. Stone points out in his preface to Literary Aftershocks, the 1992 issue of Nuclear Texts and Contexts carried a headline proclaiming "Farewell to the First Atomic Age." Literary Aftershocks, Stone asserts, "takes seriously that adjective first and invites readers of history and literature to do the same." And indeed readers of this volume will do so, for Stone has compiled a sweeping, vitally important survey of the literary response to nuclear realities from 1945 to the present. Represented here are a diversity of writers, predominantly American, speaking with urgency and passion to a host of concerns: radioactivity, nuclear warfare, disarmament, the future of the planet, respect for life, and more. The breadth of selections is striking, ranging from such well-known works as Bradbury's Martian Chronicles, Hersey's Hiroshima, Ginsberg's "Plutonian Ode," and Schell's Fate of the Earth to writings and authors heretofore given scant attention. Together, these voices emit a clarion call for life and not death, for peace and not war. Writing in crisp, pointed, and always accessible language, Stone approaches his material partly chronologically and partly by genre. Here readers will find thoughtful interpretations and clarifications accompanying excerpts from essays and stories, science fiction and poetry, novels and nonfiction. Children's literature is afforded special emphasis, as is the cultural criticism of the 1980s. Lending overall perspective to the material is a Chronology of Nuclear History and Literature. More than a narrow work of literary history, Literary Aftershocks is cultural history at its finest, permeated by a strong - and strongly documented - humanist slant. It argues that imaginative writing by contemporary Americans reflects, refracts, and interprets the historical realities of the nuclear age; it demonstrates that description, diagnosis, and prophecy are the common concerns of these writers. Simultaneously disturbing, sobering, and thought-provoking, Literary Aftershocks is above all a book of hope. In the aftermath of the breakup of the Soviet Union, when complacency about nuclear threats is all too tempting, this volume challenges readers to think, feel, and act. As such, it offers a compelling resource not only for students and teachers but for general readers as well.

Albert E. Stone

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