James Moore

Georgia O'Keeffe

Albuquerque Museum

Barbara Buhler Lynes

Charles C. Eldredge

Joseph and Margaret Muscarelle Museum of Art

"This book features fifty-four paintings, photographs, and drawings of the calla lily dating from the 1860s to 1940. It includes nine of O'Keeffe's most renowned paintings of the flower as well as works by Imogen Cunningham, Charles Demuth, Marsden Hartley, John La Farge, Man Ray, Joseph Stella, and Edward Weston. The book includes an introduction by esteemed O'Keeffe scholar Barbara Buhler Lynes and essays on various aspects of the flower in American art by Charles C. Eldredge and James Moore."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Georgia O'Keeffe and the Calla Lily in American Art, 1860-1940

Frances Fowle

Vivien Hamilton

American Federation of Arts

Kelvingrove Art Gallery and Museum

Glasgow Art Gallery and Museum

Kelvingrove Art Gallery

Speed Art Museum (Louisville, Ky)

Glasgow Museums

J.B. Speed Art Museum

Frick Art & Historical Center (Pittsburgh, Pa)

Kalamazoo Institute of Arts (Kalamazoo, Mich.)

The City of Glasgow possesses an internationally renowned collection of Impressionist and Post-Impressionist paintings. This magnificent book, the catalogue for a major exhibition, features sixty-four of the finest paintings in this collection, including important works by Rousseau, Corot, Monet, Renoir, Cézanne, Gauguin, Van Gogh, Picasso, Derain, Matisse, and Rouault. The lavishly illustrated book provides a short essay on each work as well as full catalogue details. There are also four introductory essays by prominent scholars that set the paintings in context. Irene Maver examines the social, political, and economic environment of Glasgow from its beginnings until the First World War; Frances Fowle charts the taste for French art in the west of Scotland during the late nineteenth and early twentieth century; Hugh Stevenson explores the early history of the city's collection and its assimilation of contemporary French paintings; and Belinda Thomson discusses how Glasgow's collection relates to the wider historical context of French painting of the period.

Nineteenth- and Twentieth-century French Painting from Kelvingrove Art Gallery, Glasgow

Millet to Matisse

Albuquerque Museum

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