Alexander Eiling

Juliane Betz

Fabienne Ruppen

How the lush moods and easy conviviality of the Rococo permeated Renoir's sensual paintings More than any other Impressionist, Pierre-Auguste Renoir defined the treatment of the human figure for his generation, while also portraying the emergent Parisian bourgeois way of life. In this volume, Renoir's painting After the Luncheon, which depicts three bourgeois figures enjoying tea, liquor and cigarettes after a meal in a restaurant, serves as the jumping-off point for a far-reaching examination of an important source of inspiration for the painter throughout his life: the Rococo. Considered trivial after the French Revolution, this style of painting, developed over the course of the 18th century, was typified by frivolous gatherings of beautiful, upper-class subjects in pastoral settings and lascivious boudoir scenes. The Rococo style experienced a renaissance in the 19th century and was widely celebrated during Renoir's lifetime. Published on the occasion of the Städel Museum's major exhibition, this beautiful clothbound volume, containing over 300 color images, explores Renoir's multifaceted connection to a once reviled tradition through illuminating juxtapositions of his art with the 18th-century works of such renowned masters as Antoine Watteau, François Boucher, Jean-Baptiste-Siméon Chardin, Jean-Honoré Fragonard and others. Pierre-Auguste Renoir(1841-1919) was a founder of the style that became known as Impressionism, and one of the movement's most prolific members. Described by Herbert Read as "the final representative of a tradition which runs directly from Rubens to Watteau," Renoir was a connoisseur and champion of feminine beauty. Surviving most of his contemporaries, Renoir lived to see his paintings hung at the Louvre alongside the Old Masters he so revered.

Renoir: Rococo Revival

Sandra Gianfreda

Eva-Maria Höllerer

Ottilie W. Roederstein, born to German parents in Zurich in 1859, was one of the leading painters in the German-speaking world during her lifetime. She also enjoyed early recognition in Paris. As one of the few women of her time, she successfully dedicated her entire life to art and led an unconventional but respected existence in Germany together with her partner, the gynecologist Elisabeth H. Winterhalter.0Although Roederstein's early work adhered to the conventions of the academy, the painter increasingly opened herself up to other currents in her more mature work and in the 1920s found her way to an austere, objective visual vocabulary.0Despite her international reputation as a portraitist and painter of still lifes, Roederstein fell into oblivion almost immediately after her death in 1937. Now, after several decades, the Kunsthaus Zürich and the Städel Museum in Frankfurt am Main are presenting the first monographic show of her work, accompanied by this comprehensive catalogue.00Exhibition: Kunsthaus Zürich, Zürich, Switzerland (18.12.2020 - 04.04.2021) / Städel Museum, Frankfurt am Main, Germany (15.05. - 05.09.2021).

Alexander Eiling

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