Alice König

Nicolas Wiater

This volume offers novel readings of ancient conflict narratives from around the ancient Mediterranean and explores their impact on later habits of understanding and representing war, with an innovative methodological focus on narrative interplay and visualisation. The chapters provide an in-depth analysis of the ways in which interactions between a wide array of conflict narratives – including written texts, art, sculpture and drawings – result in culturally specific ways of visualising war, especially battle. The volume covers a large range of genres from a variety of ancient cultures, including Greek, Roman, Persian, Jewish and Christian, and its innovative focus on interplay offers fresh insights into how modes of visualising war compare across time and space, as well as across different kinds of text. Covering material from the third millennium bce to the present, it also sheds new light on how different ways of visualising conflict have evolved over the centuries and continue to inform habits of visualising war today. A detailed methodological introduction lays the foundation for future studies of conflict narratives, and the volume’s envoi sets the agenda for new research on visualising peace. Visualising War across the Ancient Mediterranean appeals to students and scholars working across a range of disciplines, including Classics and ancient Mediterranean studies, war studies, narratology and intertextuality studies.

Interplay between Conflict Narratives in different Media and Genres

Visualising War across the Ancient Mediterranean

Rebecca Langlands

James Uden

This book explores new ways of analysing interactions between different linguistic, cultural, and religious communities across the Roman Empire from the reign of Nerva to the Severans (96–235 CE). Bringing together leading scholars in classics with experts in the history of Judaism, Christianity and the Near East, it looks beyond the Greco-Roman binary that has dominated many studies of the period, and moves beyond traditional approaches to intertextuality in its study of the circulation of knowledge across languages and cultures. Its sixteen chapters explore shared ideas about aspects of imperial experience - law, patronage, architecture, the army - as well as the movement of ideas about history, exempla, documents and marvels. As the second volume in the Literary Interactions series, it offers a new and expansive vision of cross-cultural interaction in the Roman world, shedding light on connections that have gone previously unnoticed among the subcultures of a vast and evolving Empire.

Cross-Cultural Interactions

Literature and Culture in the Roman Empire, 96–235

Christopher Whitton

The first holistic study of Roman literature and literary culture under Nerva, Trajan and Hadrian (AD 96-138). Authors treated include Frontinus, Juvenal, Martial, Pliny the Younger, Plutarch, Quintilian, Suetonius and Tacitus. Key topics and approaches include recitation, allusion, intertextuality, 'extratextuality' and socioliterary interactions.

Literary Interactions, AD 96–138

Roman Literature under Nerva, Trajan and Hadrian

Discovers new connections and cross-fertilisations between different cultural, linguistic and religious communities in the Roman Empire.

Alice König

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