Alison Stones

Alison Stones has taught History of Art and Architecture in the USA since 1969 and has enjoyed Visiting Fellowships at the Universities of Oxford, Cambridge and Paris. She is a specialist in illuminated manuscripts, co-authoring Les Manuscrits de Chretien de Troyes (1993), The Pilgrim's Guide to Santiago de Compostela, A Critical Edition (1998), and writing Le Livre d'images de Madame Marie (Paris, BNF n.a.fr. 16251) (1997), and Gautier de Coinci, Miracles, Music and Manuscripts (2006). Her four-volume study, Manuscripts Illuminated in France, Gothic Manuscripts 1260-1320 was published in 2013 and 2014. Her research has been supported by the American Council of Learned Societies, the American Philosophical Society, the Fulbright Foundation, and the National Endowment for the Humanities. She is a Fellow of the Society of Antiquaries of London, a Correspondant etranger honoraire of the Societe nationale des Antiquaires de France and a Chevalier de l'Ordre des Arts et des Lettres. These two volumes collect and update Professor Stones's papers on Arthurian manuscript illustration, one of her continuing passions. These essays explore aspects of the iconography of the romances of Chretien de Troyes in French verse, the lengthy Lancelot-Grail romance in French prose, and other versions of the chivalrous exploits of King Arthur's knights - the best-sellers of the Middle Ages. Illustrated copies of these romances survive in huge numbers from the early thirteenth century through the beginnings of print, and were read for their text and their pictures throughout the French-speaking world. Of special interest is the cultural context in which these popular works were made and disseminated, by scribes and artists whose work encompassed all kinds of books, for patrons whose collecting was wide-ranging, including secular books alongside works of liturgical and devotional interest.

Studies in Arthurian Illustration Vol II

Henri (maître)

reproduction intégrale du manuscrit Nouvelles acquisitions françaises 16251 de la Bibliothèque nationale de France

Le livre d'images de Madame Marie

Keith Busby

Lori Walters

Terry Nixon

These two volumes are about the forty-five surviving manuscripts and fragments that transmit, and sometimes illustrate, the texts of Chrétien de Troyes. Here is presented, for the first time, a photographic corpus of those manuscripts that is as complete as possible and includes all the illustrations of the illustrated manuscripts, organized according to a new interpretation of their chronology and distribution. This visual material is complemented by a catalogue of all the extant manuscripts and their illustrations and by a series of analytical essays on aspects of the codicology, palaeography, the history of style and iconography, and the history of textual transmission of the manuscripts. The 24 colour and 435 black/white plates and figures include at least one reproduction of every manuscript and fragment, with the unfortunate exception of the fragments that have been lost since their texts were edited and of which no photograph has been preserved. The collaboration of literary scholars with art historians, codicologists, and palaeographers make this enterprise a new departure in manuscript and text studies: many of the essays are also illustrated.

Les Manuscrits de Chrétien de Troyes

Philippe de Remi

Philippe (de Remy)

Philippe de Beaumanoir

Roger Middleton

Le Roman de la Manekine marks the beginning of its author's literary career. Philippe de Remi, on whom much attention has focused in the last two decades, was an unusual figure: a 13th-century land-holder and professional administrator who loved literature and who produced a large and varied corpus of narrative and lyric. Here is presented for the first time since 1884 a scholarly edition of Philippe's first romance, a tale centering on a heroine of great courage and integrity who passes through many trials without losing hope. The text is accompanied by a line-by-line English version, and by extensive commentary touching on the author, his milieu, and the literary context and major themes of the romance. Studies of the manuscript (Paris BNF fr 1588), its illustrations (all of them reproduced), and its history, have been provided by Alison Stones and Roger Middleton. The volume should be of interest to specialists in medieval French literature, to general readers who find English translations useful, and to scholars in the fields of medieval art and manuscript history.

Le Roman de la Manekine

Paula Lieber Gerson

Jeanne Krochalis

Annie Shaver-Crandell

This volume presents a fresh interpretation of the origins of the Guide, its dissemination and its reception over six centuries, based on a new analysis of the twelve extant manuscripts and a collation of the variants. The authors introduce their detailed Catalogue of Manuscripts with a full discussion on the origins, patronage, authorship and production of the manuscripts. And to accompany the Catalogue, there is also a body of illustrations in which a selection of the significant pages from each extant copy is reproduced. II. The Text This en regard editio offers a new English translation of the Latin Text of probably the earliest surviving copy of the Guide - the Codex Calixtinus in the Archivo de la Catedral de Santiago de Compostela. Extensive annotations of both the Latin and English texts collate this manuscript with the other eleven extant copies. All aspects of the contents of the text are commented on - saints, relics, buildings, place-names, language, costumes, customs, history and art. More detailed discussions on the monuments are cross-refe- renced to the entries and illustrations in the companion volume, the GAZETTEER. Also included here is an exhaustive Bibliography, and a Map of the routes. This volume presents a fresh interpretation of the origins of the Pilgrim's Guide, its dissemination and its reception over six centuries, based on a new analysis of the twelve extant manuscripts and a collation of the variants.

The Pilgrim's Guide: The text : annotated English translation

A Critical Edition

The Pilgrim's Guide

Kathy M. Krause

Gautier de Coinci (c. 1177-1236) was a Benedictine prior, a poet and composer, and the author of several very popular religious works, including a large collection of Miracles of the Virgin in French, which enjoyed a wide circulation during the Middle Ages. Gautier drew on multiple Latin sources for his work, embellishing and personalizing them as he adapted them to his poetic design. Conceiving of his collection of miracles as a complete work, Gautier carefully organized the tales into two books, framing each with authorial exordia and lyrics praising the Virgin. In addition to its obvious literary interest, the subsequent manuscript tradition offers a remarkable panorama of medieval manuscript production, in particular due to the fascinating combination of text, music and illustration. Bringing together a select group of scholars from multiple disciplines (including art history, musicology, and literary studies), this collection of essays explores complementary aspects of Gautier, his works, and his manuscripts. The volume offers both breadth and depth in its examination of Gautier de Coinci and his Miracles de Nostre Dame It promises to redefine Gautier studies through its interdisciplinary consideration of the varied facets of his work as it makes available to scholars and students the first interdisciplinary examination of this key figure in medieval vernacular religious culture.

Miracles, Music and Manuscripts

Gautier de Coinci

Alison Stones

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