Amy J. Ransom

"Richard Matheson's 1954 novel I Am Legend has spawned a series of horror and science fiction films. This reexamination of Matheson's novel situates the tale of one man's attitude about killing racialized "others" within its orginal post-World War II context. The author analyzes several film adaptations, with a focus on the casting and interpretations protagonist Robert Neville"--

I Am Legend as American Myth

This study of French-language science fiction from Canada provides an introduction to the subgenre known as "SFQ" (science fiction from Quebec), demonstrating how these multivolume narratives of colonization and postcolonial societies exploit themes incl

A Postcolonial Study

Science Fiction from Qu_bec

Dominick Grace

Canadian Science Fiction, Fantasy, and Horror: Bridging the Solitudes exposes the limitations of the solitudes concept so often applied uncritically to the Canadian experience. This volume examines Canadian and Québécois literature of the fantastic across its genres—such as science fiction, fantasy, horror, indigenous futurism, and others—and considers how its interrogation of colonialism, nationalism, race, and gender works to bridge multiple solitudes. Utilizing a transnational lens, this volume reveals how the fantastic is ready-made for exploring, in non-literal terms, the complex and problematic nature of intercultural engagement.

Bridging the Solitudes

Canadian Science Fiction, Fantasy, and Horror

Hockey, PQ explores how Canada's national sport has been used to signify a specific Québécois identity.

Canada's Game in Quebec's Popular Culture

Hockey, PQ

Richard Matheson’s 1954 novel I Am Legend has spawned a series of iconic horror and science fiction films, including The Last Man on Earth (1964), The Omega Man (1971) and I Am Legend (2007). The compelling narrative of the last man on earth, struggling to survive a pandemic that has transformed the rest of humanity into monsters, has become an American myth. While the core story remains intact, filmmakers have transformed the details over time, reflecting changing attitudes about race and masculinity. This reexamination of Matheson’s novel situates the tale of one man’s conflicted attitude about killing racialized “others” within its original post–World War II context, engaging the question of post-traumatic stress disorder. The author analyzes the several film adaptations, with a focus on the casting and interpretations of protagonist Robert Neville.

Amy J. Ransom

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