Amy Reigle Newland

Hasui Kawase

A selection of one hundred masterpieces by Kawase Hasui (1883-1957), one of the most important Japanese landscape artists of the twentieth century. Large full colour illustrations show the enormous variety of snow, moon and rain scenes for which Hasui became famous. Introduction to Kawase Hasui by Ken Brown. (See also our publication 'Kawase Hasui The complete woodblock prints', 2003). Kawase Hasui (1883-1957) is considered one of the most important Japanese landscape artists of the 20th century. His prints, produced under the guidance and stern eye of his publisher, Watanabe Shôzaburô, are the modern continuation of the unforgettable works by Hiroshige and Hokusai, the 19th-century masters of this genre. As none other, he could evoke Japan of the eventful interwar period. Hasui's work enjoyed huge popularity from his very first print of 1918. In contrast to his illustrious 19th-century predecessors, his work was immediately successful in the rest of the world. His publisher, Watanabe Shôzaburô, recognised the enormous potential of the American market, which resulted in Hasui's prints fetching high prices at auctions in New York as early as the 1920s. After the Second World War, his prints were highly desired and sought after collectible items among the American occupying forces in Japan. Hasui's work has always been greatly appreciated in Japan: He was acknowledged as a 'Living National Treasure' in 1956.

Kawase Hasui's Masterpieces

Visions of Japan

V.1. Historical perspectives. The Edo period, 1603-1868 / Harold Bolitho ; The Meiji to Taisho ; eras, 1868-1926 / Ann Waswo -- The history of Japanese prints -- The Edo period, 1603-1868. The roots of ukiyo-e: its beginnings to the mid-eighteenth century / Donald Jenkins ; Ukiyo-e book illustration / Yu-Ying Brown ; Shunga in the Edo period / Timon Screech ; The Kanbun Bijin: setting the stage for ukiyo-e bijinga / Kobayashi Tadashi ; Chinese woodblock prints and their influence on Japanese ukiyo-e / Hans Bjarne Thomsen ; The birth of the full-color print: Suzuki Harunobu and his age, early 1740s to early 1780s / David Waterhouse ; The Yoshiwara and ukiyo-e / Cecilia Segawa Seigle ; Mitate in ukiyo-e prints / Ellis Tinios ; Kabuki: its history as seen in ukiyo-e / Samuel L. Leiter ; Kitagawa Utamaro and his contemporaries, 1780-1804 / Julie Nelson Davis ; Sumo prints / Lawrence Bickford ; Kyōka and ukiyo-e print designers / John T. Carpenter ; The publisher Tsutaya Jūzaburō and ukiyo-e publishing / Suzuki Toshiyuki ; Ukiyo-e meisho-e / Gary Hickey ; Diversification and further popularization of the full-colour woodblock print, c. 1804-68 / Ellis Tinios ; Surimono / Roger S. Keyes ; Nagasaki-e / Martha Chaiklin ; Kamigata-e: the prints of Osaka and Kyoto / Kitagawa Hiroko ; Shini-e / Melinda Takeuchi ; Warrior prints of the first half of the nineteenth century and the Suikoden / B.W. Robinson -- The Meiji era, 1868-1912. Woodblock prints of the Meiji era / Helen Merritt ; The maintenance of tradition in the face of contemporary demands: a reassessment of Meiji prints / Oikawa Shigeru ; Yokahama-e / Helen Merritt, Oikawa Shigeru ; Photography and ukiyo-e prints / Margarita Winkel ; Woodblock prints as a medium of reportage: the Sino-Japanese and Russo-Japanese Wars / Louise Virgin -- The late Meiji to Taishō eras, 1900s to 1926. Prints and modernity: developments in the early twentieth century / Kendall Brown ; The publisher Watanabe Shozoburo and the Shin-hanga movement: its beginnings until the 1930s / Abe Setsuko ; Creative print (Sosaku-hanga) magazines / Chiaki Ajioka -- Commerce and constraint in the world of publishing. The publishing trade / P.F. Kornicki ; Censorship and ukiyo-e prints / Sarah E. Thompson -- Materials and techniques: issues of conservation and collecting. Materials and techniques / Shiho Sasaki ; The care of Japanese prints / Pauline Webber ; Collecting ukiyo-e prints: issues of quality, condition and rarity / Chris Uhlenbeck ; The original versus the genuine / Chris Uhlenbeck -- The history of collecting Japanese prints. Ukiyo-e collecting in Japan / Oikawa Shigeru ; Japanese prints in Europe, 1860-1930 / Max Put ; Postwar ukiyo-e collecting in Europe / Robert Schaap ; Ukiyo-e print collecting in America / Julia Meech.V.2. Reference section -- Artist index -- Lineage charts -- Chronological/historical tables -- Map of former Japanese provinces and the Gokaido -- Signature facsimiles -- Censor seals -- Publisher seals -- Appendices. List of works released by Shin-hanga publisher Watanabe Shozaburo ; Pre-nishiki-e and Nishiki-e formats ; Elements of a print -- Concordance of artists' names (with Japanese characters).505.

The Hotei Encyclopedia of Japanese Woodblock Prints

Volume 2 of Hotei Academic European Studies on Japan is a compilation of essays covering subjects relating to the artistic environment of the artists and the economic considerations of Japanese print production. The essays are extended versions of the lectures presented at the First International Conference on Ukiyo-e, organized by Hotei Publishing. Contributions by Chris Uhlenbeck, David Waterhouse, Roger Keyes, Shigeru Oikawa, Asano Shugo, Timothy Clark, John Carpenter, Timon Screech, Matthi Forrer, Ellis Tinios and Philip Meredith.

The Commercial and Cultural Climate of Japanese Printmaking

The Art of Japanese Woodblock Prints

Ukiyo-e

The art of Japanese woodblock printing from the 16th century to the 18th century is beautifully celebrated in this large-format volume. Depicted are nearly 100 images of astonishing color and variety. The text explains the cultural traditions of Japan as well as interprets the prints.

Chris Uhlenbeck

This publication draws from the Ed Freis collection, which was assembled over the course of thirty years. It illustrates numerous works from Yoshitoshi s early career, including several prints that have to date not appeared in Western language catalogues."

Masterpieces from the Ed Freis Collection

Yoshitoshi

James Bennett

This major book explores the astonishingly rich heritage of Japanese art, from prehistoric times until Japan opened its doors to the West at the commencement of the Meiji period (1868-1912). It reveals the astonishingly rich heritage of Japanese art held in Australia's major public and private collections. Serene Buddhist sculptures, spectacular painted screens, miniature netsuke talismans, colourful Ukiyo-e images of the 'floating world', costumes, masks, armour and flamboyant export art created for Australia's late nineteenth-century international exhibitions are all included in celebration of the profound lyricism and sophisticated eloquence of Japanese aesthetics. The book features essay contributions by twelve leading Japanese and non-Japanese scholars. This publication is certain to be a major step in promoting greater national and international awareness in appreciating the significance of Japanese collections held in Australia.

Amy Reigle Newland

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