Andrea Riemenschnitter

Kiu-wai Chu

Mung Ting Chung

With the inclusion of twelve original articles by established and emerging international scholars, this volume offers critical reading of literary and cinematic texts produced in China and Sinophone communities between the 1950s and 2010s. The articles portray the lineage and mutations of the Chinese Bildungsroman, providing insights into the tensions between individual and society; nation and the world; and the multiple social, ecological, and virtual realities of recent decades. Concerned with how coming-of-age narratives have persistently returned and evolved over time, the book addresses themes such as family and social change; gender, class, and generational divides, local/global politics, and the ecological and posthuman turns in Chinese/Sinophone culture. It offers a fresh look on how the transnational and transgenerational journeys of Bildungsroman and coming-of-age narratives continuously transform and reinvigorate generic conventions, to explore adolescence as a formative social force and aesthetic experience in Chinese/Sinophone literature and film.This book aims to open up dialogues for better understanding emergent cultural forms that reflect social instability arising from the global spread of contemporary neo-liberal capitalism, and to constitute the foundation of an innovative history of Sinophone literature. It does not only take into account the complicated survival struggles of the subjects of Mao's revolution including refugee-immigrants turned colonial subjects, but also the interaction between literature and the arts as well as between human and nonhuman agents (place, material culture, nature, etc.).

Sinophone Variations of the Bildungsroman

Coming of Age in Chinese Literature and Cinema

Yue Zhuang

The exchange of landscape practice between China and Europe from 1500–1800 is an important chapter in art history. While the material forms of the outcome of this exchange, like jardin anglo-chinoisand Européenerie are well documented, this book moves further to examine the role of the exchange in identity formation in early modern China and Europe. Proposing the new paradigm of “entangled landscapes”, drawing from the concept of “entangled histories”, this book looks at landscape design, cartography, literature, philosophy and material culture of the period. Challenging simplistic, binary treatments of the movements of “influences” between China and Europe, Entangled Landscapes reveals how landscape exchanges entailed complex processes of appropriation, crossover and transformation, through which Chinese and European identities were formed. Exploring these complex processes via three themes—empire building, mediators’ constraints, and aesthetic negotiations, this work breaks new ground in landscape and East-West studies. Interdisciplinary and revisionist in its thrust, it will also benefit scholars of history, human geography and postcolonial studies.

Early Modern China and Europe

Entangled Landscapes

Deborah L. Madsen

Chinese migrant communities have reinvented their histories in many contexts, but the process of globalization has accelerated and diversified this phenomenon. Their fluid identities, innovative modernities, and generative talents in overcoming prejudice and multiple dislocations offer powerful examples of creative resistance to placebound traditions and nationalist histories. As the velocity of exchange in global media and commerce steadily increases, emergent and dynamic diasporas are increasingly influential in transnational discourses. This volume engages cultural representations of the subjectivities and loyalties of Chinese migrant communities, including analyses of aesthetic texts, as well as theoretical approaches in cultural studies. The book situates diasporic agency as an historical phenomenon with far-reaching political and social implications for both home and host societies and as a major site of contemporary cultural developments. By assembling a variety of regional, temporal, and disciplinary perspectives, it interrogates current notions of the diasporic subject, raising questions about respective ideological roots and cultural repositories as well as extensions and transgressions of new aesthetic vocabularies. Contributors include Roland Altenburger, Pheng Cheah, Prasenjit Duara, Kathrin Ensinger, Ping-kwan Leung, Helen F. Siu, Tamara S. Wagner, Mary Shuk-han Wong, Sau-ling C. Wong and Nicolas Zufferey.

Cultural Archives of Chinese Transnationalism

Diasporic Histories

Originally presented as the author's habilitation (Heidelberg) under the title: Nationale Mythen und Konfigurationen kulturellen Wandels in der chinesischen Literatur des 20. Jahrhunderts.

Andrea Riemenschnitter

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