Andreas Markantonatos

This is the first study of Sophocles’ Oedipus at Colonus which offers a lucid discussion of the main developments in the interpretative scholarship on the play, including among others an incisive analysis of its historical, social, mythical, intertextual, and performative contexts.

Sophocles, Athens, and the World

Oedipus at Colonus

Bernhard Zimmermann

This volume explores the relationships between masterworks of Sophocles, Euripides and Aristophanes and critical events of Athenian history, by bringing together international scholars with expertise on different aspects of ancient theatre. It raises questions about how tragic and comic plays composed in late fifth century mirror the acute political and social crisis unfolding in Athens in the wake of the military catastrophe in 413 BCE and the oligarchic revolution in 411 BCE. It is of particular interest to seasoned classical scholars as well as to those interested in Greek drama and Athenian history.

Tragedy and Comedy in Late Fifth-Century Athens

Crisis on Stage

Brill's Companion to Sophocles offers 32 chapters, newly commissioned and written by leading scholars, on Sophocles' life and works, as well as upon the basic historical, social, intellectual, moral, philosophical and religious issues of interest to Sophocles which remain central in the study of Greek tragedy to this day.

Brill's Companion to Sophocles

Annotation This is the first study of Sophocles Oedipus at Colonus which offers a lucid discussion of the main developments in the interpretative scholarship on the play, including among others an incisive analysis of its historical, social, mythical, intertextual, and performative contexts.

This volume is an accessible yet in-depth narratological study of Euripides’ Alcestis - the earliest extant play of Euripides and one of the most experimental masterpieces of Greek tragedy, not only standing in place of a satyr-play but also preserving at least some of its typical features. Commencing from the widely-held view, so lamentably ignored within the domain of Classics, that a narratology of drama should be predicated upon the notion of narrative as verbal, as well as visual, rendition of a story, this unique volume contextualizes the play in terms of its reception by the original audience, locating the intricate narrative tropes of the plot in the dynamics of fifth-century Athenian mythology and religion.

Narrative, Myth, and Religion

Euripides' "Alcestis"

Christos Tsagalis

In the wake of recent advances in the treatment of longstanding problems pertaining to the interpretation of Homeric poetry, this volume brings together cutting-edge research from a cohort of acclaimed scholars on Homer and the Homeric Hymns. The variety of topics covered spans the entire field of Homeric philology: the methods and solutions provided for a new edition of the Odyssey, the puzzle of the relation between the festival of the Panathenaea and the Homeric text, the disclosure of the meaning of notorious cruces pertaining to arcane formulas, the two emblematic heroes of the Iliad and the Odyssey, Achilles and Odysseus, Homeric poetics, the range and use of repetition in a traditional medium, the composition of the Homeric epics, the Apologoi and 'Cyclic' Narrative, as well as the Homeric Hymns to Hermes and Aphrodite.

The winnowing oar - New Perspectives in Homeric Studies

Andreas Fountoulakis

Georgios Vasilaros

This collection of essays, published in honour of Professor Georgia Xanthakis-Karamanos, addresses topics which lie at the forefront of current research on the fields of Greek drama and classical reception studies. It brings together internationally distinguished scholars who provide fresh insights into issues pertaining to the origins of Greek tragedy and comedy, their generic identity, the structure, the morality or the divine and human characters emerging from individual plays, the presence of Greek drama outside Athens in post-classical times, the associations between drama and genres such as epic and oratory or even the reception of Greek drama in operatic works such as Wagner’s Tristan und Isolde. Related art forms, such as music, receive particular attention. Focusing on either broader topics or specific texts, the essays of this volume provide a wide range of theoretical perspectives often combining modern critical trends such as reception studies, narratology or cultural studies with close and acute readings of individual passages. The volume is of particular interest to scholars and students of Greek drama and its reception as well as to anyone interested in Greek culture and its various manifestations.

Critical Perspectives on Greek Tragedy and Comedy. Studies in Honour of Georgia Xanthakis-Karamanos

Theatre World

This study of Sophocles' Oedipus at Colonus demonstrates the applicability of narrative models to drama. It presents a major contribution not only to Sophoclean criticism but to dramatic criticism as a whole. For the first time, the methods of contemporary narrative theory are thoroughly applied to the text of a single major play. Sophocles' Oedipus at Colonus is presented as a uniquely rich text, which deftly uses the figure and history of the blind Oedipus to explore and thematize some of the basic narratological concerns of Greek tragedy: the relation between the narrow here-and-now of visible stage action and the many off-stage worlds that have to be mediated into it through narrative, including the past, the future, other dramatizations of the myth, and the world of the fifth-century audience.

A Narratological Study of Sophocles' Oedipus at Colonus

Tragic Narrative

Brill’s Companion to Euripides, as well as presenting a comprehensive and authoritative guide to understanding Euripides and his masterworks, provides scholars and students with compelling fresh perspectives upon a broad range of issues in the field of Euripidean studies.

Andreas Markantonatos

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