Andrew Leak

An engaging and challenging introduction to Jean Genet, this concise biography of the French writer and his work cuts directly to the intersection of thought and life that was essential to Genet's creativity.

Jean-Paul Sartre

“What I have just written is false. True. Neither true nor false, like everything one writes about madmen, about men.” With these sentences, Jean-Paul Sartre undermines the truthfulness of his own autobiography, Les Mots. Undeterred by such circumlocutions, Andrew Leak here cuts through Sartre’s own disavowals to unearth the man behind the literary and philosophical giant. This biographical study integrates Sartre’s works into his personal life, revealing the intimate contexts in which his philosophy developed. From Sartre’s beginnings as a bright and precocious student, Leak explores how he struggled against the repressive strictures of bourgeois expectations, endured cruelty at the hands of schoolmates, and forged his conflicted personality within a fragmented family life. The book probes his particularly influential relationships with a range of people—from Simone de Beauvoir to Gaston Gallimard—and how Sartre was transformed by historical events, in particular his service in World War II. Telling anecdotes, personal correspondence, and archival photographs expose how Sartre’s own challenges emerged as predominant themes in his works—such as the often blurred delineation between the real and imaginary, and his preoccupation with definitions of “madness” in the individual. Leak’s astute and provocative examination of Sartre himself challenges the philosopher’s assertion about the limits of knowledge of the other.

Adrian van den Hoven

Sartre Today is a tribute to Jean-Paul Sartre on the centenary of his birth (1905-2005). With twenty-two contributions from leading Sartre scholars in North America and the United Kingdom, this volume will greatly enhance Sartre scholarship in the English-speaking world. The diversity of these chapters reflects the depth and breadth of Sartre's wide-ranging engagement with the political and cultural issues of his time. Yet as these contributions demonstrate, it is clear that Sartre's work still offers an important framework through which to address contemporary issues of a similar magnitude. This applies to Sartre's enduring contribution to philosophy and his conception of violence and terror, as well as analyses of the latest political events in the United States. Other contributions address Sartre's relationship to the contemporary understanding of neuroscience and group therapy as well as his conception of literature, biography, the theater and cinema. This rich volume will be of great use not only to all Sartre scholars but also to anyone who has an interest in modern philosophy, politics, psychology, and literature. Contributors: Thomas R. Flynn, Joseph S. Catalano, Reidar Due, Steve Martinot, Ronald E. Santoni, David Detmer, John Duncan, Hazel E. Barnes, Betty Cannon, Constance L. Mui, Peter Caws, Ann Jefferson, Dennis A. Gilbert, Colin Davis John Gillespie Ian Birchall, Betsy Bowman and Bob Stone, Azzedine Haddour, Ronald Aronson, William L. McBride

A Centenary Celebration

Sartre Today

Charles Forsdick

Richard Phillips 

Georges Perec, novelist, filmmaker and essayist, was one of the most inventive and original writers of the twentieth century. A fascinating aspect of his work is its intrinsically geographical nature. With major projects on space and place, Perec’s writing speaks to a variety of geographical, urban and architectural concerns, both in a substantive way, including a focus on cities, streets, homes and apartments, and in a methodological way, experimenting with methods of urban exploration and observation, classification, enumeration and taxonomy. Georges Perec’s Geographies is the first book to offer a rounded picture of Perec’s geographical interests. Divided into two parts, Part I, Perec’s Geographies, explores the geographies within Perec’s work in film, literature and radio, from descriptions of streets to the spaces of his texts, while Part II, Perecquian Geographies, explores geographies in a range of material and metaphorical forms, including photographic essays, soundscapes, theatre, dance and writing, created by those directly inspired by Perec. Georges Perec’s Geographies extends the body of Perec criticism beyond Literary and French Studies to disciplines including Geography, Urban Studies, Planning and Architecture to offer a complete and systematic examination of Georges Perec’s geographies. The diversity of readings and approaches will be of interest not only to Perec readers and fans but to students and researchers across these subjects.

Andrew Leak

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