Andrew Pepper

St Giles, London, 1829: three people have been brutally murdered and the city simmers with anger and political unrest. Pyke, sometime Bow Street Runner, sometime crook, finds himself accidentally embroiled in the murder investigation but quickly realises that he has stumbled into something more sinister and far-reaching. In his pursuit of the murderer, Pyke ruffles the feathers of some powerful people and, falsely accused of murder himself, he soon faces a death sentence and the gallows of the Old Bailey. Imprisoned, and with only his uncle and the headstrong, aristocratic daughter of his greatest enemy who believe in him, Pyke must engineer his escape, find the real killer and untangle the web of politics that has been spun around him. From the gutters of Seven Dials to the cells of Newgate prison, from the turmoil of 1800s Belfast to the highest levels of murky, pre-Victorian politics, THE LAST DAYS OF NEWGATE is a gripping, darkly atmospheric story with a fantastic, pragmatic - and reluctantly heroic - hero.

The Last Days of Newgate

Federico Pagello

Jacques Migozzi

Monica Dall'Asta

This book represents the first extended consideration of contemporary crime fiction as a European phenomenon. Understanding crime fiction in its broadest sense, as a transmedia practice, and offering unique insights into this practice in specific European countries and as a genuinely transcontinental endeavour, this book argues that the distinctiveness of the form can be found in its related historical and political inquiries. It asks how the genre’s excavation of Europe’s history of violence and protest in the twentieth century is informed by contemporary political questions. It also considers how the genre’s progressive reimagining of new identities forged at the crossroads of ethnicity, gender, and sexuality is offset by its bleaker assessment of the corrosive effects of entrenched social inequalities, political corruption, and state violence. The result is a rich, vibrant collection that shows how crime fiction can help us better understand the complex relationship between Europe’s past, present, and future. Seven chapters are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

Representing History and Politics

Contemporary European Crime Fiction

Jesper Gulddal

Janice Allan

Stewart King

The Routledge Companion to Crime Fiction is a comprehensive introduction to crime fiction and crime fiction scholarship today. Across 45 original chapters, specialists in the field offer innovative approaches to the classics of the genre as well as ground-breaking mappings of emerging themes and trends. The volume is divided into three parts. Part I, Approaches, rearticulates the key theoretical questions posed by the crime genre. Part II, Devices, examines the textual characteristics of crime fiction. Part III, Interfaces investigates the complex ways in which crime fiction engages with the defining issues of its context - from policing and forensic science through war, migration and narcotics to digital media and the environment. Rigorously argued and engagingly written, the volume is indispensable both to students and scholars of crime fiction.

The Routledge Companion to Crime Fiction

Pyke returns in a gripping tale of brutal murder and deception, set in the back streets of Victorian London and the cane fields of Jamaica. London: 1840. The economy is sliding into recession; gangs of unemployed workers roam the streets; and a murderer prowls the capital's poor neighbourhoods. Pyke, still grieving over the death of his wife and struggling to shoulder his responsibilities as a father, is in debtors' prison, having lost his home and reached the edge of bankruptcy. Fitzroy Tilling, now head of the new Metropolitan Police Force gives Pyke his freedom, but in return he must agree to investigate the brutal death of a young mulatto woman, who was apparently working as a prostitute. It is not long before another woman turns up dead, and Pyke begins to suspect that he has stumbled on something more sinister, and more far-reaching than the murder of a couple of prostitutes... Pyke's investigation takes him from the London docks to the sugar plantations of Jamaica, from a fading colonial mansion to the back-streets of the East End in a struggle against ambitious and ruthless enemies, as well as demons of his own.

From the author of The Last Days of Newgate

Kill-Devil And Water

Terrific second novel set in the criminal underworld of pre-Victorian England from the author of THE LAST DAYS OF NEWGATE It is 1835, and with the birth of the Industrial Revolution, railway fever sweeps the country. Pyke is uneasy with the luxury his aristocratic marriage has brought him, and when he is unofficially asked to investigate a decapitation, he can not resist the chance to resuscitate the old skills he learned on the streets. But with the industrial world comes a new and faceless enemy: men who have money and power, and who will stop at nothing in their pursuit of both. For Pyke, with his young wife and child and an elevated place in society to protect, the stakes have suddenly become alarmingly high. From the sweat shops of the east end to the palace of the Queen-in-waiting; from the elegant drawing rooms of the newly rich, to the blood-spattered backrooms of London's taverns, Pyke's investigation stirs up a hornets' nest of trouble. As the death toll rises, an alluring woman from his past returns, and Pyke must draw on all of his resources if he is to protect his family, and survive.

The Revenge Of Captain Paine

What gives crime fiction its distinctive shape and form? What makes it such a compelling vehicle of social and political critique? Unwilling Executioner argues that the answer lies in the emerging genre's complex and intimate relationship with the bureaucratic state and modern capitalism, and the contradictions that ensue once the state assumes control of the criminal justice system. This study offers a dramatic new interpretation of the genre's emergence and evolution over a three hundred year period and as a genuinely transnational phenomenon. From its roots in the tales of criminality circulated widely in Paris and London in the early eighteenth century, this book examines the extraordinary richness, diversity and complexity of the genre's subsequent thematizations of crime and policing—moving from France and Britain and from continental Europe and the United States to other parts of the globe. In doing so it offers new ways of reading established crime novelists like Gaboriau, Doyle, Hammett, and Simenon, beyond their national contexts and an impulse to characterize their work as either straightforwardly 'radical' or 'conservative'. It also argues for the centrality of writers like Defoe, Gay, Godwin, Vidocq, Morrison, and more recently Manchette, Himes, and Sjöwall and Wahlöö to a project where crime and policing are rooted, and shown to be rooted, in the social and economic conditions of their time. These are all deeply political writers even if their novels exhibit no interest in directly promoting political causes or parties. The result is an agile, layered, and far-reaching account of the crime story's ambivalent relationship to the justice system and its move to complicate our understanding of what crime is and how society is policed and for whose benefit.

Crime Fiction and the State

Unwilling Executioner

As America's ethnic and racial character undergoes explosive transformation, its crime fictions trace, contest and celebrate the changes.The Contemporary American Crime Novelis an exciting book that offers a comprehensive review of recent developments in American crime fiction, exploring America's dynamic, fragmented multicultural landscape and how it has transformed the codes and conventions of the crime novel. Featured authors include James Ellroy, James Lee Burke, Sara Paretsky, Barbara Wilson, Chester Himes, Walter Mosley, Faye Kellerman, Alex Abella, and Chang-Rae Lee.

Race, Ethnicity, Gender, Class

The Contemporary American Crime Novel

David Schmid

Why has crime fiction become a global genre? How do writers use crime fiction to reflect upon the changing nature of crime and policing in our contemporary world? This book argues that the globalization of crime fiction should not be celebrated uncritically. Instead, it looks at the new forms and techniques writers are using to examine the crimes and policing practices that define a rapidly changing world. In doing so, this collection of essays examines how the relationship between global crime, capitalism, and policing produces new configurations of violence in crime fiction – and asks whether the genre can find ways of analyzing and even opposing such violence as part of its necessarily limited search for justice both within and beyond the state.

A World of Crime

Globalization and the State in Contemporary Crime Fiction

Amidst civil unrest and famine in Great Britain, Inspector Pyke takes on a kidnapping case of a wealthy man's son while Irish police officer Michael Knox investigates the murder of a slain vagrant dressed in an expensive suit.

Bloody Winter

Unwilling Executioner is the first book to examine the deep-rooted relationship between the development of crime fiction as a genre and the consolidation of the modern state. It offers a far-reaching and wide-ranging perspective on this unfolding relationship over a three hundred year period but is not a straightforward and conventional narrative history of the genre. It is part of a new and exciting critical move to read crime fiction as a transnationalphenomenon and to examine crime novelists in an innovative comparative context, taking them out of their discreet national traditions. Considers Anglo-American crime-writing, as well as works published inFrance, Italy, Germany, Ireland, Japan, South Africa and elsewhere, it addresses the related questions of why crime fiction is political and how particular examples of the genre engage with the complicated issue of political commitment.

The Routledge Companion to Crime Fiction is a comprehensive introduction to crime fiction and crime fiction scholarship today. Across 45 original chapters, specialists in the field offer innovative approaches to the classics of the genre as well as ground-breaking mappings of emerging themes and trends. The volume is divided into three parts. Part I, Approaches, rearticulates the key theoretical questions posed by the crime genre. Part II, Devices, examines the textual characteristics of crime fiction. Part III, Interfaces investigates the complex ways in which crime fiction engages with the defining issues of its context – from policing and forensic science through war, migration and narcotics to digital media and the environment. Rigorously argued and engagingly written, the volume is indispensable both to students and scholars of crime fiction.

Andrew Pepper

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