Andrew Willis

Degas

Antonio Lázaro-Reboll

This is the first collection in English to focus exclusively on the various forms of popular film produced in Spain and to acknowledge the variety, range and depth of Spanish cinema.Contributors from across Hispanic, media and cultural studies explore a range of genres, from the musicals of the 1930s and 1940s to contemporary horror movies, historical epics of the 1940s and 1950s and contemporary representations of the Spanish Civil War. The book includes reappraisals of key popular directors such as Luis Garcia Berlanga and Antonio Mercero as well as critical analyses of celebrated stars like Marisol. It provides innovative consideration of the promotion and reception of horror in the 1960s, recollections of cinema-going in Madrid, and reflections on successful recent works such as 'Abre los Ojos' and 'Solas'.The contributors offer a range of critical and methodological perspectives, opening up new ways of analysing Spanish popular film.

Spanish Popular Cinema

David Chappell

The Architect in Practice was first published in 1952. Originally written by a quantity surveyor and an architect it has remained, through its nine editions, a leading textbook used in the education of architects world-wide. While the format of the book has developed, the message and philosophy remains the same as the original: to provide the student of architecture and the young practitioner with a readable guide to the profession, outlining an architect's duties to client and contractor, the key aspects of running a building contract, and the essentials of management, finance and drawing office procedure. The tenth edition follows in that tradition. The authors, still an architect and a quantity surveyor, have brought the text fully up to date. Major revisions in this edition include: Revised sections on Planning and the Building Regulations Changes to the education of architects in the UK have been detailed Discussion of the new ARB Architects Code: Standards of Professional Conduct and Practice which came into force in January 2010 The commentary on the RIBA Standard Form for the Appointment of an Architect 1999 (SFA/99) has been updated The latest RIBA Standard Agreement 2010 (S-10-A) is now discussed All references to JCT contracts have been updated to refer to the latest revisions of the 2005 suite of contracts Now also includes reference to education, registration and CPD requirements of the Royal Institute of the Architects of Ireland The tenth edition of The Architect in Practice will continue to provide the guidance and advice all students and practising architects need in the course of their studies and in their profession.

The Architect in Practice

Douglas Goold

The history books will add the Bre-X saga to other legendary frauds like the South Sea Bubble. When the Bre-X bubble burst, the stock that had soared from fifty cents in 1994 to the equivalent of $286 in 1996 was worth nine cents in May 1997, before trading halted forever. And the Busang deposit, supposedly as much as 200 million ounces of gold, worth about $70 billion U.S. - the biggest gold find in history - was actually the century's biggest fraud. How did this happen, right under the noses of the financial world? In this book the experienced investigative team from "The Globe and Mail's Report on Business that broke the story of Bre-X's troubles has combined forces to answer that question. With literally hundreds of Bre-X interviews behind them, and drawing on resources from several continents, they have been able to explain the twists and turns of this complex tale. The result is a fascinating true story that reads like the wildest fiction.

The Bre-X Fraud

Julian Stringer

Mark Jancovich

Antonio Lázaro Reboli

This collection concentrates on the analysis of cult movies, how they are defined, who defines them and the cultural politics of these definitions. The definition of the cult movie relies on a sense of its distinction from the "mainstream" or "ordinary." This also raises issues about the perception of it as an oppositional form of cinema, and of its strained relationships to processes of institutionalization and classification. In other words, cult movie fandom has often presented itself as being in opposition to the academy, commercial film industries and the media more generally, but has been far more dependent on these forms than it has usually been willing to admit. The international roster of essayists range over the full and entertaining gamut of cult films from Dario Argento, Spanish horror and Peter Jackson's New Zealand gorefests to sexploitation, kung fu and sci-fi flicks.

The Cultural Politics of Oppositional Tastes

Defining Cult Movies

This book takes as its focus film stars from the past and present, from Hollywood, its margins and beyond and analyzes them through a close consideration of their films and the variety of contexts in which they worked. Essays spread the net wide, looking at past stars from Rosalind Russell and Charlton Heston to present-day stars including Sandra Bullock, Jackie Chan and Jim Carrey, as well as those figures who have earned a certain film star cachet such as Prince, and the martial artist Cynthia Rothrock.

Hollywood and Beyond

Film Stars

Antonio Lázaro Reboll

Spanish Popular Cinema is the first European language work to focus exclusively on this neglected aspect of Spain's film history. Moving from the 1930s to the present, the contributors to this book provide a diverse collection of essays that reassess some of the forgotten and critically overlooked works of Spanish popular cinema.

Andrew Willis

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