Ann Dumas

Antonina W. Bouis

Tim Marlow

Natalia Murray

Milner, John

Rebecca Bray

Beatrice Gullström

Alison Hissey

Carola Krueger

Peter Sawbridge

Nick Tite

Ruth Addison

'Revolution: Russian Art, 1917-1932' encapsulates a momentous period in Russian history that is vividly expressed in the diversity of art produced between 1917, the year of the October Revolution, and 1932 when Stalin began to suppress the avant-garde and its debates. Based around the great exhibition of 1932 held at the State Russian Museum in Leningrad, the book explores the fascinating themes and artistic developments of the first fifteen years of the Soviet state, including painting, sculpture, ceramics, posters, graphics and film. The exhibition itself was to be the swansong of avant-garde art in Russia: new policies quickly ensured that Socialist Realism - collective in production, public in manifestation and Communist in ideology - was to become the only acceptable art form. This volume is a timely and authoritative exploration of how modern art in all its forms flourished, was recognised, celebrated, and broken by implacable authority all within fifteen years.

Russian art 1917-1932

Revolution

Robert Rosenblum

Mary Anne Stevens

Looks back on the Paris World's Fair of 1900, and surveys its artwork and the artists who produced it.

Art at the Crossroads

1900

Christopher Lloyd

William H. Robinson

Émilia Philippot

Stephen Coppel

Emmanuelle Hincelin

Johan Popelard

Violette Andres

Picasso's artistic output is astonishing in its ambition and variety. Picasso and Paper examines a particular aspect of his legendary capacity for invention: his imaginative and original use of paper. He used it as a support for autonomous works, including etchings, prints and drawings, as well as for his papier-collé experiments of the 1910s and his revolutionary three-dimensional "constructions," made of cardboard, paper and string. Sometimes his use of paper was simply determined by circumstance: in occupied Paris, where art supplies were in short supply, he ripped up paper tablecloths to make works of art. And of course his works on paper comprise the preparatory stages of some of his very greatest paintings. With reproductions of nearly 400 works of art and a series of insightful new texts by leading authorities on the artist, this sumptuous study reveals the myriad ways in which Picasso explored the potential of paper at different stages of his career. Picasso and Paper is published for an exhibition organized by the Royal Academy of Arts, London, and the Cleveland Museum of Art in partnership with the Musée national Picasso-Paris. The legendary life and career of Pablo Picasso (1881-1973) spanned nearly the entire 20th century and ushered in some of its most significant artistic revolutions.

Picasso and Paper

Mary Beard

Norman Rosenthal

Maryanne Stevens

Flemming Friborg

Masterpieces from the Ny Carlsberg Glyptotek, Copenhagen

Ancient Art to Post-Impressionism

Metropolitan Museum of Art (New York, N.Y.)

In a series of essays, some previously published and some written for this book, major scholars discuss, from various perspectives, Degas's collection and its relation to his own art.

The Private Collection of Edgar Degas

"Inspiring Impressionism" explores links between Impressionists and the major European art-historical movements that came before them, demonstrating how often beneath the Impressionists' commitment to capturing contemporary life there lay a deep exploration of the art of the past. Presents Impressionist works by artists including Manet, Monet, Degas, Bazille, Cassatt, and Cezanne alongside those of Raphael, El Greco, Rubens, Velazquez, and others.

The Impressionists and the Art of the Past

Inspiring Impressionism

Vincent van Gogh

Nienke Bakker

Hans Luijten

Leo Jansen

Vincent van Gogh (1853-1890) is one of the greatest figures in Western art. Revered for his bold, expressionist paintings, he is also admired as a prodigious and eloquent letter writer. His correspondence displays a remarkable literary gift and an ability to communicate his ideas and feelings about nature, art, and life in direct, emotive language. Illustrated with works of art and letters that demonstrate Van Gogh’s abiding preoccupations--the role of color in painting, the cycles of nature, and friendship, for example--this fascinating book explores the correspondence as a self-portrait of the artist and the man. The letter-sketches that Van Gogh used to describe completed works or those in progress are reproduced here alongside the finished paintings or drawings, providing a unique insight into his artistic development. Drawing on new and extensive research, leading authorities on Van Gogh reveal how the letters enhance and shape our view of this modern master.

The Artist and His Letters

The Real Van Gogh

Monty Don

Lucy I.. Zimmerman

James Priest

Heather Lemonedes

"While depictions of gardens are found throughout history, the impressionists were among the first to portray gardens directly from life, focusing on their color and form rather than using them as a background. This volume explores the close, symbiotic relationship between artists and gardens that developed during the latter part of the 19th and first part of the 20th centuries, centering on Monet, a great horticulturalist as well as a great artist who cultivated gardens wherever he lived, and the creation of his masterpiece garden at Giverny, where he painted his renowned water-lilies series. Beautifully illustrated with masterpieces by Monet and later painters--Renoir, Bonnard, Sargent, Klee, Kandinsky, and Matisse, among others--Painting the Modern Garden traces the evolution of the garden theme from impressionist visions of light and atmosphere to retreats for reverie, sites for bold experimentation, sanctuaries, and, ultimately, signifiers of a world restored to order--a paradise regained."--Publisher's description.

Monet to Matisse

Painting the Modern Garden

Ann Dumas

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