Katherine Mansfield

Ann Ward

Henrik Johan Ibsen

Katherine Mansfield is one of the most famous short story writers in the English language. These four stories take place about a hundred years ago in England and New Zealand. They are sometimes funny, sometimes sad and often cruel.

The Doll's House and Other Stories

Retells four stories set in England or New Zealand that highlight differences in circumstances or how individuals behave differently to those of a different class or station, with introduction and activities.

Home school parents begin to educate their children very early. This book really takes advantage of the strengths of the preschool learning years and includes lesson plans for ten subjects of study--all designed to fit into a stress-free one-hour-and-a-half each day. The curriculum covers a full two years. Great for helping new families get started in home schooling.

Preschool & Kindergarten : a Christian Parent's Guide with Day-by-day Lesson Plans Using the Library as a Resource

Learning at Home

Socrates and Dionysus engages and seeks to redraw the boundaries between philosophy and poetry, science and art. Friedrich Nietzsche argues in his work The Birth of Tragedy that science conquers art, especially the tragic art of the Dionysian poet of ancient Greece. Appealing to the natural, primeval self that is suppressed but not extinguished by the knowledge of culture, Dionysian tragedy establishes contact with our bodies and their deepest longings. Science and philosophy, associated with the 'Socratism' of the theoretical man, celebrate the human mind in particular and the mind or rationality of the universe more generally. According to Nietzsche, it is Euripides who destroys the Dionysian entirely. Euripides celebrated the unadorned individual because only the individual, separated from their god, is intelligible or accessible to human reason; he insisted that art be comprehended by mind or that it be rationally understood. Euripides was possessed of such a rationalizing drive, Nietzsche claims, because his primary audience was Socrates. It is Socrates, therefore, who is the true opponent of Dionysus. Following Nietzsche's bifurcation between philosophy and art, postmodern political philosopher Richard Rorty rejects the tendency of philosophy to posit absolute, universal truths and turns to the concept of 'redescription' which he associates with the 'wisdom of the novel'. The novel is wise because it posits the relative truths and perspectives of the various individuals, societies and cultures that it represents. As an art form, it can therefore include every possible perspective of every particular situation, event or person. New interdisciplinary fields in politics, literature and film are giving rise to an expanding community of scholars who disagree with the approaches taken by Nietzsche and Rorty. These scholars are shedding light on the ways in which philosophy and art are friends rather than enemies. They seek to bridge the theoretical and ethical gaps between the world of 'fiction' and the world of 'fact', of art and science. There appears to be a fundamental tension between literary-artistic and scientific projects. Whereas the artist seeks to recreate human experience, thereby evoking basic ethical issues, the scientist apparently seeks ethically-neutral, evidence-based facts as the constituents of our knowledge of reality. Chapters in this volume, however, will reconsider how artists, philosophers and film-makers have addressed and attempted to reconcile the artist's language of normativity and the scientist's language of facticity.

Philosophy and Art in Dialogue

Socrates and Dionysus

Socrates and Dionysus engages and seeks to redraw the boundaries between philosophy and poetry, science and art. Friedrich Nietzsche argues in his work The Birth of Tragedy that science conquers art, especially the tragic art of the Dionysian poet of ancient Greece. Appealing to the natural, primeval self that is suppressed but not extinguished by the knowledge of culture, Dionysian tragedy establishes contact with our bodies and their deepest longings. Science and philosophy, associated with the ‘Socratism’ of the theoretical man, celebrate the human mind in particular and the mind or rationality of the universe more generally. According to Nietzsche, it is Euripides who destroys the Dionysian entirely. Euripides celebrated the unadorned individual because only the individual, separated from their god, is intelligible or accessible to human reason; he insisted that art be comprehended by mind or that it be rationally understood. Euripides was possessed of such a rationalizing drive, Nietzsche claims, because his primary audience was Socrates. It is Socrates, therefore, who is the true opponent of Dionysus. Following Nietzsche’s bifurcation between philosophy and art, postmodern political philosopher Richard Rorty rejects the tendency of philosophy to posit absolute, universal truths and turns to the concept of ‘redescription’ which he associates with the ‘wisdom of the novel’. The novel is wise because it posits the relative truths and perspectives of the various individuals, societies and cultures that it represents. As an art form, it can therefore include every possible perspective of every particular situation, event or person. New interdisciplinary fields in politics, literature and film are giving rise to an expanding community of scholars who disagree with the approaches taken by Nietzsche and Rorty. These scholars are shedding light on the ways in which philosophy and art are friends rather than enemies. They seek to bridge the theoretical and ethical gaps between the world of ‘fiction’ and the world of ‘fact’, of art and science. There appears to be a fundamental tension between literary-artistic and scientific projects. Whereas the artist seeks to recreate human experience, thereby evoking basic ethical issues, the scientist apparently seeks ethically-neutral, evidence-based facts as the constituents of our knowledge of reality. Chapters in this volume, however, will reconsider how artists, philosophers and film-makers have addressed and attempted to reconcile the artist’s language of normativity and the scientist’s language of facticity.

Dramatic changes have occurred in Europe in the past quarter century. The fall of communism and the expansion of liberal democracy, together with the desire to project a new “Europa” that is united, peaceful and prosperous into the future, illustrate that political philosophy is what grounds European political discourse and identity. Thus, an understanding of Europe’s political past and potential future directs us to the question: What is political philosophy? An exploration of the question of political philosophy points us back to Socrates, widely regarded as the first political philosopher, or the first philosopher to make human beings central to philosophic inquiry. Scholars such as Thomas Pangle suggest that a revival of the study of Socratic political philosophy will revive serious consideration of the questions of justice or how one ought to live, and demonstrate that classical rationalism is the essential dialectical partner and interrogator of the political theology of Scripture/scripture(s). Classical rationalism in this context is understood as a necessary alternative to modern liberalism, inadequate to the task of taking questions of justice seriously as it insists on regarding all religious claims and understandings of virtue as private preferences rather than definitive of the public sphere, and contemporary postmodernism, which has abandoned rationalism altogether by rejecting any truth claims not understood as relative. This volume explores Socratic rationalism, the major alternatives to it in the history of political philosophy, the potential impact of returning to it in contemporary times, and related themes. It takes a multifaceted approach with contributions from scholars in the fields of philosophy and political science.

Classical Rationalism and the Politics of Europe

The author explores the recovery of Socratic philosophy in the political thought of G.W.F. Hegel, Soren Kierkegaard, John Stuart Mill, and Friedrich Nietzsche. Ward identifies the cause of the renewed interest in Socrates in Hegel’s call for the absorption of the individual within the modern, liberal state and the concomitant claim that Socratic skepticism should cease because history has reached its end and perfection. Recoiling from Hegel’s attempt to chain the individual within the “cave,” nineteenth century thinkers push back against his deification of the state. Yet, underlying Kierkegaard, Mill and Nietzsche’s turn to Socrates is their acceptance of Hegel’s critique of the liberal conception of the rights-bearing individual. Like Hegel, they agree that such an individual is an unworthy competitor to the state. In search of a noble individual to hold up against the state and counter the belief in the “end” of history, Kierkegaard, Mill and Nietzsche bring back and transform Socrates in significant ways. For Kierkegaard the Socratic philosopher in modern times is the person of faith, for Mill the public intellectual whose idiosyncratic identity arises from the freedom of speech, and for Nietzsche the Dionysian artist. Each model the beauty of individuality in our democratic age.

Philosophy, Faith, and Freedom in a Democratic Age

The Socratic Individual

Examines how Aristotle posits political philosophy and the experience of friendship as a means to bind strictly intellectual virtue with morality. In this book, Ann Ward explores Aristotle’s Nicomachean Ethics, focusing on the progressive structure of the argument. Aristotle begins by giving an account of moral virtue from the perspective of the moral agent, only to find that the account itself highlights fundamental tensions within the virtues that push the moral agent into the realm of intellectual virtue. However, the existence of an intellectual realm separate from the moral realm can lead to lack of self-restraint. Aristotle, Ward argues, locates political philosophy and the experience of friendship as possible solutions to the problem of lack of self-restraint, since political philosophy thinks about the human things in a universal way, and friendship grounds the pursuit of the good which is happiness understood as contemplation. Ward concludes that Aristotle’s philosophy of friendship points to the embodied intellect of timocratic friends and mothers in their activity of mothering as engaging in the highest form of contemplation and thus living the happiest life.

Contemplating Friendship in Aristotle's Ethics

This study guide is designed to present an organized way to study the works of Beatrix Potter. It is one in a series of Classics At Home Study Guides to help expose children to some of the finest classics in children's literature.

Classics at Home

Socrates is widely regarded as the first philosopher to investigate not simply the natural world but to make human and political questions concerning justice, virtue and the good life central to rational inquiry. Thus, Socratic philosophy is often viewed as taking a rationalist approach to human narratives and becomes a narrative itself. After Socrates the prevailing view of what defines the Greeks and those commonly regarded as their descendents, the Europeans, is their civilizational foundation in philosophic rationalism. The Socratic conception of Greek and European identity has not gone unchallenged however. In antiquity the comic poet Aristophanes lampooned Socrates as impious and unjust and cast doubt on whether the Socratic way of life was an appropriate basis for politics. Examples from more recent times include the ambiguous place that Socratic philosophizing holds in the philosophies of Hegel, Kierkegaard and Nietzsche. The re-assessment of Socratic rationalism in the 19th century has led a to a “post-modern” suspicion of “grand narratives.” The radical critique of Socrates as the remote but powerful source of the priority assigned to reason in the 17th and 18th century Enlightenment(s) has shaken European faith in scientific, social and political progress. The European mind is left longing for a unifying narrative that crystallizes the European identity. Can Socratic philosophy survive the powerful challenges made in the name of history, faith and art? Does Socratic philosophizing adequately sustain political life in the face of such challenges, and does it prioritize reason over other human ways of knowing and representing their world? Alternatively, do the positions of later thinkers offer superior ways to understand the human person and develop political communities? This volume addresses these and related questions as it seeks to recover and revise our understanding of Socratic philosophy as an appropriate paradigm for European identity. It takes an interdisciplinary and international approach with contributions from scholars in the fields of philosophy, classics, religion, English and political science. The contributors teach and research in Europe, Canada, the United States and Iran.

Ann Ward

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