Annabel Patterson

Milton's Words approaches John Milton in both an old and a new way, focusing on his genius with words: keywords - the keys to a text or a theory; words of sexual avoidance and distress; words of abuse; words of privilege because 'Scripture'; big learned words; and cunning little words, easily overlooked. After a short account of Milton's life as a writer, Patterson guides us through most of the poetry and polemical prose, all too often kept in separate compartments. She shows how new challenges and crises required shifts in vocabulary, as well as changes in Milton's views. What do Milton's words look like when we acknowledge their freight of personal and political history; when we track them from text to text; when we consider not only the big, important, learned words but also the very small ones, such as 'perhaps', which Milton deployed with consummate skill at some crucial moments in both poetry and prose, or the phrase 'he who', which replicates the Latinate 'ille qui', but to which Milton gives a psychological twist; when we consider not only word frequency, but infrequency, uniqueness or near uniqueness, as a signal of Milton's interest in a word; when we tackle these issues in the Latin texts for which there is not, as yet, a concordance; when we consider the possibility that certain words gain or lose value for Milton as he proceeds through his writer's life, and that certain words become keywords to a particular text, as 'book' becomes to Areopagitica; when we reconsider the question of Milton's coinages not from the stern legalistic perspective as to whether he should have made them, but why he needed them? No one person could complete all these tasks, and nobody would wish to read a book that appeared to have completed them. Understanding Milton's words is, and should remain, a work in progress. But close attention to Milton's words is not all that this book offers. It tells a slightly different story about Milton himself than the ones we have been used to. Starting with an abbreviated 'writer's life', it explains the shape of Milton's writing career, the life-long tension between his literary ambitions and the pressure of exhilarating political circumstances. The Milton you will find here walked no straight path from his Cambridge degree to the epic he had been talking of writing when he was still at university, but instead cut his teeth as a writer in an entirely different field, political controversy. The effect on his vocabulary of his campaign to reform his country's church government and its divorce laws was galvanic, not least because he had to reconstitute his own image from that of a shy and bookish person to that of a crusader. He discovered that he enjoyed not only verbal conflict, but also mudslinging, and rude words became part of his arsenal in his very first prose tract. 'Marriage' and 'divorce', on the other hand, became loaded words for Milton for personal reasons, and he developed a new set of verbal resources, which Patterson calls 'words of avoidance', to help him tackle the subject. He never got over the experience of writing the divorce tracts. It was still on his mind when at the end of his life he revised his Latin treatise on theology, De Doctrina Christiana. Then, for about a decade, he was called upon to justify the Long Parliament's execution of Charles I, which forced him to come to terms with the political keywords of his generation, words such as 'king', 'liberty', 'tyranny', and 'the people'. When the republican experiment collapsed on the death of Oliver Cromwell, after one last brave salvo against the restoration of the monarchy Milton retired back into the role of private intellectual and poet.

Milton's Words

Patterson follows the fortunes of Virgil’s Eclogues from the Middle Ages to our own century. She argues that Virgilian pastoral spoke to the intellectuals of each place and time of their own condition. The study reinspects our standard system of periodization in literary and art history and challenges some of the current premises of modernism. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1987.

Virgil to Valéry

Pastoral and Ideology

Annabel Patterson tackles the hottest topic in literary studies today - `the Great Books debate - providing a superbly formulated moderate stance between the Western canon's radical oppponents and its zealous protectors.

Reading Between the Lines

The International Killer Thriller focuses on the extremely successful novels of Daniel Silva, who has pulled off the daunting task of writing, in short order, a series of novels with the same protagonist—Gabriel Allon, a world-famous assassin whom we are to regard as our hero. Originally hired by Israel on the order of Golda Meir to avenge the assassination of the Jewish athletic team at the Munich Olympics, Gabriel has been called upon subsequently by his government and then by those of Britain, Italy, France, and the United States either to mastermind or to assist in the operations against the assassins or master criminals of other countries. What makes him more interesting than most top guns is his other career—restoring masterpieces of painting from either old age or criminal damage. Taken as a series, the fifteen Allon novels take the reader all over the world, including Putin’s Russia. The series requires us to evaluate the role of violence and especially revenge in the world we and our political leaders are forced to engage in. They all take place in almost real time and are up-to-date or even prescient about the dangers we face.

Daniel Silva’s Reinvention of Spy and Noir Fiction

The International Killer Thriller

This new study of Andrew Marvell offers a state-of-the-art guide to one of the most intriguing and elusive poets of the seventeenth century. Hero to the eighteenth century for his published defences of parliamentary government and religious toleration, Marvell was friend and defender of Milton, underground author of satires against the Restoration court, paradoxically, promoted by T.S. Eliot for a diametrically opposite set of qualities and achievements - poise, detachment, an ethos both world-excluding and hypercivilised, not to mention the most perfect poems we have on "the figure in the landscape". Annabel Patterson, known for her ability to make serious scholarship engaging, explains how Marvell's complex personality and beliefs produce these contradictory responses. The book provides comprehensive introductions to Marvell's different self-representations, and places the most famous poems, such as The Garden and Horatian Ode, in the dialectic they lose when read only in anthologies.

Andrew Marvell

Professor Annabel Patterson

Early Modern Liberalism rediscovers an important phase in the development of liberal thought. Despite the fact that 'liberalism' as a term was not applied to political thought or political parties in England until late in the eighteenth century, Annabel Patterson argues that its central ideas were formulated by seventeenth-century English writers in defiance of their society's norms, and then transmitted to the American colonies. The author is particularly concerned with the means and agents of transmission, with those who ensured that the liberal canon would be preserved, expanded, republished and dispersed; for example, the eighteenth-century philanthropist Thomas Hollis, among whose heroes were Milton, Marvell, Locke and Algernon Sidney. Framed by chapters on Hollis and Adams, this book shows what early modern liberals had in common and reopens the transatlantic conversation that began in the seventeenth century.

Early Modern Liberalism

Annabel Patterson here turns her well-known concern with political history in early modern England into an engine for investigating our own era and a much wider terrain. The focus of this book is, broadly, nationalism and internationalism today, approached not theoretically but through the lens of fiction. Novels are uniquely capable of dealing with abstract problems by embodying them in the experience of persons, thereby rendering them more “real.” Patterson takes twelve novels from (almost) all over the world: India, Africa, Turkey, Crete, the Balkans, Palestine, Afghanistan, South America, and Mexico, novels which illustrate the dire effects of some of the following: imperialism, partition, annexation, ethnic and religious strife, boundaries redrawn by aggression, the virus of dictatorships, the vulnerability of small countries, and the meddling of the Great Powers. All are highly instructive, and excellent reads.

Annabel Patterson

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