Lisa Hopkins

Annaliese Connolly

The visual images of Queen Elizabeth I displayed in contemporary portraits and perpetuated and developed in more recent media, such as film and television, make her one of the most familiar and popular of all British monarchs. This collection of essays examines the diversity of the queen’s extensive iconographical repertoire, focusing on both visual and textual representations of Elizabeth, not only in portraiture and literature, but also in contemporary sermons, speeches and alchemical treatises. The collection broadens current critical thinking about Elizabeth, as each of the essays contributes to the debate about the ways in which the queen’s developing iconicity was not simply a celebratory mode, but also encoded criticism of her. Each of these essays explains the ways in which the varied representations of Elizabeth reflect the political and cultural anxieties of her subjects

The iconography of Elizabeth I

Goddesses and Queens

Introducing key themes and the history of the play's performance and critical reception, this is a comprehensive guide to Richard III by leading international scholars.

A Critical Reader

Richard III

Professor of English Lisa Hopkins

The visual images of Queen Elizabeth I displayed in contemporary portraits and perpetuated in more recent media such as film and television make her one of the most familiar and popular of all British monarchs. This collection of essays examines the diversity of the queen's extensive iconographical repertoire, focusing on both visual and textual representations of Elizabeth, not only in portraiture and literature, but also in contemporary sermons, speeches, and alchemical treatises. The collection broadens critical thinking about Elizabeth. Each essay contributes to the debate about the queen's developing iconicity not simply as a celebratory mode, but also as encoded criticism of her. Each of these essays explains the ways in which the varied representations of Elizabeth reflect the political and cultural anxieties of her subjects.

Annaliese Connolly

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