Geoffrey V. Davis

Anne Fuchs

"Edited by Geoffrey V. Davis and Anne Fuchs"--T.p.

Aspects of Black and South Asian British Theatre Practice

Staging New Britain

Florian Krobb

Fresh articles about a much neglected genre, fiction from and about the Jewish ghetto. Throughout the 19th and early 20th centuries ghetto fiction played an important part in the expression of a particularly German-Jewish quest for identity. The volume Ghetto Writing takes the occasion of the 150th anniversary of the publication of Leopold Kompert's collection of ghetto stories Aus dem Ghetto (1848) to fill a gap and give testimony to an important genre that has been unduly silenced in the literary histories of the post-war period. The volume presents some 15 articles by scholars from Scandinavia, Germany, Great Britain, and Ireland whose contributions offer new analyses of ghetto writing by well known authors such as Heinrich Heine and Joseph Roth, andcompletely new material on forgotten ghetto writers who deserve to be rediscovered, such as Alexander Granach. The articles cover various types of ghetto writing, ranging from ghetto fiction in the tradition of Leopold Kompert and Karl Emil Franzos, to diaries, travelogues, autobiography, and even contemporary German HipHop and Rap lyrics.

Traditional and Eastern Jewry in German-Jewish Literature from Heine to Hilsenrath

Ghetto Writing

The relationship between Johannesburg’s Market Theatre and the economic and political forces of South Africa's apartheid regime was both complex and somewhat ambiguous. The theatre's two founders, Mannie Manim and Barney Simon, however, from idealistic beginnings managed to steer their experimental enterprise around pitfalls ranging from censorship, boycotts and recuperation by big business to the difficulties encountered in finding black authors, let alone black audiences. If the place occupied by the Market institution in apartheid society is emphasized throughout the present study, its contribution to the aesthetic of resistance is also underlined through detailed criticism of the plays and authors dominating the theatre. Pieter-Dirk Uys, Barney Simon's workshop plays and, among others, Black Consciousness plays are subjected to various methods of theatre performance analysis. The reckoning that had to come in the early 1990s revealed itself as globally positive; the reasons for this may be found in the updated concluding part of Playing the Market, which is composed of more general essays (including one on the vibrant Junction Avenue Theatre Company) on how the theatre scene in contemporary South Africa started to change. A postscript reveals more specific aspects of the Market situation in the late 1990s when its hegemony in the New South Africa was already being questioned.

The Market Theatre, Johannesburg. Revised and updated edition

Playing the Market

Geoffrey Davis

First Published in 1997. Can South African theatre continue to maintain its autonomy and exercise its critical role? Can one rethink form and find new content? Can a concept of post-protest theatre be developed? How might theatre contribute to post-apartheid soceity? These are just of the questions addressed in this book. The real and present difficulties South Africian theatre is facing, as well as possible future orientations, are clearly shown, at one of the most complex moments of political transition in the history of the South African society. The authors include contributions from playwrights, actors, visual artists, poets, directors, administrators, critics and theatre academics. Their comments and thoughts portray the active process of reflection and reappraisal, redefining their artistic and political aims, searching for new and vital theatrical forms.

Theatre & Change in South Africa

This volume is mainly a collection of papers presented at the 1995 Mandelieu conference in France which brought together artists and critics. The theme was that of contemporary African theatre in the former British and French empires. The contributions are of interest to those working in theatre generally and to those specialising in African performance, development studies and comparative literature. The varied topics include: popular theatre, Soyinka and France, syncretic theatre, comparisons between Anglophone and Francophone theatre in the Cameroon, censorship, development theatre and Sony Labou Tansi. There are also interview with Southern African writers and pieces of creative writing.

A Selection of Papers Held at a Conference in Mandelieu, 23-26 June, 1995

New Theatre in Francophone and Anglophone Africa

Ritchie Robertson

Katrin Maria Kohl

New essays examine 20th-c. Austrian literature in relation to history, politics, and popular culture.

A History of Austrian Literature 1918-2000

Sabine Strümper-Krobb

zur Geschichte und Literatur des Affektiven von 1770 bis heute : Tagung zum 60. Geburtstag von Hugh Ridley im Juli 2001

Sentimente, Gefühle, Empfindungen

Twenty-two essays from academics working primarily in Ireland examine the construction of cultural memory in examples of European discourse from the 17th century to the present. The volume is structured around five main themes: memory as counter-history; narrative and remembering; locating memory; remembering and renewal; and remembering as trauma.

Essays on European Literature and History

Cultural Memory

Mary Cosgrove

Georg Grote

Essays shedding light on the increasingly open cultural debate on the German past.

The Quest for Identity in Literature, Film, and Discourse Since 1990

German Memory Contests

Linda Shortt

Kathleen James-Chakraborty

Interdisciplinary views of the debates over and transformation of German cultural identity since unification.

Debating German Cultural Identity Since 1989

Seminar paper from the year 2004 in the subject English Language and Literature Studies - Literature, grade: 2,3, Ruhr-University of Bochum, 7 entries in the bibliography, language: English, abstract: Why did I choose Mitchell s story? Superficially because it s very easy to get into the story and entertaining to go on, not only because of the colloquial style but also because of the exciting plot, which casts a spell over the reader - but in the final analysis, it was because there hides a complex story under the trivial appearing surface in David Mitchell s The January Man . In this assignment I release the view on the hidden characteristics and special qualities of this story by first interpreting it within the individual paragraphs, then by examining the aspects relevant for the whole story to categorize David Mitchell s story on the basis of my insights and in relation to Modernist, Postmodernist and Contemporary Short Stories."

David Mitchell's 'The January Man' - an Interpretation

In Precarious Times, Anne Fuchs explores how works of German literature, film, and photography reflect on the profound temporal anxieties precipitated by contemporary experiences of atomization, displacement, and fragmentation that bring about a loss of history and of time itself and that is peculiar to our current moment. The digital age places premiums on just-in-time deliveries, continual innovation, instantaneous connectivity, and around-the-clock availability. While some celebrate this 24/7 culture, others see it as profoundly destructive to the natural rhythm of day and night—and to human happiness. Have we entered an era of a perpetual present that depletes the future and erodes our grasp of the past? Beginning its examination around 1900, when rapid modernization was accompanied by comparably intense reflection on changing temporal experience, Precarious Times provides historical depth and perspective to current debates on the "digital now." Expanding the modern discourse on time and speed, Fuchs deploys such concepts as attention, slowness and lateness to emphasize the uneven quality of time around the world.

Temporality and History in Modern German Culture

Precarious Times

Jonathan James Long

Summary: "W.G. Sebald, frequently mentioned in the same breath as Franz Kafka and Vladimir Nabokov, is one of the most important European writers of recent decades. He has been lauded by such major cultural commentators as Susan Sontag and Paul Auster, and he has combined wide public appeal with universal critical acclaim. His work is concerned with questions of memory, exile, representation, and, above all else, history. But his approach to history is strikingly different from conventional historiographical writing on the one hand, and from the historical novel on the other. His texts are hybrid in nature, mixing fiction, biography, historiography, travel-writing and memoir, and incorporating numerous photographic images. This volume seeks to respond to the complexities of Sebaldʼs image of history by presenting essays by a team of international scholars, all of whom are acknowledged Sebald experts. It offers a unique and exciting perspective on the dazzling work of one of the major literary figures of our times."--Publisher description.

Anne Fuchs

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