K. Sello Duiker

Annie Holmes

Beatrice Lamwaka

Richard De Nooy

Martin Hatchuel

Monica Arac de Nyeko

Dolar Vasani

Evocar el continente africano desde una perspectiva novedosa y emocionante es el principal propósito de Los deseos afines, antología ganadora del Lambda Literary Award en 2015. Buscando dar respuesta al tradicional rechazo que en buena parte de África se ha mostrado a las historias que abordan la diversidad afectiva y sexual, esta obra indispensable y oportuna reúne dieciséis relatos y dos extractos de novela que destilan amor, alegría, sufrimiento y coraje. Sus autores, entre los que se hallan grandes nombres de las letras africanas contemporáneas, echan mano de una amplia gama de registros para hablar sobre los múltiples significados de ser "queer" en África. Basculando entre lo general y lo particular, entre lo político y lo íntimo, estas narraciones africanas contra la homofobia trascienden cualquier etiqueta para hacerse eco de los conflictos raciales, geográficos, bélicos y sociales que determinan la compleja realidad africana.

Narraciones africanas contra la homofobia

Los deseos afines

Peter Orner

'I am Elizabeth. I wish I could use my real name, because the situation in Zimbabwe is real. It would be better for those back home to know it was me.' The situation in Zimbabwe represents one of the worst humanitarian emergencies today. This book asks the question: How did a country with so much promise - a stellar education system, a growing middle class, a sophisticated economic infrastructure, a liberal constitution, an independent judiciary, and many of the trappings of western democracy - go so wrong? It asks the people who know this complicated story best - the Zimbabwean people who have endured (and hoped) across the decades to tell their side of this story. From refugees in South Africa and Canada to those trying to continue living inside Zimbabwe, from farms, to rural Murambinda and the city of Harare, in their own words they recount their experiences of losing their homes, land, livelihoods and families as a direct result of political violence. They describe being tortured in detention, firebombed at work, beaten up or raped to 'punish' votes for the opposition. This book includes Zimbabweans of every age, class and political conviction, from farm labourers to academics, doctors to artists, opposition leaders to ordinary Zimbabweans; men and women simply trying to survive as a once-thriving nation heads for collapse. 'I am Elizabeth. I wish I could use my real name, because the situation in Zimbabwe is real. It would be better for those back home to know it was me.' The situation in Zimbabwe represents one of the worst humanitarian emergencies today. This book asks the question: How did a country with so much promise - a stellar education system, a growing middle class, a sophisticated economic infrastructure, a liberal constitution, an independent judiciary, and many of the trappings of western democracy - go so wrong? It asks the people who know this complicated story best - the Zimbabwean people who have endured (and hoped) across the decades to tell their side of this story. From refugees in South Africa and Canada to those trying to continue living inside Zimbabwe, from farms, to rural Murambinda and the city of Harare, in their own words they recount their experiences of losing their homes, land, livelihoods and families as a direct result of political violence. They describe being tortured in detention, firebombed at work, beaten up or raped to 'punish' votes for the opposition. This book includes Zimbabweans of every age, class and political conviction, from farm labourers to academics, doctors to artists, opposition leaders to ordinary Zimbabweans; men and women simply trying to survive as a once-thriving nation heads for collapse.

Voices Of Zimbabwe

Don't Listen To What I'm About To Say

Several plays have been composed into novels of short stories. This began the saga of Beneath the Willow. The first book in the series focused on several of the residents of the established settlements. After many years of hard work, the town began to flourish. When they initially settled, all residents were in one central location. They spread out as the town began to grow. Development of farms and pastureland advanced rapidly. The town of Willow Bend is filled with imaginary characters but implies a very realistic concept. It is the writers vision that the town was established in the 1870s. Horace Lee Crowley and seven hundred migrants braved the elements, traveling until they found what they later established as the Willows. It was divided into several settlements: Willow Bend, Willow Estates, Willow Grove, and Willow Creek. The people tilled the soil and made their own clothing. For a short length of time, everyone cooked on a huge open pit. They prayed, inspired, encouraged, and made unified efforts together to lighten the load of chores of one another. They suffered the hardship of floods, crop infestation, poor farming equipment, and loss of profits. Through it all, unity blended them together as a community. After many years of hard work, the town flourished. Disagreements were natural in personality differences but were short lived. They migrated from a sharecrop farm thirty miles away. They tread large bodies of water that sometimes rose above waistlines. Small children were placed upon mens shoulders or on one of the old mules. Women carried the bundles of food and what little clothing they owned. It was a rough going, but majority of the people endured it. They had small clippings of flowers, twigs from fruit trees, and roots from vegetables. The substance of their existence was on their backs, mules, and wooden trestles that the men fashioned. Scraps of wood and small trees made up the trestles. This was the beginning of the Willows. Once settled, many differences occurred, natural in personalities, but they were able to accomplish agreement with the help of the county judge. The drama was getting to that point. Thanks for reading. See what you would do in these cases.

Short Stories

Willows Under Trial

Olumide Popoola

breach - noun: An act of breaking or failing to observe a law, agreement, or code of conduct. A gap in a wall, barrier, or defence, especially one made by an attacking army. breach - verb: Make a gap in and break through (a wall, barrier, or defence). (Of a whale) rise and break through the surface of the water. ‘The Jungle is like a laboratory.’ In the refugee camp known as 'The Jungle' an illusion is being disrupted: that of a neatly ordered world, with those deserving safety and comfort separated from those who need to be kept out. Calais is a border town. Between France and Britain. Between us and them. The eight short stories in this collection explore the refugee crisis through fiction. They give voice to the hopes and fears of both sides. Dlo and Jan break into refrigerated trucks bound for the UK. Marjorie, a volunteer, is happy to mingle in the camps until her niece goes a step too far. Mariam lies to her mother back home. With humour, insight and empathy breach tackles an issue that we can no longer ignore. breach is the first title in the Peirene Now! series. This exciting new series will be made up of commissioned works of new fiction, which engage with the political issues of the day. In breach, the authors beautifully capture a multiplicity of voices - refugees, volunteers, angry citizens – whilst deftly charting a clear narrative path through it all. Each story is different in tone, and yet they complement one another perfectly. Taken as a whole, this stands as an empathetic and probing collage, where the words ‘home’, ‘displacement’ and ‘integration’ come to mean many things as the collection progresses to a moving finale. Why Peirene chose to commission this book: ‘I have commissioned Olumide Popoola and Annie Holmes to go to the Calais refugee camps to distil stories into a work of fiction about escape, hope and aspiration. On another level, however, this work will also take seriously the fears of people in this country who want to close their borders. It’s that dialogue that isn’t happening in real life. A work of art can help to bridge the gap.’ Meike Ziervogel, publisher ‘This is what fiction is for. These stories refresh difficult territory in ways that other writing cannot reach. Tender, tragic, funny (sometimes), persuasive.’ Sara Maitland, writer

Breach

Annie Holmes

Books

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