C.P. Cavafy

Evangelos Sachperoglou

Anthony Hirst

Peter Mackridge

"A Greek gentleman in a straw hat, standing absolutely motionless at a slight angle to the universe." E. M. Forster's famous description of C. P. Cavafy--the most widely known and best loved modern Greek poet--perfectly captures the unique perspective Cavafy brought to bear on history and geography, sexuality and language. Cavafy wrote about people on the periphery, whose religious, ethnic and cultural identities are blurred, and he was one of the pioneers in expressing a specifically homosexual sensibility. His poems present brief and vivid evocations of historical scenes and sensual moments, often infused with his distinctive sense of irony. They have established him as one of the most important poets of the twentieth century. The only bilingual edition of Cavafy's collected poems currently available, this volume presents the most authentic Greek text of every poem he ever published, together with a new English translation that beautifully conveys the accent and rhythm of Cavafy's individual tone of voice. In addition, the volume includes an extensive introduction by Peter Mackridge, explanatory notes that gloss Greek historical names and events alluded to in the poems, a chronological list of the poems, and indexes of Greek and English titles. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

With Parallel Greek Text

The Collected Poems

Patrick Sammon

The Ionian Islands stretch south from the Adriatic, where Corfu’s Pantokrator mountain overlooks Albania across narrow straits, along the western coast of mainland Greece through Paxi, Kephalonia, Ithaca, Lefkada and Zakynthos, to Kythira, midway between Athens and Crete. Three crucial sea-battles were fought here – Sybota (the first recorded), Actium and Lepanto – an indication of the Ionians’ role as an East-West crossroads, between Western Christendom and the Orthodox and Islamic East. Ruled by Venice in her Stato da Mar (sea-empire), the islands became an independent state, as the Septinsular Republic and then, under British Protection, as the United States of the Ionian Islands. Before the mainland Greeks had a State, the Ionian people were proud of having a university – from 1824 – in Corfu town, a World Heritage Site. The islands were united with the Kingdom of Greece in 1864 – the first addition to its territory. This book (with over thirty illustrations) explores the history, archaeology, languages, customs and culture of the Ionian Islands. Without venturing far from the islands, readers will learn much about this distinctive part of the Mediterranean and Greek world. The chapters range from the mythology of the Bronze Age (Homer’s Scheria, where Odysseus startled Nausicaa as she bathed) to today, concentrating particularly on the British Protectorate (1815–1864). One, illustrated by contemporary maps, deals with descriptions of the islands by a fourteenth-century Venetian writing in Latin. The roles of Jews, Souliot refugees, Greek revolutionaries, rebel peasants in Cephalonia, and workers in Corfu’s port suburb of Mandouki are examined in detail. There are contributions on religion and philosophy, as well as literature, music, painting, and the folk-art of carved walking-canes.

Aspects of their History and Culture

The Ionian Islands

Michael Silk

Alexandria, Real and Imagined offers a complex portrait of an extraordinary city, from its foundation in the fourth century BC up to the present day: a city notable for its history of ethnic diversity, for the legacies of its past imperial grandeur - Ottoman and Arab, Byzantine, Roman and Greek - and, not least, for the memorable images of 'Alexandria' constructed both by outsiders and by inhabitants of the city. In this volume of new essays, Alexandria and its many images - the real and the imagined - are illuminated from a rich variety of perspectives. These range from art history to epidemiology, from social and cultural analysis to re-readings of Cavafy and Callimachus, from the impressions of foreign visitors to the evidence of police records, from the constructions of Alexandria in Durrell and Forster to those in the twentieth-century Arabic novel.

Alexandria, Real and Imagined

The Greek Bible and the services of the Orthodox Church have proved a rich source of language for many poets of modern Greece, and perhaps for none more than for Kostis Palamas, Angelos Sikelianos and Odysseas Elytis, whose overlapping careers span the period 1876-1996. A blurring of the boundaries between Orthodoxy and 'Greekness' (hellênikotêta, which all three poets celebrate) has often led critics to assume from the Christian borrowings in the poetry the Christian allegiance of the poets. Through detailed analyses of selected poems, focusing on their relation to Biblical and liturgical source texts, this book questions whether the work of these poets is compatible with Christianity at all. It asks whether a Christ who is assimilated, along with the Virgin Mary, into the ancient Greek pantheon, or presented as a symbol of Beauty, or as object of the erotic desire of the women of the Gospels is still within the realm of Orthodoxy. Above all it asks whether, when the poetic ego appropriates to itself words which in their original context belong to Christ or Jehovah, there is any room left for the divine, or whether the poet has not in fact elbowed God off the stage altogether.

Anthony Hirst

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