Anthony Howell

This volume is a further installment from a poet of great variety and accomplishment. From playful short poems to extended narratives, whether in free verse or traditional forms, his skill enlivens his subjects and offers surprise and delight.

Selected Poems

Alexander N. Chumakov

Olga G. Leonova

Tu Weiming

Arkadi D. Ursul

Endre Kiss

Peter G. Kirchschlaeger

Hae Kim

Jim Sheffield

Nowadays globalization processes have become all-embracing. But at the same time, despite the ever-increasing flow of publications on globalization, our understanding and knowledge of it still leaves much to be desired. Especially it concerns the global processes in general, of which globalization is a part. We also need to systematize our ideas about globalization and Global Studies to somehow fit the realities. In particular, this concerns the education process, because the current state of education will determine the way people will perceive reality in the forthcoming decades. This yearbook aims at contributing to the solution of these important tasks. It is the third in the series of yearbooks titled Globalistics and Globalization Studies. This year it has the following subtitle: Aspects & Dimensions of Global Views. Its authors consider globalization and Global Studies in different dimensions and aspects: philosophical, methodological, and pedagogical, in terms of various processes, problems and perspectives. Of course, to some extent this means that this yearbook presents rather diverse materials. But globalization itself is very diverse. And its comprehension may proceed in the framework of different theoretical approaches and points of view. In the present yearbook one can find perceptions of globalization and Global Studies by a number of scholars from different countries of the world and learn rather peculiar visions of globalization by the Russian scientists and educators. The yearbook will be interesting to a wide range of researchers, teachers, students and all those who pay attention to global issues.

Globalistics and Globalization Studies: Aspects & Dimensions of Global Views

Alain Fournier

Anthony Costello

Anita Marsh

Poems

A company of young ballet dancers reflect on the nature of dance and their potentially threatening interdependency on each other.

In the Company of Others

Fawzi Karim

Fawzi Karim’s poetry has been widely translated, among other languages into French, Swedish, Italian and English. Carcanet published Plague Lands and Other Poems (2011), which was a Poetry Book Society Recommendation. This new selection, translated by Anthony Howell working from the author’s own versions, explores the experience of becoming at home in London, passing from a sense of exile to a sense of uneasy belonging. In his introduction the poet is tactful, candid, touching on some of the most urgent themes of our time including exile and the possibilities of home. Between the poet, a major literary presence in his language, and his translator, a poet of many talents and skills, a kind of dialogue exists. The accommodations between two traditions formally uneasy in one another's company is compelling to read. The poet’s and the translator’s contrasting memories meet and confer at the level of language and image.

in versions by Anthony Howell

Incomprehensible Lesson

A. Howell

This finely illustrated book offers a simple yet comprehensive 'grammar' of a new discipline. Performance Art first became popular in the fifties when artists began creating 'happenings'. Since then the artist as a performer has challenged many of the accepted rules of the theatre and radically altered our notion of what constitutes visual art. This is the first publication to outline the essential characteristics of the field and to put forward a method for teaching the subject as a discipline distinct from dance, drama, painting or sculpture. Taking the theory of primary and secondary colours as his model, Anthony Howell posits three primaries of action and shows how these may be mixed to obtain a secondary range of actions. Based on a taught course, the system is designed for practical use in the studio and is also entertaining to explore. Examples are cited from leading performance groups and practitioners such as Bobbie Baker, Orlan, Stelarc, Annie Sprinkle, Robert Wilson, Goat Island, and Station House Opera. This volume, however, is not just an illustrated grammar of action - it also shows how the syntax of that grammar has psychoanalytic repercussions. This enables the performer to relate the system to lived experience, ensuring a realisation that meaning is being dealt with through these actions and that the stystem set forth is more than a dry structuring of the characteristics of movement. Freud's notion of 'transference' and Lacan's understanding of 'repetition' are compared to a performer's usage of the same terms. Thus the book provides a psychoanalytic critique of performance at the same time as it outlines an efficient method for creating live work on both fine art and theatre courses.

A Guide to its Theory and Practice

The Analysis of Performance Art

Anthony Howell

Books

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