Anthony Huberman

Jeanne Gerrity

Newly commissioned writing and artwork on the themes found in the work of Cecilia Vicuña, including ecofeminism, indigenous forms of knowledge, dissolution and extinction, and exile. What happens between the knots? is the third book in the annual A Series of Open Questions published by CCA Wattis Institute for Contemporary Arts and Sternberg Press. Each book in the series includes newly commissioned writing as well a selection of perspectives, images, and references related to the Wattis’s year-long research seasons dedicated to single artists. Each book takes the work of a single artist as its point of departure and spirals outward from there to create an expansive and carefully edited ecosystem of ideas and voices. This third issue is informed by themes found in the work of Cecilia Vicuña, including ecofeminism, indigenous forms of knowledge, poetry and politics, dissolution and extinction, exile, dematerialization, regeneration, and environmental responsibility. Contributors Gloria Anzaldua, Elvira Espejo Ajca, Erika Balsom, María Berrios, Marisol de la Cadena, Lynne Cooke, Miho Dohi, Ricki Dwyer, Silvia Federici, Tonya Foster, Phillip Greenlief, Sheroanawe Hakihiiwe, Brian Karl, Dionne Lee, Zoe Leonard, Rosemary Mayer, Koyoltzintli Miranda-Rivadeneira, Denise Newman, Thao Nguyen Phan, Frances Richard, Dylan Robinson, Abel Rodriguez, Oscar Santillan, Alessandra Troncone, Anna Lowenhaupt Tsing, Ignacio Valero, Jacopo Cathrine Veikos, Cecilia Vicuña, Diego Villalobos, Jacopo Crivelli Visconti, Carla Zaccagnini

A Series of Open Questions

What Happens between the Knots?

Examining the genre-bending writing of Dodie Bellamy, whose work has focused on sexuality, politics, feminism, narrative experimentation, and all things queer. Dodie Bellamy (b. 1951, in North Hammond, Indiana) has lived and worked in San Francisco since 1978. A vital contributor to the Bay Area's avant-garde literary scene, Bellamy is a novelist and poet whose work has focused on sexuality, politics, feminism, narrative experimentation, and all things queer. In her words, she champions “the vulnerable, the fractured, the disenfranchised, the fucked-up.” Dodie Bellamy Is on Our Mind is the first major publication to address Bellamy's prolific career as a genre-bending writer. Megan Milks made several trips to San Francisco in order to spend time with Bellamy and craft a provocative and fascinating profile of the writer. Originally delivered as a lecture at the Wattis Institute, Andrew Durbin's text takes the form of a personal essay, expertly weaving anecdotes of his own encounters with Bellamy's writing with insights into broader themes in her work. Academic Kaye Mitchell takes a close look at the role of shame and its relationship to femininity in particular texts by Bellamy. And Bellamy and her late husband Kevin Killian offer deeply personal, emotionally wrenching ruminations on topics from the mundane (drawing) to the profound (mortality). These texts, alongside archival photos and a complete bibliography make, this book an important compendium on Bellamy.

Dodie Bellamy Is on Our Mind

Texts and artistic contributions that respond to questions of feminism, authorship, sexuality, and empowerment. Where are the tiny revolts? is the first book in a new annual series published by CCA Wattis Institute, a contemporary art center and research institute in San Francisco. Each book in the series is driven by a central question: what are we learning from artists today? Unconnected to an exhibition program, Where are the tiny revolts? is rooted in the Wattis’s artist-driven research institute. It is a place to explore and share some of the texts and visual work that emerge over the course of an entire year of discussions and public programs. Instead of providing documentation of projects with artists, Where are the tiny revolts? offers other ideas, voices, and references generated by conversations with and about artists. The first book in the series, informed by themes related to the work of Dodie Bellamy, revolves around questions related to contemporary forms of feminism and sexualities, the rebirth of the author, and ways in which vulnerability, perversion, vulgarity, and self-exposure can be forms of empowerment. The texts cover a broad array of styles, including memoir, theoretical essay, art historical analysis, poetry, and fiction. The visual elements are equally diverse, ranging from photographs to collage to drawing.

Where Are the Tiny Revolts?

The KGB grooms a charming young American to run for president Although in the mid-1940s no one had ever heard of JFK, Jack Adams's mother insisted her new son be christened John Fitzgerald. Years after his parents' death, Jack learns the reason for his name: a packet of photos showing his mother in bed with young John Kennedy. As a student at Columbia University, Jack demonstrates that he inherited more than JFK's good looks. His irresistible charisma and political instinct make him a natural campus leader, but he has his sights set on something bigger than the student council. Young Jack Adams wants to be president of the United States, and the Soviet Union is prepared to help. A KGB spy named Dmitri recruits Jack, promising him the presidency in exchange for treason. Dmitri guides Jack for decades, putting him in a position to become the largest intelligence coup in history--unless the candidate's libido derails him first.

Anthony Huberman

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