Antonio Traverso

Suvendrini Perera

In the era of war on terror, the term terror has tended to be applied to its sudden eruptions in the metropolises of the global north. This volume directs its attention to terror’s manifestations in other locations and lives. The title Living Through Terror refers both to the pervasiveness of terror in societies where extreme violence and war constitute the everyday processes of life as well as to the experience of surviving terror and living into the future. The contributions consider terror’s effects in those ignored and silenced locations where terror is either naturalised (the Philippines, South Africa, Timor Leste, Sri Lanka) or made invisible (the neo-liberal democracies of Australia and Italy). The stories of ruined places, displaced bodies and identities shattered and remade that emerge from these pages bring into view the socio-political systems, cultural geographies and regimes of territoriality through which terror is engendered and naturalised, and the institutions and imaginaries that continue to underpin them. The essays, literary writings and images collected here attend, in their different ways, to subjects living in and with terror as an element incorporated in their everyday, and to the processes by which terror exercises itself in their lives, whether it is perpetrated by state or non-state actors. Simultaneously, the contributions attest to the tactics subjects deploy to confront and negotiate conditions of terror, their attempts to live with and through terror and, ultimately, their strategies to recover through the everyday and the ordinary the seeds of life and hope.

Living Through Terror

Mick Broderick

During the past one hundred years or so, the depiction of traumatic historical events and experiences has been a recurrent theme in the work of artists and media professionals—including those in literature, theatre, visual art, architecture, cinema, and television—among other forms of cultural expression and social communication. The essays collected in this book follow a contemporary critical trend in the field of trauma studies that reflects comparatively on artistic and media representations of traumatic histories and experiences from countries around the world. Focusing on a diversity of art and media forms—including memorials, literature, visual and installation art, music, video, film, and journalism—they both apply dominant theories of trauma and explore the former’s limitations while bearing in mind other possible methodologies. Trauma, Media, Art: New Perspectives contributes to a critical trauma studies, a field that reinvigorates itself in the twenty-first century through its constant reassessment of the relationship between theory, representation, and global histories of violence and suffering.

New Perspectives

Trauma, Media, Art

Throughout the past century, traumatic experiences have been re-enacted frequently by evolving media and art forms. Now there is a significant body of theory across academic disciplines focused on the representation of cataclysmic European and US historical events. However, less critical attention has been devoted to the representation of havoc outside the West, even though depictions of Third-World disasters saturate contemporary media and art around the globe. This book considers traumatic histories internationally in a broad range of creative arts and visual media representations. Deploying diverse applications of the conventional theories of trauma, it examines the theoretical limitations at the same time as considering alternative methodologies. Interrogating Trauma is concerned with the examination of the concept of trauma, and how it is (often unproblematically) used to theorise the cultural representation of disaster and atrocity. It offers a theorisation of trauma, in order to reappraise the relationship between cultural representation and the socio-historical processes which are marked by violence, conflict and suffering. This book was published as a special issue of Continuum: Journal of Media and Cultural Studies.

Collective Suffering in Global Arts and Media

Interrogating Trauma

Kristi Wilson

The chapters in this book show the important role that political documentary cinema has played in Latin America since the 1950s. Political documentary cinema in Latin America has a long history of tracing social injustice and suffering, depicting political unrest, intervening in periods of crisis and upheaval, and reflecting upon questions about ideology, cultural identity, genocide and traumatic memory. This collection bears witness to the region's film culture's diversity, discussing documentaries about workers' strikes, riots, and military coups against elected governments; crime, poverty, homelessness, prostitution, children's work, and violence against women; urban development, progress, (under)development, capitalism, and neoliberalism; exile, diaspora and border cultures; trauma and (post)memory. The chapters focus on documentaries made in Argentina, Brazil, Chile, Cuba, Mexico, and Venezuela, as well as on the work of Latino and diasporic Latin American political documentarians. The contributors to the anthology reflect the cultural and linguistic diversity of current Latin American film scholarship, with some writing in Spanish and Portuguese from Argentina and Brazil (with their original works especially translated), and others writing in English from Australia, Europe, and the USA. This book was originally published as a special issue of Social Identities.

Antonio Traverso

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