Anurima Banerji

Poetry. Asian American Studies. Anurima Banerji is an exciting new voice in Canadian poetry. Passionate and subtly exotic, keenly aware of Persian mystical love concepts, and with a trained eye on Hindu mythology, these supple new poems explore the territories of love, the longings of the body, and the pains of loss and exile. Born in Ottawa, the poet is now based in Montreal. ** Call to check inventory before ordering.

Poems

Night Artillery

Prarthana Purkayastha

Associate Professor Department of World Arts and Cultures/Dance Anurima Banerji

Reader in the Department of Drama Theatre and Dance Prarthana Purkayastha

The Oxford Handbook of Indian Dance is a volume of original essays that brings together cutting-edge research on Indian dance by scholars and practitioners across the globe. It highlights key social and political dimensions of Indian dance and intersecting concerns such as ability, caste, class, gender, nationhood, race, region, religion, and sexuality.

The Oxford Handbook of Indian Dance

Violaine Roussel

A major issue in the relation of art to the rest of society is the question of how art penetrates politics. From the perspective of most art scholars, this is a question of aesthetics—whether politics necessarily pollutes and debases the quality of the arts. From the perspective of social science, it has been primarily a question of meaning—how political messages are conveyed through artistic media. Recent work has begun to broaden the study of the arts and politics beyond semiosis and content focus. Several strands of scholarship are converging around the general issue of the social relationships within which art takes political form, that is, how art and artists do politics. This perspective of "doing" moves analysis beyond addressing the meaning of culture, to focus on the ways that art is embedded in—and intervenes in—social relationships, activities, and institutions. This volume brings together an interdisciplinary group of scholars from France and the United States to investigate these directions and themes by exploring the question of "how to do politics with art" from a comparative standpoint, putting sociological approaches in conversation with other disciplinary prisms. It will be of interest to scholars of social movements and politicization, the sociology of art, art history, and aesthetics.

Anurima Banerji

Books

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