August Sarnitz

Inge Scholz-Strasser

Cultural Setting of the Interior in the 19th and 20th Century

Private Utopia

Adolf Loos (1870-1933), riconosciuto come uno dei più significanti profeti dell'architettura moderna, era una star dei suoi tempi, conosciuto come un dandy audace e moralista che sfidava l'establishment. Le sue opere rappresentano non solo l'inizio del modernismo, ma introdussero anche il concetto di architettura degli spazi. Loos pubblicò anche numerosi saggi durante la sua vita, il più notevole dei quali è lo spesso incompreso "Ornament and crime". Annotation Supplied by Informazioni Editoriali

arquitecto, crítico cultural, dandi

Adolf Loos 1870-1933

Peter Gössel

WIDELY REGARDED AS ONE OF THE MOST SIGNIFICANT PROPHETS OF MODERN ARCHITECTURE, ADOLF LOOS (1870-1933) WAS A STAR IN HIS OWN TIME, KNOWN THROUGHOUT VIENNA AS AN OUTSPOKEN, AUDACIOUS DANDY AND MORALIST WHO DEFIED THE ESTABLISHMENT. HIS WORK NOT ONLY REPRESENTED THE BEGINNING OF MODERNISM, WITH ITS STARK, UNORNAMENTED STYLE, BUT ALSO REVOLUTIONIZED ARCHITECTURE BY INTRODUCING THE CONCEPT OF ""SPATIAL PLAN"" ARCHITECTURE, WHICH ALLOWED FOR ECONOMIZING SPACE BY DESIGNATING ROOMS' SIZES AND HEIGHTS BASED ON THEIR PURPOSES. LOOS ALSO PUBLISHED NUMEROUS ESSAYS DURING HIS LIFETIME, THE MOST NOTABLE OF WHICH IS THE OFT-MISUNDERSTOOD ""ORNAMENT AND CRIME.""

Architect, Cultural Critic, Dandy

Adolf Loos, 1870-1933

Ernst Lichtblau

Exhibition March 4-June 5, 1994

Ernst Lichtblau, Architect, 1883-1963

This book is a scientific anthology and a text mosaic on the modern interior, its origins and its historic development. In recent years, science has increasingly focused on the subject of the interior; this book investigates the subject from different perspectives, the resumé of a symposium at the Sigmund Freud Museum in Vienna.

This new architectural guide with essays on urban culture, urban renewal, and urban spaces is a reflection of the process of modernization that has taken place over the last three decades in Vienna. Approximately 300 works are presented through texts, photos, and plans, and each buidling is easy to find on the accompanying maps. An ideal guide for city strolls with sections on architectural institutions, and select restaurants, cafes, and bars.

Vienna - New Architecture 1975 - 2005

With his passion for smooth surfaces, fine lines, and spatial plans, Adolf Loos was a prophet of 20th-century architecture. This essential introduction explores his rejection of ornamental forms and his radical pursuit of stark, bold, and beautiful design.

Adolf Loos

Der Titel des Buches setzt die beiden Tätigkeitsfelder, das Bauen und das Schreiben, des Architekten, Architekturhistorikers und Theoretikers August Sarnitz in eine wechselseitige Beziehung: im Schreiben entsteht der Kontext zum Gebauten – so wie das Bauen im Kontext des Geschriebenen steht. Eben diesem Wechselspiel folgt auch der Aufbau des Buches: einem Essay über Architekturgeschichte und Big Data folgen drei Aufsätze zu den Themen Städtebau, sozialem Wohnbau und der Fiktion des Raums. Auch einige prägende Wiener Architekten treten auf: Frank, Kiesler, Hollein und Prix. Die Themen Wohnen, Design und Möbel werden mit eigenen Projekten von Sarnitz illustriert; am Ende widmet sich das Buch der Architekturfotografie, die für Sarnitz als Publizisten große Bedeutung hat.

Relationen: Texte und Bauten

The title of the book sets the two fields of activity pursued by the architect, architectural historian and theorist August Sarnitz – building and writing – in a reciprocal relation: the context to what has been built emerges in the process of writing, just as the context to what has been written emerges in the process of building. The structure of the book follows precisely this reciprocity: an essay about architectural history and Big Data is followed by three on the topics of urban development, social housing, and the fiction of space. A number of influential Viennese architects appear as well: Frank, Kiesler, Hollein and Prix. The topics of housing, design and furniture are all illustrated with Sarnitz’s own projects; the end of the book is dedicated to architectural photography, which is especially important to Sarnitz in his capacity as publicist. The richly illustrated book is the first to document Sarnitz’s work as author, designer, exhibition designer, architect and photographer.

August Sarnitz

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