B. Gasparov

In this eagerly anticipated book, Boris Gasparov gazes through the lens of music to find an unusual perspective on Russian cultural and literary history. He discusses six major works of Russian music from the nineteenth and twentieth centuries, showing the interplay of musical texts with their literary and historical sources within the ideological and cultural contexts of their times. Each musical work becomes a tableau representing a moment in Russian history, and together the works form a coherent story of ideological and aesthetic trends as they evolved in Russia from the time of Pushkin to the rise of totalitarianism in the 1930s. Gasparov discusses Glinka’s Ruslan and Ludmilla (1842), Mussorgsky’s Boris Godunov (1871) and Khovanshchina (1881), Tchaikovsky’s Eugene Onegin (1878) and The Queen of Spades (1890), and Shostakovich’s Fourth Symphony (1934). Offering new interpretations to enhance our understanding and appreciation of these important works, Gasparov also demonstrates how Russian music and cultural history illuminate one another.

Word and Music in Russian Culture

Five Operas and a Symphony

Olga Raevsky-Hughes

The acceptance of Christianity in the tenth century is the most significant cultural event in the history of modern Russia, Ukraine, and Belarus. A vast reservoir of cultural concepts, expressions, and iconographic images has developed within the Eastern Orthodox tradition, and now Slavic specialists, theologians, historians, and literary scholars can turn to a collection which examines the majestic sweep of a thousand years of Slavic Christianity. This three-volume collection brings together essays from two international conferences. The present volume explores the history and influence of Christianization from the tenth to the seventeenth century. Volume II will examine cultural history from the eighteenth to the twentieth century, and Volume III will examine literature of the nineteenth and twentieth centuries. The acceptance of Christianity in the tenth century is the most significant cultural event in the history of modern Russia, Ukraine, and Belarus. A vast reservoir of cultural concepts, expressions, and iconographic images has developed within the Eastern Orthodox tradition, and now Slavic specialists, theologians, historians, and literary scholars can turn to a collection which examines the majestic sweep of a thousand years of Slavic Christianity. This three-volume collection brings together essays from two international conferences. The present volume explores the history and influence of Christianization from the tenth to the seventeenth century. Volume II will examine cultural history from the eighteenth to the twentieth century, and Volume III will examine literature of the nineteenth and twentieth centuries.

Slavic Cultures in the Middle Ages

Conducting an analysis of Saussure's intellectual heritage, this book links Sassurean notions of cognition, language, and history to early Romantic theories of cognition and the transmission of cultural memory. In particular, several fundamental categories of Saussure's philosophy of language, such as the differential nature of language, the mutability and immutability of semiotic values, and the duality of the signifier and the signified, are rooted in early Romantic theories of 'progressive' cognition and child cognitive development.

B. Gasparov

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