Barbara Hahn

Bruce E. Baker

The cotton kings' relates a rip-roaring drama of competition in the marketplace and reveals the damage markets can cause when they do not work properly. It also explains how they can be fixed through careful regulation. At the turn of the twentieth century, cotton was still the major agricultural product of the American South and an important commodity for world industry. Key to marketing cotton were futures contracts, traded at exchanges in New York and New Orleans. Futures contracts had the potential to hedge risk and reduce price volatility, but only if the markets in which they were traded worked properly. Increasing corruption on the powerful New York Cotton Exchange pushed prices steadily downwards in the 1890s, impoverishing millions of cotton farmers. The U.S. Department of Agriculture tried to solve the problem with better crop predictions and market information, shared equally and simultaneously with all participants, but these efforts failed. To fight the cotton market's corruption, cotton brokers in New Orleans, led by William P. Brown and Frank Hayne, began quietly to assemble resources.0They triumphed in the summer of 1903, when they cornered the world market in cotton and raised its price to reflect the reality of increasing demand and struggling supply. The brokers' success pushed up the price of cotton for the next ten years. However, the structural problems of self-regulation by market participants still threatened the cotton trade. More corruption at the New York Cotton Exchange appeared, until eventually political pressure inspired the Cotton Futures Act of 1914, the federal government's first successful regulation of a financial derivative.

Capitalism and Corruption in Turn-of-the-century New York and New Orleans

The Cotton Kings

Pauline Wiesel

Briefwechsel mit Karl Gustav von Brinckmann, Prinz Louis Ferdinand von Preussen, Friedrich Gentz und anderen

Pauline Wiesels Liebesgeschichten

Meike Werner

We all dream; we all share these strange experiences that infuse our nights. But we only know of those nightly adventures when we decide to represent them. In the long history of coming to terms with dreams there seem to be two different ways of delineating our forays into the world of the unconscious: One is the attempt of interpreting, of unveiling the hidden meaning of dreams. The other one is not so much concerned with the relation of dream and meaning, of dream and reality, it rather concentrates on trying to find means of representation for this extremely productive force that determines our sleep. The essays collected in this book explore both attempts. They follow debates in philosophy and psychoanalysis and they study literature, theatre, dance, film, and photography.

Reflections and Representations

The Art of Dreams

"The Jewess Pallas Athena"--a line from a poem by Paul Celan. It is a provocative phrase, cutting across cultures and traditions. But it poses questions: How to reconstruct a culture that has been destroyed? How to conceive of history after the catastrophes of the twentieth century? This book begins in the mid-eighteenth century with the first Jewish women to raise their voices in German. It ends two hundred years later, with another group of Jewish women looking back at a country from which they had been expelled and to which they would never want to return. Among the many prominent female intellectuals and literary figures Barbara Hahn discusses are Hannah Arendt, Gertrud Kantorowicz, Rosa Luxemburg, Else Lasker-Schüler, Margarete Susman, and Rahel Levin Varnhagen. In examining their writing, she reflects upon the question of how German culture was constructed--with its inherent patterns of exclusion. This is a book about hope and despair, possibilities and preventions. We see attempts at dialogue between Christians and Jews, men and women, "Germans" and "Jews," attempts initiated by these women that, for the most part, remained unanswered. Finally, the book reconstructs the changing notions of the "Jewess," a key word in modern German history with its connotations of "salons," "beauty," and "esprit." And yet a word that is also disastrous, in which there culminated everything the dominant culture condemned as dangerous.

This Too a Theory of Modernity

The Jewess Pallas Athena

Cordula Neiberger

In den meisten Ländern stellen Stadtzentren noch heute den wichtigsten Standort von Einzelhandel und Dienstleistungen dar. Allerdings zeichnet sich ein Wandel ab, denn durch Globalisierung, Digitalisierung und veränderte Konsumgewohnheiten haben sich die Anforderungen an den modernen Einzelhandel verändert. Die Einzelhandelsunternehmen bevorzugen heute andere Standorte als noch vor 50 Jahren, die traditionelle Rolle der Innenstädte ist damit unter Druck geraten. So ist eine äußerst vielfältige Handelslandschaft entstanden, die in Größe, Sortiment, Preislage, Zielgruppe und Standort differiert. Das Lehrbuch ist nach dem Akteursgruppenansatz der Wirtschaftsgeographie gegliedert, ergänzt um die Betrachtung von Standorten und Standortsystemen sowie einen methodischen Teil. Es werden die Entwicklung der Handelsunternehmen, das Konsumentenverhalten sowie der Einfluss von Investoren, Planern und Politikern auf Standorte des Einzelhandels auf nationaler und internationaler Ebene betrachtet.

Geographische Handelsforschung

Places the British Industrial Revolution in global context, providing a fresh perspective on the relationship between technology and society.

Barbara Hahn

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