Sara MacDonald

Barry Craig

Recovering Hegel from the Critique of Leo Srauss offers a defense of modernity against the critique of the influential mid-twentieth century political philosopher, Leo Strauss. Strauss, whose influence on contemporary conservative political theory is well documented, discovered the ground of much of what he found wanting in contemporary political and social life to lie in the philosophy of the 19th century German philosopher, G. W. F. Hegel. Specifically, Strauss accused Hegel of being the greatest exponent of historicism and thus the relativism that afflicts modern thought. Ultimately, according to Strauss, this has led to the nihilism and general mediocrity that characterizes modern western culture. In this book, Sara MacDonald and Barry Craig examine Strauss’s reading of Hegel and argue that in fact it is a mis-reading. Contrary to Strauss’s interpretation, this book holds that Hegel was no relativist and in fact sought to show the compatibility of objective, eternal truth with modern human subjectivity. At the same time, it illustrates the way in which Hegel’s thought prepared the ground for enlightened modern liberal democracies and also remains relevant to current social and political conversations.

The Virtues of Modernity

Recovering Hegel from the Critique of Leo Strauss

Christopher Anderson

Bernie Kernot

The Fifth International Symposium of the Pacific Arts Association, titled "Art, Performance, and Society," called for papers in sessions dealing with "Production and Performance," "Social and Cultural Context," "The Record and the Remainder," and "The Mission of Museums." In all, some sixty papers were presented, twenty-four of which have been included in this book. The first two topics elicited several papers that explored the creative process, including the description and analysis of performance, and the taxonomy of objects used, the transmission of cultural knowledge, and the identity and work of individual artists. The second two topics provided the opportunity for papers on some significant early museum collectors and collections, various methods of documenting cultural material (such as photography), how cultural material has been and can be exhibited, and the role of museums and cultural centers in Pacific Island countries.

Barry Craig

Books

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