Ben Masters

A Memoir of Loss and Butterflies

Flitting

On an epic 3,000-mile journey through the most pristine backcountry of the American West, four friends rode horseback across an almost contiguous stretch of unspoiled public lands, border to border, from Mexico to Canada. For their trail horses, they adopted wild mustangs from the US Bureau of Land Management that were perfectly adapted to the rocky terrain and harsh conditions of desert and mountain travel. A meticulously planned but sometimes unpredictable route brought them face to face with snowpack, downpours, and wildfire; unrelenting heat, raging rivers, and sheer cliffs; jumping cactus, rattlesnakes, and charging bull moose; sickness, injury, and death. But they also experienced a special camaraderie with each other and with the mustangs. Through it all, they had a constant traveling companion—a cameraman, shooting for the documentary film Unbranded. The trip’s inspiration and architect, Ben Masters, is joined here by the three other riders, Ben Thamer, Thomas Glover, and Jonny Fitzsimons; two memorable teachers and horse trainers; and the film’s producers and intrepid cameramen in the telling of this improbable story of adventure and self-discovery.

Unbranded

When a team of five explorers embarked on a 1,200-mile journey down the Rio Grande, the river that marks the southern boundary of Texas and the US-Mexico border, their goal was to experience and capture on film the rugged landscapes of this vast frontier before the controversial construction of a border wall changed this part of the river forever. The crew—Texas filmmaker Ben Masters, Brazilian immigrant Filipe DeAndrade, Texas conservationist Jay Kleberg, wildlife biologist Heather Mackey, and Guatemalan-American river guide Austin Alvarado—began the trip in El Paso, pedaling mountain bikes through the city’s dry river bed. Their path took them on horseback through the Big Bend, down the Wild and Scenic stretch of the river in canoes, and back to bikes from Laredo to Brownsville. They paddled the last ten miles through a forest of river cane to the Gulf of Mexico. As they made their way to the Gulf, they met and talked with the people who know and live on the river—border patrol, wildlife biologists, ranchers, politicians, farmers, social workers, locals, and travelers. They climbed the wall (in twenty seconds). They encountered rare black bears, bighorn sheep, and birds of all kinds. And they sought to understand the complexities of immigration, the efficacy of a wall, and the impact of its construction on water access, wildlife, and the culture of the borderlands. The River and the Wall is both a wild adventure on a spectacular river and a sobering commentary on the realities of walling it off.

The River and the Wall

"A remarkable debut--lively, stylish, erudite, and heartfelt--about a young man on the eve of his college graduation"--

Noughties

Eliot Lamb has dreaded this moment for the past three years of his life: the final night of university. Gathered with his mates in the King's Arms, he begins the ultimate descent - Pub, Bar, Club. Staring into the foam of his first pint, he knows that before the night reaches its climactic conclusion on the sweaty dance-floor of Filth, he must solve the dilemma of his knotty love-life, risk his closest friendship, face up to a tragic secret, and deal with the fact that he hasn't a clue what to do with the rest of his life. And with the entire literary canon running wild in his imagination and a series of ominous text messages lighting up his mobile phone, things aren't going to be easy. Noughties is an inventive and lyrical comic novel about the highs and lows of modern university life. Eliot may know a lot about Renaissance poetry, the post-modern novel, French literary theory, and how to get hammered at a highly competitive rate, but he is fast realising that adulthood beckons, and it's going to be asking a lot more of him than that.

We live in a time of linguistic plainness. This is the age of the tweet and the internet meme; the soundbite, the status, the slogan. Everything reduced to its most basic components. Stripped back. Pared down. Even in the world of literature, where we might hope to find some linguistic luxury, we are flirting with a recessionary mood. Big books abound, but rhetorical largesse at the level of the sentence is a shrinking economy. There is a prevailing minimalist sensibility in the twenty-first century. Novel Style is driven by a conviction that elaborate writing opens up unique ways of thinking; crucial and enriching ways that are endangered when expression is reduced to its leanest possible forms. By re-examining the works of frequently misunderstood English stylists of the late twentieth century (Anthony Burgess, Angela Carter, Martin Amis), as well as a newer generation of twenty-first-century stylists (Zadie Smith, Nicola Barker, David Mitchell), Ben Masters argues for the ethical power of stylistic flamboyance in fiction and demonstrates how being a stylist and an ethicist are one and the same thing. A passionate championing of elaborate writing and close reading, Novel Style illuminates what it means to have style and how style can change us. .

Ethics and Excess in English Fiction since the 1960s

Novel Style

We live in a time of linguistic plainness. This is the age of the tweet and the internet meme; the soundbite, the status, the slogan. Everything reduced to its most basic components. Stripped back. Pared down. Even in the world of literature, where we might hope to find some linguistic luxury,we are flirting with a recessionary mood. Big books abound, but rhetorical largesse at the level of the sentence is a shrinking economy. There is a prevailing minimalist sensibility in the twenty-first century.Novel Style is driven by a conviction that elaborate writing opens up unique ways of thinking; crucial and enriching ways that are endangered when expression is reduced to its leanest possible forms. By re-examining the works of frequently misunderstood English stylists of the late twentieth century(Anthony Burgess, Angela Carter, Martin Amis), as well as a newer generation of twenty-first-century stylists (Zadie Smith, Nicola Barker, David Mitchell), Ben Masters argues for the ethical power of stylistic flamboyance in fiction and demonstrates how being a stylist and an ethicist are one andthe same thing. A passionate championing of elaborate writing and close reading, Novel Style illuminates what it means to have style and how style can change us.

Ethics and Excess in English Fiction Since The 1960s

Alice Bennett

Nicola Barker

Ginette Carpenter

Eleanor Byrne

Len Platt

Daniel Marc Janes

Beccy Kennedy

Christopher Vardy

Huw Marsh

Nicola Barker's exuberant novels here receive the scholarly attention they deserve in a collection of essays which moves chronologically through her oeuvre. The chapters are broad-ranging, placing Barker's work in its contemporary context and collectively making a convincing case for her importance as one of our most inventive novelists. Contents Foreword Nicola Barker The Barkeresque Mode: An Introduction Berthold Schoene Indie Style: Reversed Forecast and a Turn-of-the-Century Aesthetic Ben Masters 'Temporary People': Wide Open as an Island Narrative Daniel Marc Janes 'You grew up in this shithole, then?': Literary Geographics and the Thames Gateway Series Len Platt 'The Pair of Opposites Paradox': Ambivalence, Destabilization and Resistance in Five Miles from Outer Hope Ginette Carpenter 'Woah there a moment. Time out!': Slowing Down in Clear: A Transparent Novel Beccy Kennedy Beneath the Thin Veneer of the Modern: Medievalism in Darkmans Christopher Vardy Burley Cross Postbox Theft as Comedy Huw Marsh 'Tuning into My "Awareness Continuum"': Optimized Attention in The Yips Alice Bennett Exuberant Narration as Metaphysical Currency in In the Approaches Berthold Schoene The Pursuit of Happiness in H(A)PPY, or What a Difference an (A) Makes Eleanor Byrne Notes on Contributors Index

Ben Masters

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