Bhanu Kapil

Bhanu Kapil's extraordinary and original work been published in the U.S. over the last two decades to create what she calls in Ban en Banlieue (2015) a 'Literature that is not made from literature.' During that time Kapil has established herself as one of our most important and ethical writers, whose books often defy categorisation, as she fearlessly engages with colonialism and its ongoing and devastating aftermath. Always at the centre of her books and performances are the experiences of the body, and, whether she is exploring racism, violence, the experiences of diaspora communities in India, England or America, what emerges is a heart-stopping, life-affirming way of telling the near impossible-to-be-told. How To Wash A Heart, Kapil's first full-length collection published in the U.K., depicts the complex relations that emerge between an immigrant guest and a citizen host. Drawn from a first performance at the ICA in London in 2019, and using poetry as a mode of interrogation that is both rigorous, compassionate, surreal, comic, painful and tender, by turn, Kapil begins to ask difficult and urgent questions about the limits of inclusion, hospitality and care.

How to Wash a Heart

Bhanu Kapil Rider

A fragmented notebook investigates mental illness and trauma in the South Asian diaspora

Schizophrene

A Space for Monsters

Incubation

"At the limit of house, of loss, at the edge of language, at the exhaustion of identity and text, Bhanu Kapil brings her shadow of a girl in and out of being, making of her a structure that is relation. Here in this radiant work of prose, the cyborg, the monster, the immigrant finds a future existence, a vibrant bleeding color brought forth by the multiple disjuncts that the book (and history) insists upon. Poised between pre-life and the notebook, between country and idea of country, in the mirror between addresser and addressee is the body that might exist in time. A work of global fiction, Incubation: A Space for Monsters extends its own faltering reach to offer the (various) other: a body, an accompaniment in language and ultimately a watery site of inscription to touch." -- Back cover.

Una McCormack

David Naimon

Marilyn Strathern

Nisha Ramayya

Canisia Lubrin

Federico Campagna

Daniel Heath Justice

Theo Downes-Le Guin

Shoshone Collective

Standard Deviation

When Ursula K. Le Guin started writing a new story, she would begin by drawing a map. The Word for World presents a selection of these images by the celebrated author, many of which have never been published before, to consider how her imaginary worlds enable us to re-envision our own. 

Le Guin’s maps offer journeys of consciousness beyond conventional cartography, from the Rorschach-like archipelagos of Earthsea to the talismanic maps of Always Coming Home. Rather than remaining within known terrain, they open up paradigms of knowledge, exemplified by the map’s edges and how a map is read, made and re-made, together. The Word for World brings her maps together with poems, stories, interviews, recipes and essays by contributors from a variety of perspectives to enquire into the relationship between worlds and how they are represented and imagined.

The Maps of Ursula K Le Guin

The Word for World

Jihyun Yun

Larissa Lai

Franny Choi

Hala Alyan

Victoria Chang

Monica Sok

Devi Laskar

Karen An-hwei Lee

Sun Yung Shin

Marilyn Chin

Ryka Aoki

Diana Khoi Nguyen

Jane Wong

Nancy Chen Long

Eileen Tabios

Carlina Duan

Michelle Lee

Doyali Islam

Jessica Abughattas

Dena Igusti

Marci Calabretta Cancio-Bello

Paul Tran

Cynthia Dewi Oka

Mary-Kim Arnold

Mia Ayumi Malhotra

Maw Shein Win

Do Nguyen Mai

Shazia Hafiz Ramji

Su Cho

Jenna Le

Su Fang Ng

Isabella Wang

Amy Lam

Angie Sijun Lou

Nellie Wong

Torsa Ghosal

Kailee Pedersen

Manahil Bandukwala

Allison Albino

Sarah Audsley

Hajjar Baban

Maria Isabelle Carlos

Catherine Chen

Jennifer Cheng

Debra Kang Dean

Anuja Ghimire

Kate Hao

Mai-Linh Hong

C. X. Hua

Resi Ibanez

Ann Inoshita

Maya Khosla

Maddie Kim

Juliet Kono

Hyejung Kook

Iria Law

Mari L 'Esperance

Pacyinz Lyfoung

Meher Manda

Aurora Masum-Javed

Lani Montreal

Amy Patel

Yamini Pathak

Michelle Penaloza

Angela Penaredondo

Megan Pinto

Preeti Kaur Rajpal

Swati Rana

Karen Rigby

Raena Shirali

C. E. Shue

Kristen Sze-Tu

Lehua Taitano

Alaisha Verdeflor

Kara Kai Wang

Annette Wong

Shelly Wong

Jessica Yuan

They Rise Like A Wave: An Anthology of Asian American Women Poets is a collection of hundreds of contemporary poems by both established and emerging Asian American Women Poets.

An Anthology of Asian American Women Poets

They Rise Like a Wave

Amy Reed

Natalie Baszile

Alexis Coe

Jacob M. Appel

Quincy Troupe

Judy Grahn

Eugenia Leigh

Eric Gamalinda

Susanna Sonnenberg

Tony Phillips

Tsering Wangmo Dhompa

Ajuan Mance

Indira Allegra

Kris Brandenburger

Chip Goldstein

Lisa Grey

John Pleucker

Liana Scalettar

Cindy Shearer

Margaret Porter Troupe

Interdisciplinary arts print magazine published annually by the MFA program at California Institute of Integral Studies

Mission at Tenth

Winner of the T. S. Eliot Prize 2020. Poetry Book Society Choice, Summer 2020. Bhanu Kapil’s extraordinary and original work has been published in the US over the last two decades. During that time Kapil has established herself as one of our most important and ethical writers. Her books often defy categorisation as she fearlessly engages with colonialism and its ongoing and devastating aftermath, creating what she calls in Ban en Banlieue (2015) a ‘Literature that is not made from literature’. Always at the centre of her books and performances are the experiences of the body, and, whether she is exploring racism, violence, the experiences of diaspora communities in India, England or America, what emerges is a heart-stopping, life-affirming way of telling the near impossible-to-be-told. How To Wash A Heart, Kapil's first full-length collection published in the UK, depicts the complex relations that emerge between an immigrant guest and a citizen host. Drawn from a first performance at the ICA in London in 2019, and using poetry as a mode of interrogation that is both rigorous, compassionate, surreal, comic, painful and tender, by turn, Kapil begins to ask difficult and urgent questions about the limits of inclusion, hospitality and care.

How To Wash A Heart

Nick Montfort

Maxi Kim

Ian M. Mccarty

[out of nothing] is an electronic publication featuring new works in image, sound, text and the digital arts, as well as works located at the intersections between these media. [out of nothing]is published in online installments as well as occasional print editions, on an irregular but roughly semiannual seasonal basis that nevertheless remains chronically TBD. Each issue is theme-based, and is introduced by a special M.C.; or, emcee. [out of nothing] is edited by Lee, Janice, 1956–1984; Lindley, Eric, 1952 –1982; and Milazzo, Joe, 1932 –1972. email: shelling.peanuts@gmail.com. For more information, please visit: http://www.outofnothing.org/. [Anthology.] [out of nothing] #0: "theoretical perspectives on the substance preceding [nothing]." / [Various authors.] p. cm. 1. Literature, Experimental. 2. Literature, Modern —21st century. 3. Multimedia (Art). I. Baudrillard, Jean, 1929-2007. II. Benjamin, Walter, 1892-1940. III. Derrida, Jacques, (1930-2004). IV. Kierkegaard, Søren, 1813-1855. V. Title. PN6014 .O98 2012 808.8/0047 Copyright © 2012 [out of nothing]. Authors hold the rights to their individual works. All rights reserved. Printed in the United States of America. 0 9 8 7 6 5 4 3 2 1

Theoretical Perspectives on the Substance Preceding

Bhanu Kapil

Books

Your next favorite book is out there