Birte Poulsen

John Lund

Poul Pedersen

The papers in Karia and the Dodekanese, Vol. I, focus on regional developments and interregional relations in western Asia Minor and the Dodekanese during the Late Classical and Early Hellenistic period. Throughout antiquity, this region was a dynamic meeting place for eastern and western civilizations. Cultural achievements of exceptional and everlasting importance, including significant creations of ancient Greek literature, philosophy, art and architecture, originated in the coastal cities of western Anatolia and the adjoining Aegean islands. In the fourth century BC, the eastern cities experienced a new economic boom, and a revival of Archaic culture, sometimes termed ‘The Ionian Renaissance’, began. The cultural revival furthered rebuilding of old major works such as the Artemision at Ephesos, the embellishment of sanctuaries and a new royal architecture, such as the Maussolleion at Halikarnassos. The rich cultural revival was initially promoted by the satrapal family of the Hekatomnids in Karia and in particular by its most famous member, Maussollos, whose influence was not confined to Asia Minor, but included the Dodekanese islands Kos and Rhodos. Partly under the influence of the Karian satrapy, a number of cities were founded on a new common urban model in Rhodos, Halikarnassos, Priene, Knidos and Kos. When Alexander the Great conquered the satrapies in western Asia Minor in 334 BC, the culture initially promoted at the satrapal courts was carried on by gifted thinkers, poets and architects, preparing the way for Hellenistic cultural centres such as Alexandria.

Cultural Interrelations in the Southeast Aegean I Late Classical to Early Hellenistic

Karia and the Dodekanese

Eva Mortensen

Cityscapes consist of houses, streets, civic buildings, sanctuaries, tombs, monuments, and inscriptions created by multiple generations of citizens and foreigners with an interest in the city; they are interpreted and reinterpreted as expressions of past lives, changing relations of power, memories, and various identities. The present volume publishes 25 contributions written by scholars specializing in the history and archaeology of western Asia Minor. New and well-known material – literary, epigraphical, numismatic, and archaeological – is presented and analyzed through the twin lenses of memory and identity. The contributions cover more than 1000 years of cultural diversity during changing political systems, from the Lydian and Persian hegemony in the Archaic period through Athenian supremacy and Persian satrapal rule in the Classical period, then autocratic kingship in Hellenistic times until, finally, more than half a millennium of Roman rule. Identities are voiced through several media and visible at many levels of the ancient societies. So are the places of memory – the Lieux de Mémoire – and the studies presented here provide new insights into how human beings chose, deliberately or subconsciously, to commemorate their past and their ancestors, and how identity was displayed and expressed under shifting political rule.

Memories and Identities

Cityscapes and Monuments of Western Asia Minor

Ole Hoiris

Med Antikkens verden afslutter Aarhus Universitetsforlag sin store serie om den europAeiske kultur- og idehistorie. Antikkens kultur havde sit udspring i GrAekenland og Romerriget og pavirkede hele Middelhavsomradet og Mellemosten. Men antikken Danishnede ogsa grobund for de tre store idesystemer, der skulle komme til at bAere den europAeiske historie i flere tusinde ar.I 25 artikler i Antikkens verden stiller forskere skarpt pa centrale aspekter af antikkens tAenkning og livsformer. Dermed giver bogen en solid indsigt i grundlaget for hele den vestlige verdens kultur - og en baggrund for at forsta, hvorfor det netop blev de europAeiske magter, der efter 1500 blev globalt dominerende.

Videnskab, kunst, kultur, myter og religion

Antikkens verden

Stine Birk

Antiquity was a multi-cultural and multi-religious world. Meetings and interactions between cultures in East and West, and the consequent widespread exchange of ideas had an enormous impact on cultural practices and the creation of identities. These cultural diversities are reflected by both the archaeological material and the written sources. Patrons of luxurious buildings, elaborate grave monuments, and churches used architecture and images to demonstrate political, social and religious power. These buildings and their embellishment with sculpture, mosaics and paintings were strong factors in communicating identity and attitudes both in the public and private spheres. The continuous production of mythological sculpture and mosaics coexisted, sometimes peacefully other times with violent consequences, with an increasing influence from new philosophical mind sets originating in the East, such as Christianity. In this period of rapid social and religious change new patrons appeared, such as bishops, who were responsible for the construction of churches commemorating the Christian triumph. The seminar focuses on the way patrons, pagan as well as Christian, conveyed messages through material culture and the responses of the viewers.

Patrons and Viewers in Late Antiquity

Troels Myrup Kristensen

Fifteen papers focus on the active and dynamic uses of images during the first millennium AD. They bring together an international group of scholars who situate the periods visual practices within their political, religious, and social contexts. The contributors present a diverse range of evidence, including mosaics, sculpture, and architecture from all parts of the Mediterranean, from Spain in the west to Jordan in the east. Contributions span from the depiction of individuals on funerary monuments through monumental epigraphy, Constantines expropriation and symbolic re-use of earlier monuments, late antique collections of Classical statuary, and city personifications in mosaics to the topic of civic prosperity during the Theodosian period and dynastic representation during the Umayyad dynasty. Together they provide new insights into the central role of visual culture in the constitution of late antique societies.

Using Images in Late Antiquity

Tobias Fischer-Hansen

Text in English & German. This book contains 19 articles dealing with various aspects of the Greek goddess Artemis and the Roman goddess Diana. The themes presented in the volume deal with the Near Eastern equivalents of Artemis, the Bronze Age Linear B testimonies, and Artemis in Homer and in the Greek tragedies. Sanctuaries and cult, and regional aspects are also dealt with -- encompassing Cyprus, the Black Sea region, Greece and Italy. Pedimental sculpture, mosaics and sculpture form the basis of investigations of the iconography of the Roman Diana; the role of the cult of Diana in a dynastic setting is also examined. A single section deals with the reception of the iconography of the Ephesian Artemis during the Renaissance and later periods.

Birte Poulsen

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