Anne Whitelaw

Brian Foss

Sandra Paikowsky

The Visual Arts in Canada: The Twentieth Century charts the developments in Canadian art from the late-nineteenth century to the present with new essays by the country's leading art historians. The first of its kind ever published, this comprehensive overview embraces painting, sculpture, photography, design, video, and conceptual and cross-disciplinary art as well as studies of art institutions and historiography. Each chapter explores the richness and diversity of Canadian art; topics range from impressionist painting to the multimedia work of contemporary First Nations artists, and from the Group of Seven to video production. Newly commissioned, carefully edited, and with 185 full-colour illustrations, The Visual Arts in Canada will appeal to general readers and students alike.

The Twentieth Century

The Visual Arts in Canada

This book charts the developments in Canadian art from the late nineteenth century to the present with new essays by the country's leading art historians. A comprehensive overview, this volume embraces painting, sculpture, photography, design, video, and conceptual and cross-disciplinary art, as well as studies of art institutions and historiography. Each chapter explores the richness and diversity of Canadian art; topics range from impressionist painting to the multimedia work of First Nations artists, and from the Group of Seven to contemporary video production. Newly commissioned, carefully edited, and with 185 full-colour illustrations, The Visual Arts in Canada will appeal to general readers and students alike. An extensive index, as well as an appendix that list galleries and artist-run centres across the country, make this the definitive resource for Canadian art from the past century. Throughout the twenty chapters, readers will recognize favourite artists and encounter new ones-all of whom play an integral role in the country's visual history.

Art Gallery of Ontario

Janice Anderson

Mary Hiester Reid

The Art of Mary Hiester Reid

Quiet Harmony

Professor of Art History School for Studies in Art and Culture Brian Foss

In this groundbreaking examination of British war art during the Second World War, Brian Foss delves deeply into what art meant to Britain and its people at a time when the nation's very survival was under threat. Foss probes the impact of war art on the relations between art, state patronage, and public interest in art, and he considers how this period of duress affected the trajectory of British Modernism. Supported by some two hundred illustrations and extensive archival research, the book offers the richest, most nuanced view of mid-century art and artists in Britain yet written. The author focuses closely on Sir Kenneth Clark's influential War Artists' Advisory Committee and explores topics ranging from censorship to artists' finances, from the depiction of women as war workers to the contributions of war art to evolving notions of national identity and Britishness. Lively and insightful, the book adds new dimensions to the study of British art and cultural history.

Art, War, State and Identity in Britain, 1939-1945

War Paint

Brian Foss

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