Pablo Picasso

Laurent Gervereau

Werner Hofmann

Michel Melot

Marie-Noelle Delorme

Valeriano Bozal

Brigitte Léal

Valeriano Bozal Fernández

Dominique Dupuis-Labbe

Maria-Teresa Ocaana

Throughout his artistic career Picasso was fascinated by both caricature and the idea of the grotesque: light and dark representations of the distorted human figure. Picasso: From Caricature to Metamorphosis of Style, which accompanies a major exhibition at the Museu Picasso, Barcelona, is the first book to examine the distortion of the figure as a central creative force in Picasso's art and a springboard for his continual process of stylistic metamorphosis. Caricatures, monsters, puppets and grotesque figures populate the pages of this book, which is illustrated with over 400 reproductions of key works by Picasso drawn from public and private collections worldwide: paintings, drawings, sculptures, ceramics and prints. More than 100 of the works reproduced are previously unpublished. With a series of interpretive essays by an international cast of distinguished Picasso scholars, the book is essential reading for all those with an interest in the life and work of a twentieth-century master.

From Caricature to Metamorphosis of Style

Picasso

Marie-Laure Bernadac

Christine Piot

Pablo Picasso was one of the most innovative, experimental, prolific, influential, and controversial painters of the twentieth century. An updated and re-designed version of the large-format book published in the year 2000, this small-format Picasso. The Monograph 1881-1973 offers more than 1,200 new-scanned reproductions spanning the artist’s entire career. The three authors are all experts: Léal and Bernadac both former curators of the Musée Picasso in Paris are, at this time and respectively, curators of the Centre Pompidou and the Louvre Museum, and Piot coauthored the catalogue raisonné of Picasso’s sculpture. Brigitte Leal covers Picasso's formative years from 1881 through 1916, including his invention of Cubism with Georges Braque. Christine Piot explores the astonishingly fertile period from 1917 through 1952, and Marie- Laure Bernadac discusses the unabashed vigor of Picasso’s later years, from 1953 until his death in 1973. Smoothly translated from the French, the book weaves biographical details and discussions of the art into a concise narrative. (“Olga became pregnant in the summer of 1920, and in Picasso’s work forms blossomed and flesh took on the massive quality of stone.”).The authors keep an extremely tight focus on their subject, with only as much mention of Picasso’s contemporaries or the outside world as absolutely necessary. The 16-page section on Guernica, for example, has barely two pages of discussion about the painting and its genesis. In short, for any personal or academic art history collection, and for students or community libraries, Picasso. The Monograph 1881-1973 is unsurpassed.

The Monograph, 1881-1973

Alexander Calder

Joan Simon

"Alexander Calder: The Paris Years, 1926-1933 follows Calder's progression from painter to sculptor in Paris in the 1920s and early 1930s - a unique and critically important period of artistic, cultural, social, and political dialogue between the United States and Paris."--Sponsor's statement.

The Paris Years, 1926-1933

Brigitte Léal

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