Madeleine St John

Bruce Beresford

Women in Black

Neil LaBute

Andrew McCarthy

Alec Baldwin

Paulina Porizkova

Brooke Shields

Sandra Bernhard

Richard E Grant

Lights, Camera...Travel! Travel stories from screen storytellers including Alec Baldwin, Brooke Shields, Richard E Grant, Neil LaBute, Bruce Beresford and Sandra Bernhard. Since the ancient Greeks, actors have been society's storytellers. And ever since Hollywood first left the back lot, these storytellers have been traveling to far-flung corners of the world to tell those tales. We decided to ask some of the most widely traveled people in the film industry to sit down and tell us their own stories - personal, inspiring, funny, embarrassing and human experiences from their time on the road. Edited by Andrew McCarthy (Pretty in Pink, Less Than Zero, National Geographic Traveler contributing editor) and Don George (A Moveable Feast, Tales from Nowhere, National Geographic Traveler contributing editor).

Lights, Camera...Travel!

This entertaining collection of pieces from the acclaimed director of Breaker Morant, Driving Miss Daisy and Mao’s Last Dancer features memoirs, brief lives and revealing accounts of the film world. Alongside unsung heroes from behind the camera and producers of dubious repute are Madeleine St John and Clive James, Margaret Olley and Jeffrey Smart, as well as a particularly seductive 1963 EH Holden—and Bruce Beresford’s father, whose strange and startling decline in old age is charted in a brilliant, poignant essay. Opinionated, wry and engaging, The Best Film I Never Made will provoke and delight in equal measure. It is the ideal gift not only for cinema buffs but for anyone interested in music, art or literature. Bruce Beresford has directed more than two dozen films, including Breaker Morant, Tender Mercies, Driving Miss Daisy, Black Robe, Double Jeopardy and Mao’s Last Dancer. He has directed Rigoletto for the Los Angeles Opera and A Streetcar Named Desire for Opera Australia, and is the author of Josh Hartnett Definitely Wants to Do This. He lives in Sydney. ‘Beresford’s style resembles the action of a veteran wrist-spinner. His technique looks loose, even effortless. His sentences drift along genially for a while, then suddenly bite the pitch and turn...He isn’t merely smart by Hollywood standards. He is smart by any standard...In a world rife with philistines, he demonstrates that the best revenge is laughter, and living and working well.’ Australian ‘Beresford writes with skill and insight, humour.’ Otago Daily Times ‘This quirky collection of occasional writings from 2007 to 2017 paints a picture of a modest man with a curious mind...Beresford retains a wry sense of humour and an enjoyable willingness to share candid and unflattering details.’ Big Issue ‘A collection of warm, droll and often frank personal essays...An honest and reflective book.’ AU Review

And Other Stories about a Life in the Arts

The Best Film I Never Made

Story Boards

Driving Miss Daisy

Whats it like to be an Oscar-winning director up against the machinations of modern-day Hollywood with its stars who want to write their own roles, producers who dont read scripts, highly dubious money men who promise unlimited funds: the mad, the bad and the downright notorious? In this no-holds-barred account Bruce Beresford takes us through the highs and lows of the screen trade from deals at dinner tables to dressing downs in backlots, from far-flung locations, to the centres of power, with a cast of characters that includes Russell Crowe, Cate Blanchett, Jodie Foster, Jeffrey Archer, Morgan Freeman and many others. Delightfully literate and sharply observed, this is a candid look at the world of film-making from one of its most accomplished practitioners.

True Stories from a Life in the Screen Trade

Josh Hartnett Definitely Wants to Do This--

Bruce Beresford

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