Bunty Avieson

It started so innocently. But doesn't everyone say that? In the opulent rooms of a Sydney specialist, Nina and James Wilde are waiting. Waiting to learn whether the rare, hereditary condition that killed James's father will threaten not only James, but also their much loved son, Luke. But that is just the beginning of Nina's torment. She has a secret, one that is now a decade old and just as capable of destroying everything that is important to her. Memories of another time and a sweet, passionate love that should never have happened are haunting Nina. Suddenly her grasp on life and happiness seems more precarious than she could ever have anticipated. "a gripping read" – Herald Sun "Avieson turns her considerable skills to a wonderfully chilling psychological thriller" – NW Book of the Week "With its snappy pace, this is ... an excellent read" – Marie Claire "Avieson offers an acute psychological study of obsessive behaviour ... kind of kinky and deliciously unputdownable" – Canberra Times This suspenseful thriller is perfect for fans of Jodi Picoult and Paullina Simons.

The Affair

Fiona Giles

Sue Joseph

The argument has been made that memoir reflects and augments the narcissistic tendencies of our neo-liberal age. Mediating Memory: Tracing the Limits of Memoir challenges and dismantles that assumption. Focusing on the history, theory and practice of memoir writing, editors Bunty Avieson, Fiona Giles and Sue Joseph provide a thorough and cutting-edge examination of memoir through the lenses of ethics, practice and innovation. By investigating memoir across cultural boundaries, in its various guises, and tracing its limits, the editors convincingly demonstrate the plurality of ways in which memoir is helping us make sense of who we are, who we were and the influences that shape us along the way.

Tracing the Limits of Memoir

Mediating Memory

It was the talk of the wake. The woman in the red dress. Everyone at the service wondered. Who was that woman? Pete's dead and Gwennie's life will never be the same. How could Pete, a young, fit man, leave her now? Their lives together were only just beginning. And pneumonia? It was insane, unthinkable, unbearable. Somehow she struggles through the funeral in a daze, and the mysterious mourner in the tight-fitting red dress barely registers in her consciousness. It's only later, when spotting a discrepancy in Pete's tax records, that she begins to wonder. Who was that woman? "a gripping read" – Herald Sun "Avieson turns her considerable skills to a wonderfully chilling psychological thriller" – NW Book of the Week "With its snappy pace, this is ... an excellent read" – Marie Claire "Avieson offers an acute psychological study of obsessive behaviour ... kind of kinky and deliciously unputdownable" – Canberra Times This suspenseful thriller is perfect for fans of Jodi Picoult and Paullina Simons.

The Wrong Door

This is a fascinating account of ancient culture colliding with modern media. Tucked between Tibet and India in the Himalayas, the kingdom of Bhutan is one of the most isolated and beautiful countries in the world. In The Dragon's Voice, Australian journalist Bunty Avieson provides a glimpse of life beyond the country's exotic exterior. As a consultant to local newspaper Bhutan Observer, she admires the paper's strong social conscience, but finds her expectations challenged in a country where spirituality and personal happiness are prioritized over work. Avieson also witnesses the tensions that arise as a Buddhist kingdom makes the transition to democracy. The courtship ritual of "night-hunting" and the nation's first public demonstration become controversial news items, while journalists must overcome traditional social hierarchies to keep politicians accountable. With a unique blend of memoir and reportage, The Dragon's Voice is both a deeply personal story and a vivid portrait of a nation on the cusp of revolutionary change.

How Modern Media Found Bhutan

The Dragon's Voice

Someone is watching her ... looks can kill Sarah and Ginny have been best friends since school. Then Sarah meets Tom. Her career takes off. She and Tom move into a stunning inner-city apartment. But Ginny has not been so lucky. She wanted Tom, but she didn't get him. She wants ... what Sarah has. Ginny moves into an apartment overlooking Sarah and Tom's. She starts watching them. Then she does something more than just watch ... "a gripping read" – Herald Sun "Avieson turns her considerable skills to a wonderfully chilling psychological thriller" – NW Book of the Week "With its snappy pace, this is ... an excellent read" – Marie Claire "Avieson offers an acute psychological study of obsessive behaviour ... kind of kinky and deliciously unputdownable" – Canberra Times "Revenge, lust and obsession abound in this enjoyable first novel" Australian Women's Weekly This suspenseful thriller is perfect for fans of Jodi Picoult and Paullina Simons.

Apartment 255

Still Here: Memoirs of Trauma, Illness and Loss explores the history, ethics, and cross-cultural range of memoirs focusing on illness, death, loss, displacement, and other experiences of trauma. From Walt Whitman’s Civil War diaries to kitchen table survivor-to-survivor storytelling following Hurricane Katrina, from social media posts from a refugee detention centre, to poetry by exiles fleeing war zones, the collection investigates trauma memoir writing as healing, as documentation of suffering and disability, and as political activism. Editors Bunty Avieson, Fiona Giles and Sue Joseph have brought together this scholarly collection as a sequel to their earlier Mediating Memory (Routledge 2018), providing a closer look at the specific concerns of trauma memoir, including conflict and intergenerational trauma; the therapeutic potential and risks of trauma life writing; its ethical challenges; and trauma memoir giving voice to minority experiences.

Bunty Avieson

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