C. Carr

A full-length account of the life and times of the East Village artist and gay activist centers on the infamous 2010 censoring of A Fire in My Belly, exploring Wojnarowicz's brutal childhood, relationship with his contemporaries and early death from AIDS in 1992. 30,000 first printing.

The Life and Times of David Wojnarowicz

Fire in the Belly

The manufacture and processing of textiles is a complex and essential industry requiring many diverse skills to ensure profitability. New products are continually being developed, and reflect the energy and innovation of those working in the field. This book focuses on the technological aspects of the chemical processing oftextiles, and on the modifications necessary for specific work environments. Coverage ranges from fibre structure and its relationship to tensile properties, textile aesthetics, comfort physiology, and end-use performance, through to the effect of domestic processing by the consumer on the textile product. The industry is constantly under environmental pressure, and the book examines the nature of environmental control and the development of alternative technology to produce less environmental impact. In order to provide a balanced view of the current situation, authors have been drawn from academia, research institutes and industry to produce a text that will be useful to both industrial readers and university students. In conclusion I would like to thank the authors for their dedication and their contributions.

Chemistry of the Textiles Industry

Valerie Cassel Oliver

Malik Gaines

Thomas J. Lax

EJ Hill

The first-in depth publication to critically investigate the impact of Pope.L's early performances on his career Pope.L (b. 1955) is a consummate thinker and provocateur whose practice across multiple mediums - including painting, drawing, installation, sculpture, theatre and video - utilizes abjection, humour, endurance, language and absurdity to confront and undermine rigid systems of belief. Spanning works made primarily from 1978 to 2001, member: Pope.L, 1978-2001 features a combination of videos, photographs, sculptural elements, ephemera and live actions. This volume, published in conjunction with an exhibition at The Museum of Modern Art, presents a detailed study of thirteen early works that helped define Pope.L's career. It features essays by curators, artists, filmmakers and art historians, plus an intervieww and artistic interventions by the artist. These components are supplemented by thirteen detailed plate entries that highlight key details of each work. The entries engage performances that are rooted in experimental theatre such as Egg Eating Contest (1990) and Aunt Jenny Chronicles (1991) as well as street interventions such as Thunderbird Immolation a.k.a. Meditation Square Piece (1978), ATM Piece (1996), and The Great White Way: 22 miles, 9 years, 1 street (2001-2009), among others. Together these works highlight the role of that performance has played within a seditious, emphatically interdisciplinary career that has established Pope.L as an influential force in the history of contemporary art.

Pope. L, 1978-2001

Member

The state of performance art in the 80s and 90s, documented by the form’s leading critic.

Performance at the End of the Twentieth Century

On Edge

Through her engaged and articulate essays in the Village Voice, C. Carr has emerged as the cultural historian of the New York underground and the foremost critic of performance art. On Edge brings together her writings to offer a detailed and insightful history of this vibrant brand of theatre from the late 70s to today. It represents both Carr’s analysis as a critic and her testament as a witness to performances which, by their very nature, can never be repeated. Carr has organized this collection both chronologically and thematically, ranging from the emphasis on bodily manipulation/endurance in the 70s to the underground club scene in New York to an insider’s analysis of the Tompkins Square Riot as a manifestation of the cultural and social conflicts that underlie much of performance art. She examines the transgressive and taboo-shattering work of Ethyl Eichelberger, Karen Finley, and Holly Hughes; documents specific performances by Annie Sprinkle and Lydia Lunch; and maps the development of such artists as Robbie McCauley, Blue Man Group, and John Jesurun. She also describes the “cross-over” phenomenon of the mid-80s and considers the far-right backlash against this mainstreaming as cultural reactionaries sought to curb the influence of these new artists. CONTRIBUTORS: Linda Montano, Chris Burden, G.G Allin, Jean Baudrillard, Patty Hearts, Dan Quayle, Anne Magnouson, John Jesurun, John Kelly, Shu Lea Changvv, Diamanda Galas, Salley May, Rafael Mantanez Ortiz, Sherman Fleming, Kristine Stiles, Laurie Carlos, Jessica Hafedorn, Robbie McCormick, Karen Finley, Poopo Shiraishi, Donna Henes, Holey Hughe, Ela Troyano, Michael Smith, Harry Koipper, John Sex, Nina Jagen, Ethyl Eichelberge, Marina Abramovic, Ulay. Ebook Edition Note: All illustrations have been redacted from the ebook edition.

The state of performance art in the 80s and 90s, documented by the form's leading critic.

The novella is set in a small country town surrounded by farms. It follows one eventful year in the life of a family of three girls, Paula, aged 9, Hanna, aged 8, Rose, aged 6 and their little brother. The story is told through the eyes of Hanna, the middle child. She is a daring child, whose love for adventure sometimes lands her in trouble. Suddenly, the family is faced with tragedy which throws them even closer together. The family copes with this tragedy with the support of the childrens favourite aunt their neighbours and the community. The book gives a rare insight into the lives of children in a rural community.

C. Carr

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