Cara Courage

Nicola Headlam

Flapjacks and Feudalism: Social Mobility and Class in The Archers is an excavation into the family and class politics found in the clans of the residents of Ambridge, in BBC Radio 4’s The Archers.

Social Mobility and Class in The Archers

Flapjacks and Feudalism

Peter Matthews

Twelve leading academics from across the United Kingdom use storylines from BBC Radio 4's The Archers to examine life in rural Borsetshire, bringing their academic research to new audiences. The irreverent but thought-provoking contributions will have you laughing and thinking.

Academic Analyses of Life in Rural Borsetshire

The Archers in Fact and Fiction

Leading scholars from the Academic Archers network combine a love of The Archers with their specialist subjects, in Custard, Culverts and Cake - a sometimes serious, but most often wry look at the people of Ambridge. Scholars take on subjects such as food, geography, social media, faith and naturally, the Helen and Rob storyline.

Academics on Life in the Archers

Custard, Culverts and Cake

The Archers Academics are joined by former The Archers editor, Alison Hindell and actor Dr Charlotte Connor (a.k.a. Susan Carter), to examine the power of gossip in Ambridge, portrayals of love, marriage, motherhood, female education and career expectations, women's mental health and the hard-won right of women to play cricket.

Women in The Archers

Gender, Sex and Gossip in Ambridge

Anita McKeown

This book makes a significant contribution to the history of placemaking, presenting grassroots to top-down practices and socially engaged, situated artistic practices and artsled spatial inquiry that go beyond instrumentalising the arts for development. The book brings together a range of scholars to critique and deconstruct the notion of creative placemaking, presenting diverse case studies from researcher, practitioner, funder and policymaker perspectives from across the globe. It opens with the creators of the 2010 White Paper that named and defined creative placemaking, Ann Markusen and Anne Gadwa Nicodemus, who offer a cortically reflexive narrative on the founding of the sector and its development. This book looks at vernacular creativity in place, a topic continued through the book with its focus on the practitioner and community-placed projects. It closes with a consideration of aesthetics, metrics and, from the editors, a consideration of the next ten years for the sector. If creative placemaking is to contribute to places-in-the-making and encourage citizenled agency, new conceptual frameworks and practical methodologies are required. This book joins theorists and practitioners in dialogue, advocating for transdisciplinary, resilient processes.

Cara Courage

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