Carlo Rotella

Alan E. Kazdin

Features a step-by-step method for parents that experience problems with their children; discusses seven myths of parenting; and offers advice for solving common issues with children in different age groups, from toddlers to adolescents.

With No Pills, No Therapy, No Contest of Wills

The Kazdin Method for Parenting the Defiant Child

"What actually happens in a college literature course, and what does it have to do with the world beyond the classroom? Telling the story of one eventful semester, this rich group portrait shows how 33 freshmen and their professor practice essential life skills as they wrestle with challenging books, consider the purposes of higher education, and confront their own skepticism. This humane account of the humanities in action takes us deep into the minds of people engaged in the business of figuring out how meaning flows through books, lives, the world--part of the essential work of being human that we all do at all times and in all kinds of places, not just in a college classroom"--

Teaching and Learning in a Classroom Full of Skeptics

What Can I Get Out of This?

Returning to his native Chicago after World War II, Nelson Algren found a city transformed. The flourishing industry, culture, and literature that had placed prewar Chicago at center stage in American life were entering a time of crisis. The middle class and economic opportunity were leaving the inner city, and Black Southerners arriving in Chicago found themselves increasingly estranged from the nation's economic and cultural resources. For Algren, Chicago was becoming "an October sort of city even in the spring," and as Carlo Rotella demonstrates, this metaphorical landscape of fall led Algren and others to forge a literary form that traced the American city's transformation. Narratives of decline, like the complementary narratives of black migration and inner-city life written by Claude Brown and Gwendolyn Brooks, became building blocks of the postindustrial urban literature. October Cities examines these narratives as they played out in Chicago, Philadelphia, and Manhattan. Through the work of Algren, Brown, Brooks, and other urban writers, Rotella explores the relationship of this new literature to the cities it draws upon for inspiration. The stories told are of neighborhoods and families molded by dramatic urban transformation on a grand scale with vast movements of capital and people, racial succession, and an intensely changing urban landscape.

The Redevelopment of Urban Literature

October Cities

"This is a brilliant study, warm and frequently thrilling, of an inspired combination of subjects. Postindustrial American urban culture has found its great poet-theorist in Carlo Rotella."—William Finnegan, author of Cold New World: Growing Up in a Harder Country "In the hands of others, we have learned much about the process of deindustrialization. Rotella powerfully brings the reader to the core of these socio-economic transitions in a manner that is almost palpable in its ability to connect the reader to any one of his subjects. Rotella held me, taught me, opened my eyes to an appreciation of new ways of seeing. The writing is electric, the broader conceptual framework is rich and complex, and his touch is deft throughout the book."—Nick Salvatore, coauthor of We All Got History: The Memory Books of Amos Webber

Boxers, Bluesmen, and Other Characters from the Rust Belt

Good with Their Hands

Outlines accessible strategies for handling everyday child rearing challenges, outlining comprehensive approaches to such topics as fussiness, video game overindulgence, and respecting others.

The Everyday Parenting Toolkit

Carlo Rotella, an award-winning writer and ringside veteran, unearths the hard wisdom in any kind of fight, from barroom dustup to HBO extravaganza. He vividly describes the tough choices and subtle pleasures that come the way of every fighter, from perennial underdogs on the tank-town circuit to the one-time heavyweight champion Larry Holmes, who still spars to retching exhaustion daily. Rotella uncovers the often startling light that boxing sheds on the world beyond the ring. A college student's brief fistic career pinpoints the moment when adulthood arrives. The serenity of a fellow fan shows Rotella how to process the trauma of a car crash. The persistence of a wizened ex-champion reminds him of his grandmother and helps him accept her death. Throughout, Rotella achieves moving resonances between the worlds inside and outside the ropes. He also tackles fascinating questions that have gone largely unexplored until now: How do boxers endure the brutal punishment that is the sport's essence? And why do they come back for more, again and again? As Rotella traces his immersion in the fight world, he achieves what few other writers in that world have: he makes it relevant to us, whether we're fans or not.

An Education at the Fights

Cut Time

Michael Ezra

Weighing in with a balance of the visceral and the cerebral, boxing has attracted writers for millennia. Yet few of the writers drawn to it have truly known the sport—and most have never been in the ring. Moving beyond the typical sentimentality, romanticism, or cynicism common to writing on boxing, The Bittersweet Science is a collection of essays about boxing by contributors who are not only skilled writers but also have extensive firsthand experience at ringside and in the gym, the corner, and the ring itself. Editors Carlo Rotella and Michael Ezra have assembled a roster of fresh voices, ones that expand our understanding of the sport’s primal appeal. The contributors to The Bittersweet Science—journalists, fiction writers, fight people, and more—explore the fight world's many aspects, considering boxing as both craft and business, art form and subculture. From manager Charles Farrell’s unsentimental defense of fixing fights to former Golden Glover Sarah Deming’s complex profile of young Olympian Claressa Shields, this collection takes us right into the ring and makes us feel the stories of the people who are drawn to—or sometimes stuck in—the boxing world. We get close-up profiles of marquee attractions like Bernard Hopkins and Roy Jones Jr., as well as portraits of rising stars and compelling cornermen, along with first-person, hands-on accounts from fighters’ points of view. We are schooled in not only how to hit and be hit, but why and when to throw in the towel. We experience the intimate immediacy of ringside as well as the dim back rooms where the essentials come together. And we learn that for every champion there’s a regiment of journeymen, dabblers, and anglers for advantage, for every aspiring fighter, a veteran in painful decline. Collectively, the perspectives in The Bittersweet Science offer a powerful in-depth picture of boxing, bobbing and weaving through the desires, delusions, and dreams of boxers, fans, and the cast of managers, trainers, promoters, and hangers-on who make up life in and around the ring. Contributors: Robert Anasi, Brin-Jonathan Butler, Donovan Craig, Sarah Deming, Michael Ezra, Charles Farrell, Rafael Garcia, Gordon Marino, Louis Moore, Gary Lee Moser, Hamilton Nolan, Gabe Oppenheim, Carlo Rotella, Sam Sheridan, and Carl Weingarten.

Fifteen Writers in the Gym, in the Corner, and at Ringside

The Bittersweet Science

From jazz fantasy camp to running a movie studio; from a fight between an old guy and a fat guy to a fear of clowns—Carlo Rotella’s Playing in Time delivers good stories full of vivid characters, all told with the unique voice and humor that have garnered Rotella many devoted readers in the New York Times Magazine, Boston Globe, and Washington Post Magazine, among others. The two dozen essays in Playing in Time, some of which have never before been published, revolve around the themes and obsessions that have characterized Rotella’s writing from the start: boxing, music, writers, and cities. What holds them together is Rotella’s unique focus on people, craft, and what floats outside the mainstream. “Playing in time” refers to how people make beauty and meaning while working within the constraints and limits forced on them by life, and in his writing Rotella transforms the craft and beauty he so admires in others into an art of his own. Rotella is best known for his writings on boxing, and his essays here do not disappoint. It’s a topic that he turns to for its colorful characters, compelling settings, and formidable life lessons both in and out of the ring. He gives us tales of an older boxer who keeps unretiring and a welterweight who is “about as rich and famous as a 147-pound fighter can get these days,” and a hilarious rumination on why Muhammad Ali’s phrase “I am the greatest” began appearing (in the mouth of Epeus) in translations of The Iliad around 1987. His essays on blues, crime and science fiction writers, and urban spaces are equally and deftly engaging, combining an artist’s eye for detail with a scholar’s sense of research, whether taking us to visit detective writer George Pelecanos or to dance with the proprietress of the Baby Doll Polka Club next to Midway Airport in Chicago. Rotella’s essays are always smart, frequently funny, and consistently surprising. This collection will be welcomed by his many fans and will bring his inimitable style and approach to an even wider audience.

Essays, Profiles, and Other True Stories

Playing in Time

"A close look at an urban neighborhood in Chicago, South Shore, and the author's own relationship to that neighborhood from living there as a child and studying it as an adult."--Provied by publisher

Carlo Rotella

Books

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