Casper Sylvest

Atomfrygt

Rens Van Munster

As a central component of contemporary culture, films mirror and shape political debate. Reflecting on this development, scholars in the field of International Relations (IR) increasingly explore the intersection of TV series, fiction film and global politics. So far, however, virtually no systematic scholarly attention has been given to documentary film within IR. This book fills this void by offering a critical companion to the subject aimed at assisting students, teachers and scholars of IR in understanding and assessing the various ways in which documentary films matter in global politics. The authors of this volume argue that much can be gained if we do not just think of documentaries as a window on or intervention in reality, but as a political epistemology that – like theories – involve particular postures, strategies and methodologies towards the world to which they provide access. This work will be of great interest to students and scholars of international relations, popular culture and world politics and media studies alike.

A Critical Companion to IR and Non-Fiction Film

Documenting World Politics

Peter Wilson

Henrik Bliddal

Classics of International Relations introduces, contextualises and assesses 24 of the most important works on international relations of the last 100 years. Providing an indispensable guide for all students of IR theory, from advanced undergraduates to academic specialists, it asks why are these works considered classics? Is their status deserved? Will it endure? It takes as its starting point Norman Angell’s best-selling The Great Illusion (1909) and concludes with Daniel Deudney’s award winning Bounding Power (2006). The volume does not ignore established classics such as Morgenthau’s Politics Among Nations and Waltz’s Theory of International Politics, but seeks to expand the ‘IR canon’ beyond its core realist and liberal texts. It thus considers emerging classics such as Linklater’s critical sociology of moral boundaries, Men and Citizens in the Theory of International Relations, and Enloe’s pioneering gender analysis, Bananas, Beaches and Bases. It also innovatively considers certain ‘alternative format’ classics such as Kubrick’s satire on the nuclear arms race, Dr Strangelove, and Errol Morris’s powerful documentary on war and US foreign policy, The Fog of War. With an international cast of contributors, many of them leading authorities on their subject, Classics of International Relations will become a standard reference for all those wishing to make sense of a rapidly developing and diversifying field. Classics of International Relations is designed to become a standard reference text for advanced undergraduates, post-graduates and lecturers in the field of IR.

Essays in Criticism and Appreciation

Classics of International Relations

Rens van Munster

What is a realist response to nuclear weapons? This book is animated by the idea that contemporary attempts to confront the challenge of nuclear weapons and other global security problems would benefit from richer historical foundations. Returning to the decade of deep, thermonuclear anxiety inaugurated in the early 1950s, the authors focus on four creative intellectuals – Günther Anders, John H. Herz, Lewis Mumford and Bertrand Russell – whose work they reclaim under the label of ‘nuclear realism’. This book brings out an important, oppositional and resolutely global strand of political thought that combines realist insights about nuclear weapons with radical proposals for social and political transformation as the only escape from a profoundly endangered planet. Nuclear Realism is a highly original and provocative study that will be of great use to advanced undergraduates, graduates and scholars of political theory, International Relations and Cold War history.

Global political thought during the thermonuclear revolution

Nuclear Realism

Casper Sylvest

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