Charlotte Beyer

Informed by fourth-wave feminism, Crime Fiction in the Age of #MeToo presents a compelling and timely reading of crime fiction in the age of #MeToo. The book explores five major fourth-wave feminist topics, #MeToo, rape culture, toxic masculinity, LBGTQ+ perspectives, and transgender. These topics have been the subject of intense feminist scrutiny and campaigning, and the book demonstrates how this attention is reflected in contemporary crime fiction and its generic and thematic preoccupations. The book opens with a chapter presenting an overview of existing critical perspectives and feminist debates, demonstrating how fourth-wave feminist ideas and debates are inspiring innovations in the genre, as well as generating fresh ways of reading past and present crime fictions. Providing an overview and context for both fourth-wave feminism and the #MeToo movement, the chapter establishes the critical and cultural framework for its analysis. The chapter also outlines the book’s methodology and approach, detailing the contents of the chapters. Each of the five subsequent chapters uses critical vocabulary and concepts from feminism and the #MeToo movement to reassess canonical works and present new readings of contemporary crime fiction, producing compelling analyses of gender and genre. Canonical authors whose works are discussed include Agatha Christie, Raymond Chandler, Josephine Tey, Maj Sjöwall and Per Wahlöö, and Val McDermid. Examining selected contemporary novels and short stories, the chapters in Crime Fiction in the Age of #MeToo provide fresh readings of both well-known and lesser-known crime authors. The contemporary authors whose work is examined are Lauren Henderson, Susan White, Jennifer Haigh, Allison Leotta, Y.A. Erskine, Heather Fitt, John Harvey, Dorothy Koomson, Pekka Hiltunen, Nekesa Afia, Michael Nava, Stella Duffy, Alex Reeve, V.T. Davy, and Dharma Kelleher. Through its critical examination of crime fiction, Crime Fiction in the Age of #MeToo offers a powerful feminist analysis of the genre which draws links between literature and ongoing urgent social and cultural debates such as the #Metoo movement and fourth-wave feminism.

Crime Fiction in the Age of #MeToo

This compelling and unique collection of critical and creative work assesses for the first time cultural, literary, legal and historical representations and narratives about mothers who kill and filicide. The idea of a mother killing her child to many presents the greatest taboo, and the most disturbing and distressing aspect of maternal experience. In Toni Morrison's 1987 novel Beloved, escaped slave mother Sethe addresses her daughter Beloved whom she murdered out of desperation, in order to avoid her returning to a life of slavery and sexual abuse. Sethe reflects, "I'll explain to her, even though I don't have to. Why I did it. How if I hadn't killed her she would have died and that is something I could not bear to happen to her. When I explain it she'll understand." This book goes beyond Morrison's widely known literary portrayal, in order to investigate a range of other, less known but no less challenging, examinations of maternal filicide. Have mothers who kill inevitably been portrayed as monsters in cultural representations? Or are there certain contexts that may urge us to reevaluate maternal behavior? And how might we counter the misogynist narratives surrounding maternal filicide which have governed literary and historical accounts and affected legal discourses? This wide-ranging and innovative volume examines the complex issues of infanticide and mothers who kill from a broad, interdisciplinary perspective, in order to counter the misogynist cultural narratives that underpin prevailing stereotypes of mothers. The book includes creative work, essays on crime fiction, literature from across a range of historical periods, multicultural and Global South perspectives, legal and historical accounts, and more. Making an invaluable contribution to motherhood studies and gender criticism, this book offers a rich insight into current and cutting-edge research into this most troubling area of maternal representation.

Mothers Who Kill

This compelling and unique collection of critical and creative work assesses for the first time cultural, literary, legal and historical representations and narratives about mothers who kill and filicide. The idea of a mother killing her child to many presents the greatest taboo, and the most disturbing and distressing aspect of maternal experience. In Toni Morrison's 1987 novel Beloved, escaped slave mother Sethe addresses her daughter Beloved whom she murdered out of desperation, in order to avoid her returning to a life of slavery and sexual abuse. Sethe reflects, “I'll explain to her, even though I don't have to. Why I did it. How if I hadn't killed her she would have died and that is something I could not bear to happen to her. When I explain it she'll understand.” This book goes beyond Morrison's widely known literary portrayal, in order to investigate a range of other, less known but no less challenging, examinations of maternal filicide. Have mothers who kill inevitably been portrayed as monsters in cultural representations? Or are there certain contexts that may urge us to reevaluate maternal behavior? And how might we counter the misogynist narratives surrounding maternal filicide which have governed literary and historical accounts and affected legal discourses? This wide-ranging and innovative volume examines the complex issues of infanticide and mothers who kill from a broad, interdisciplinary perspective, in order to counter the misogynist cultural narratives that underpin prevailing stereotypes of mothers. The book includes creative work, essays on crime fiction, literature from across a range of historical periods, multicultural and Global South perspectives, legal and historical accounts, and more. Making an invaluable contribution to motherhood studies and gender criticism, this book offers a rich insight into current and cutting-edge research into this most troubling area of maternal representation.

Intersectionality and decolonisation are prominent themes in contemporary British crime fiction. Through an in-depth critical and contextual analysis of selected contemporary British crime fiction novels from the 1990s to 2018, this distinctive book examines representations of race, class, sexuality, and gender by John Harvey, Stella Duffy, M.Y. Alam, and Dorothy Koomson. It argues that contemporary British crime fiction is a field of contestation where urgent cultural and social questions are debated and the politics of representation explored. A significant resource which will be valuable to researchers and scholars of the crime genre, as well as British literature, this book offers timely critical engagement with intersectionality and decolonisation and their representation in contemporary British crime fiction.

Intersectionality and Decolonisation in Contemporary British Crime Fiction

The clue-puzzle, legal thriller, and classic whodunit are just a few of the subgenres within the widely popular crime fiction genre. However, despite its popularity among readers, the crime short story genre has yet to be fully explored by scholars. This book offers a deep-dive into crime short stories written by a wide range of authors, tracing the history and evolution of the crime short story. The book offers an accessible and original examination of crime short stories, focusing on compelling themes such as miscarriage of justice, feminism, environmental crime and toxic masculinity.

Gender, Genre and Location in the Crime Short Story

Murder in a Few Words

Andrea Robertson

Conceiving of and representing mothers without their children seems so paradoxical as to be almost impossible. How can we define a mother in the absence of her child? This compelling volume explores these and other questions from a range of interdisciplinary perspectives, examining experiences, representations, creative manifestations, and embodiments of mothers without their children. In her 1997 book, entitled Mother Without Child: Contemporary Fiction and the Crisis of Motherhood, the critic Elaine Tuttle Hansen urged for critical and feminist engagement with what she described as 'the bord.

Mothers Without Their Children

This book explores contemporary children’s and young adult novels writing back to history and oppression. Divided into three distinct yet interconnected parts, this thematic study analyses selected novels from across the globe, drawing on current critical debates to investigate how these narratives raise vital questions about identity, power and language. Examinations of children’s and young adult novels from Britain, Ireland, Sweden, the USA, Australia, and New Zealand offer fresh readings of established texts, and provide important critical perspectives on lesser-known works. The book also examines the use of genre in children’s and young adult literature, including crime fiction, dystopia, coming-of-age, and historical fiction. Addressing vital social justice themes in contemporary children’s and young adult novels, such as human trafficking, postcolonialism, disaster, trauma, and gender and race inequality, the book presents a critically informed analysis of these compelling literary works and their engagement with social and cultural debates.

Writing Back to History and Oppression

Contemporary Children's and Young Adult Literature

This unique and timely book presents nine compelling essays on contemporary crime fiction, bringing innovative and fresh perspectives to the analysis of this most popular and vibrant literary genre. Investigating contemporary crime fiction and the critical debates surrounding its reception and production, the introductory chapter sets the scene for the subsequent analyses of distinct crime fiction topics, themes and authors. The topics include the experimental detective narrative, race and ethnicity, historical crime fiction, domestic noir, feminism and crime, environmental crime, and the poetics of place. Authors examined here range from Ian Rankin, Gillian Flynn, Val McDermid, Denise Mina, Robert Galbraith, Nancy Bilyeau, and Martha Grimes, to Tana French, Dale Furutani, and J.G. Ballard, and more. Informed by the latest critical debates and theoretical perspectives in the field, this volume presents an invaluable source of information and criticism on crime fiction for students, researchers and academics alike.

Crossing Boundaries, Merging Genres

Contemporary Crime Fiction

More than perhaps any other genre, crime fiction invites debate over the role of popular fiction in English studies. This book offers lively original essays on teaching crime fiction written by experienced British and international scholar teachers, providing vital insight into this diverse genre through a series of compelling subjects. Taking its starting-point in pedagogical reflections and classroom experiences, the book explores methods for teaching students to develop their own critical perspectives as crime fiction critics, the impact of feminism, postcolonialism, and ecocriticism on crime fiction, crime fiction and film, the crime short story, postgraduate perspectives, and more.

Charlotte Beyer

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