Chris Clarkson

In this modern-day young adult take on Breakfast at Tiffany's, two teens from vastly different worlds discover that sharing their strengths, including the love of their friends and family, may just be the path to finding wholeness within themselves.

Being there for her family is the most important thing to Jessamine Monet. And her family is complicated. Her twin brother Joel has a secret boyfriend, and her transgender cousin Solange is flourishing, despite the disapproval of Solange's dying mother. Yet Jessamine doesn't mind being caught up in family drama. Being busy keeps the water at bay -- the water of memories, of Katrina, of past trauma. So when Tennessee Williams -- a rich white boy named after the writer -- asks her out, she hesitantly says yes. He'll be like a library book, she figures, something to read and return. Falling for him is another burden she can't afford to carry.

Tennessee has always lived his life at the mercy of his mom's destructive creativity and his dad's hypermasculine expectations. Jessamine's caring and aloof nature is a surprisingly welcome distraction. While she fights her attraction to him, Tennessee is pulled into her inner family circle and develops a friendship with Joel's boyfriend, Saint Baptiste. Together Saint and Tennessee bond over the difficulty of loving the emotionally unavailable Monet twins.

As senior year progresses, old traumas and familial pressures rise higher than hurricane waves. Can this group of friends make peace with each other, their families, and most importantly, with themselves?

That Summer Night on Frenchmen Street

Melissa Munn

In this history of prison reform in mid-twentieth-century Canada, the voices of prisoners help to provide a nuanced understanding of prisoners as active agents of change.

Resistance, Reform, and the New Deal

Disruptive Prisoners

Wild Jasmine

LITHICS IN THE LAND OF THE LIGHTNING BROTHERS skilfully integrates a wide range of data-raw-material procurement, tool design, reduction and curation, patterns of distribution and association-to reveal the major outlines of Wardaman prehistory. At the same time, the book firmly situates data and methods in broad theoretical context. In its regional scope and thorough technological approach, this book exemplifies the best of recent lithic analysis and hunter-gatherer archaeology. Any archaeologist who confronts the challenge of classifying retouched stone tools should consult this volume for a clear demonstration of reduction intensity as a source of size and form variation independent of "type." Yet the demonstration is not merely methodological; Clarkson shows how the measurement of reduction intensity informs analysis of technological diversity and other cultural practices. In Clarkson's hands, Wardaman prehistory emerges as a particular record of the human past. Yet the book is also a case study in prolonged cultural response to environmental conditions and the way in which cultures persist and reproduce themselves over long spans of time. The result is an analytical tour de force that will guide hunter-gatherer archaeology in Australia and elsewhere for years to come.

Chris Clarkson

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