Caroline Bird

Suhayla El-Bushra

Chris Thorpe

Lulu Raczka

Agamemnon must sacrifice his daughter, Clytemnestra must try to stop him, Iphigenia must accept her fate, the Chorus must watch. Ships lie dormant in harbours, and thousands of troops sit on the shore, growing restless and unruly. Helen is gone, and pursuit of her has been stalled by windless seas. To raise the winds to send his fleet to Troy, Agamemnon is commanded by the gods to sacrifice his daughter, Iphigenia. But his deceit of his wife, Clytemnestra and the killing of his child, will end up tearing him and everything around him to pieces. Euripides’ story of a father moved to murder his daughter, Iphigenia at Aulis, is one that has been reinvented and retold anew throughout history. The Iphigenia Quartet sees four of the UK’s most exciting and radical playwrights - Caroline Bird, Suhayla El Bushra, Lulu Raczka, and Chris Thorpe – create explosive responses to this classical tragedy. Each play is a reimagining this story of familial catastrophe from the differing perspectives of the key characters in the play: Agamemnon, Clytemnestra, Iphigenia and the Chorus.

The Iphigenia Quartet

When life offers you a choice between heroism and compromise - what happens? Sometimes planes don’t land the way they’re supposed to. The people of a country have had enough of their leaders, but those leaders have to be replaced with something. A person steps out of a crowd and, for a moment, becomes more than human. A man walks into the lobby of a building and brings death with him to prove his point.

There Has Possibly Been An Incident

Implied Trusts and Beneficial Ownership in Modern UK Tax Law looks at that gap which lies between books on tax and those on trust law, and tries to bridge the two. How and why is beneficial ownership important in UK tax? This book is ideal for academics and practitioners alike. Those practitioners specialising in trusts should find this book an interesting and useful aid to supplement their knowledge of implied trusts and the relationship between the more-usual express trusts. Whether you are new to the tax profession, or a seasoned professional, there will be something here for everyone.

Implied Trusts and Beneficial Ownership in Modern UK Tax Law

Dreamers and Stargazers is an imaginative and original collection of liturgical worship material for the seasons of Advent, Christmas, Epiphany and Candlemas, offering a wealth of new words and inspiration for a well-trodden time of year. It includes alternative calls to worship, confessions, intercessions, introductions to the peace and blessings for each season, prayers for lighting the Advent wreath, and short reflective liturgies on seasonal themes: - Advent: prophetic courage and saying yes to God - The Incarnation: discovering its reality in everyday life - The New Year: a service to welcome its arrival - Epiphany: celebrating difference and abundance - Candlemas: reflecting on the wisdom of age It also offers practical advice on using space, silence and lighting creatively to help people encounter the divine in the busy Christmas period.

Worship resources for Advent, Christmas, Epiphany and Candlemas

Dreamers and Stargazers

Lucy Prebble

Inua Ellams

Tanika Gupta

Vinay Patel

Philip Ridley

Simon Stephens

Tim Crouch

Alistair McDowall

Zoe Cooper

Frances Ya-Chu Cowhig

Hannah Khalil

Edward Bond

James Graham

Sudha Bhuchar

Laura Wade

Christopher Shinn

Mojisola Adebayo

Anne Washburn

Gurpreet Kaur Bhatti

Morgan Lloyd Malcolm

Theatre has a complex history of responding to crises, long before they happen. Through stage plays, contemporary challenges can be presented, explored and even foreshadowed in ways that help audiences understand the world around them. Since the theatre of the Greeks, audiences have turned to live theatre in order to find answers in uncertain political, social and economic times, and through this unique collection questions about This anthology brings together a collection of 20 scenes from 20 playwrights that each respond to the world in crisis. Twenty of the world's most prolific playwrights were asked to select one scene from across their published work that speaks to the current world situation in 2020. As COVID-19 continues to challenge every aspect of global life, contemporary theatre has long predicted a world on the edge. Through these 20 scenes from plays spanning from 1980 to 2020, we see how theatre and art has the capacity to respond, comment on and grapple with global challenges that in turn speak to the current time in which we are living. Each scene, chosen by the writer, is prefaced by an interview in which they discuss their process, their reason for selection and how their work reflects both the past and the present. From the political plays of Lucy Prebble and James Graham to the polemics of Philip Ridley and Tim Crouch. From bold works by Inua Ellams, Morgan Lloyd Malcom and Tanika Gupta to the social relevance of Hannah Khalil, Zoe Cooper and Simon Stephens this anthology looks at theatre in the present and asks the question: “how can theatre respond to a world in crisis?” The collection is prefaced by an introduction from Edward Bond, one of contemporary theatre's most prolific dramatists.

20 Scenes for the Stage in Troubled Times

Theatre in Times of Crisis

Hannah Walker

Two performance texts by Hannah Jane Walker and Chris Thorpe The Oh Fuck Moment Fucking up is the truest, funniest, most terrifying moment you can experience. Poet Hannah Jane Walker and theatre-maker Chris Thorpe examine the poetic guts of mistakes in a bundle of words and strip lighting. The Oh Fuck Moment is an award-winning conversation around a desk for brave souls to hold their hands up and admit they fucked up, or for people to laugh at us because we did. ‘A brilliant celebration of our mistakes and evolutionary reflexes’ Guardian I Wish I Was Lonely I Wish I Was Lonely is an interactive show about contactability asking whether the invisible waves we’re tethered to might be drowning who we are. It’s a show in which the audience commit to leaving their phones on. A show investigating what it means to participate in communication – or not. There are poems, there are stories and there is conversation. I Wish I Was Lonely sees Hannah Jane Walker and Chris Thorpe ask how much of ourselves we’ve given up to the new gods in our pockets. Hannah Jane Walker is a poet and Chris Thorpe is a theatre-maker.Together they make award-winning work that is part performance, part poetry gig and part interactive experience. Their work is based around an honest encounter between themselves, an audience and the difficult but often uplifting moments we all face in the process of living. Their shows feel like a generous, open conversation, with poetry and storytelling at their heart and space for audiences to contribute in a meaningful way.

I Wish I Was Lonely/The Oh Fuck Moment

Rachel Bagshaw

One woman attempts to articulate her experience of physical pain. Pain with no apparent cause. Also, she's met someone, and they want to make this work. Words, light and an original sound score collide in a new piece from this Scotsman Fringe First award-winning team – exploring life in extremity, and the joy that can be found there.

The Shape of the Pain

Two performance texts by Hannah Jane Walker and Chris ThorpeThe Oh Fuck MomentFucking up is the truest, funniest, most terrifying moment you can experience. Poet Hannah Jane Walker and theatre-maker Chris Thorpe examine the poetic guts of mistakes in a bundle of words and strip lighting. The Oh Fuck Moment is an award-winning conversation around a desk for brave souls to hold their hands up and admit they fucked up, or for people to laugh at us because we did. 'A brilliant celebration of our mistakes and evolutionary reflexes' Guardian I Wish I Was LonelyI Wish I Was Lonely is an interactive show about contactability asking whether the invisible waves we're tethered to might be drowning who we are. It's a show in which the audience commit to leaving their phones on. A show investigating what it means to participate in communication - or not. There are poems, there are stories and there is conversation. I Wish I Was Lonely sees Hannah Jane Walker and Chris Thorpe ask how much of ourselves we've given up to the new gods in our pockets.Hannah Jane Walker is a poet and Chris Thorpe is a theatre-maker.Together they make award-winning work that is part performance, part poetry gig and part interactive experience. Their work is based around an honest encounter between themselves, an audience and the difficult but often uplifting moments we all face in the process of living. Their shows feel like a generous, open conversation, with poetry and storytelling at their heart and space for audiences to contribute in a meaningful way.

I Wish I Was Lonely/the Oh Fuck Moment

Chris Thorpe

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