Christa Salamandra

Leif Stenberg

As Syria’s anti-authoritarian uprising and subsequent civil war have left the country in ruins, the need for understanding the nation’s complex political and cultural realities remains urgent. The second of a two-volume series, Syria from Reform to Revolt: Culture, Society, and Religion draws together closely observed, critical and historicized analyses, giving vital insights into Syrian society today. With a broad range of disciplinary perspectives, contributors reveal how Bashar al-Asad’s pivotal first decade of rule engendered changes in power relations and public discourse—dynamics that would feed the 2011 protest movement and civil war. Essays focus on key arenas of Syrian social life, including television drama, political fiction, Islamic foundations, and Christian choirs and charities, demonstrating the ways in which Syrians worked with and through the state in attempts to reform, undermine, or sidestep the regime. The contributors explore the paradoxical cultural politics of hope, anticipation, and betrayal that have animated life in Syria under Asad, revealing the fractures that obstruct peaceful transformation. Syria from Reform to Revolt provides a powerful assessment of the conditions that turned Syria’s hopeful Arab spring revolution into a catastrophic civil war that has cost over 200,000 lives and generated the worst humanitarian crisis of the twenty-first century.

Volume 2: Culture, Society, and Religion

Syria from Reform to Revolt

"[F]illed with rare encounters with Syria's oldest, most elite families. Critics of anthropology's taste for exoticism and marginality will savor this study of upper-class Damascus, a world that is urbane and cosmopolitan, yet in many ways as remote as the settings in which the best ethnography has traditionally been done.... [Written] with a nuanced appreciation of the cultural forms in question and how Damascenes themselves think, talk about, and create them." -- Andrew Shryock In contemporary urban Syria, debates about the representation, preservation, and restoration of the Old City of Damascus have become part of status competition and identity construction among the city's elite. In theme restaurants and nightclubs that play on images of Syrian tradition, in television programs, nostalgic literature, and visual art, and in the rhetoric of historic preservation groups, the idea of the Old City has become a commodity for the consumption of tourists and, most important, of new and old segments of the Syrian upper class. In this lively ethnographic study, Christa Salamandra argues that in deploying and debating such representations, Syrians dispute the past and criticize the present. Indiana Series in Middle East Studies -- Mark Tessler, general editor

Christa Salamandra

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