Getty Research Institute

Louis Marchesano

Christian Michel

By exploring the intense interaction between painting and printmaking between art theory and unbridled artistic ambition, Printing the Grand Manner breaks new ground in its analysis of both the reproductive prints and Le Brun's original compositions. --Book Jacket.

Charles Le Brun and Monumental Prints in the Age of Louis XIV

Printing the Grand Manner

IBM Redbooks

Cüneyt Göksu

Günter Schöllmann

The IBM® Db2® Analytics Accelerator (Accelerator) is a logical extension of Db2 for IBM z/OS® that provides a high-speed query engine that efficiently and cost-effectively runs analytics workloads. The Accelerator is an integrated back-end component of Db2 for z/OS. Together, they provide a hybrid workload-optimized database management system that seamlessly manages queries that are found in transactional workloads to Db2 for z/OS and queries that are found in analytics applications to Accelerator. Each query runs in its optimal environment for maximum speed and cost efficiency. The incremental update function of Db2 Analytics Accelerator for z/OS updates Accelerator-shadow tables continually. Changes to the data in original Db2 for z/OS tables are propagated to the corresponding target tables with a high frequency and a brief delay. Query results from Accelerator are always extracted from recent, close-to-real-time data. An incremental update capability that is called IBM InfoSphere® Change Data Capture (InfoSphere CDC) is provided by IBM InfoSphere Data Replication for z/OS up to Db2 Analytics Accelerator V7.5. Since then, an extra new replication protocol between Db2 for z/OS and Accelerator that is called IBM Integrated Synchronization was introduced. With Db2 Analytics Accelerator V7.5, customers can choose which one to use. IBM Integrated Synchronization is a built-in product feature that you use to set up incremental updates. It does not require InfoSphere CDC, which is bundled with IBM Db2 Analytics Accelerator. In addition, IBM Integrated Synchronization has more advantages: Simplified administration, packaging, upgrades, and support. These items are managed as part of the Db2 for z/OS maintenance stream. Updates are processed quickly. Reduced CPU consumption on the mainframe due to a streamlined, optimized design where most of the processing is done on the Accelerator. This situation provides reduced latency. Uses IBM Z® Integrated Information Processor (zIIP) on Db2 for z/OS, which leads to reduced CPU costs on IBM Z and better overall performance data, such as throughput and synchronized rows per second. On z/OS, the workload to capture the table changes was reduced, and the remainder can be handled by zIIPs. With the introduction of an enterprise-grade Hybrid Transactional Analytics Processing (HTAP) enabler that is also known as the Wait for Data protocol, the integrated low latency protocol is now enabled to support more analytical queries running against the latest committed data. IBM Db2 for z/OS Data Gate simplifies delivering data from IBM Db2 for z/OS to IBM Cloud® Pak® for Data for direct access by new applications. It uses the special-purpose integrated synchronization protocol to maintain data currency with low latency between Db2 for z/OS and dedicated target databases on IBM Cloud Pak for Data.

IBM Integrated Synchronization: Incremental Updates Unleashed

 Jacqueline Lichtenstein

For the first time, a critical selection of the Académie Royale de Peinture et de Sculpture’s highly influential conférences is available in English. Between 1667 and 1792, the artists and amateurs of the Académie Royale de Peinture et de Sculpture in Paris lectured on the Académie’s conférences, foundational documents in the theory and practice of art. These texts and the principles they embody guided artistic practice and art theory in France and throughout Europe for two centuries. In the 1800s, the Académie’s influence waned, and few of the 388 Académie lectures were translated into English. Eminent scholars Christian Michel and Jacqueline Lichtenstein have selected and annotated forty-two of the most representative lectures, creating the first authoritative collection of the conférences for readers of English. Essential to understanding French art of the seventeenth and eighteenth centuries, these lectures reveal what leading French artists looked for in a painting or sculpture, the problems they sought to resolve in their works, and how they viewed their own and others’ artistic practice.

Selected Conférences from the Académie Royale de Peinture et de Sculpture, 1667-1772

Lectures on Art

The Académie Royale de Peinture et de Sculpture (French Academy of Painting and Sculpture)—perhaps the single most influential art institution in history—governed the arts in France for more than 150 years, from its founding in 1648 until its abolition in 1793. Christian Michel's sweeping study presents an authoritative, in-depth analysis of the Académie’s history and legacy. The Académie Royale assembled nearly all of the important French artists working at the time, maintained a virtual monopoly on teaching and exhibitions, enjoyed a priority in obtaining royal commissions, and deeply influenced the artistic landscape in France. Yet the institution remains little understood today: all commentary on it, during its existence and since its abolition, is based on prejudices, both favorable and critical, that have shaped the way the institution has been appraised. This book takes a different approach. Rather than judging the Académie Royale, Michel unravels existing critical discourse to consider the nuances and complexities of the academy’s history, reexamining its goals, the shifting power dynamics both within the institution and in the larger political landscape, and its relationship with other French academies and guilds.

Christian Michel

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