Michael Baumgartner

Paul Klee

Fabienne Eggelhöfer

Christine Hopfengart

Paul Klee (1879-1940) is one of the most important representatives of modern art. His oeuvre is as universal as it is individual, standing tall among all of the currents and "isms" of his day. His overwhelming body of paintings, drawings, and other visual works; his letters, journal entries, and, last but not least, his teaching notes form the background for this pointed depiction of the life and work of the meditative artist and visual thinker. This richly illustrated volume traces Klee's eventful biography, ranging from his artistic beginnings with caricature-like drawings and nudes, his encounter with the avant-garde and the famous watercolors from his journey to Tunisia, the abstract color compositions from the Bauhaus era, to the mysterious, inventive images of his last years in Bern.

Life and Work

Vivian Endicott Barnett

Annegret Hoberg

Paul Klee and Wassily Kandinsky, two of the most influential figures in the modernist movement, are the subject of this illuminating book that opens a dialogue between their work, friendship, and influence on each other. Klee and Kandinsky were towering figures of the modernist movement and were close, both as friends and artists. For a time they lived next door to one another, and exchanged their artistic ideas on a daily basis. This unique book explores their 30-year relationship, from the time of the Blue Rider group around 1912, to the Bauhaus years in Weimar and Dessau until the late 1930s. With the culture of the Weimar Republic as a backdrop, this book traces the eventful history of an artistic friendship. Kandinsky's idealism is juxtaposed with Klee's irony, and we learn that their relationship was characterized in equal measure by friendship and competitiveness, mutual influence and the need to establish distance. The focus is on the artistic dialogue they enacted through their art. They were joined by an aspiration to spiritualize art and explore its intrinsic laws. At the same time, Kandinsky's commitment to abstraction contrasted strongly with Klee's allegiance to natural models.

Christine Hopfengart

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