Christoph F. E. Holzhey

Jakob Schillinger

Critical discourse hardly knows a more devastating charge against theories, technologies, or structures than that of being reductive. Yet, expansion and growth cannot fare any better today. This volume suspends anti-reductionist reflexes to focus on the experiences and practices of different kinds of reduction, their generative potentials, ethics, and politics. Can their violences be contained and their benefits transported to other contexts?

The Case for Reduction

Arnd Wedemeyer

Today’s critical discourses and theorizing vanguards agree on the importance of getting lost, of failure, of erring — as do life coaches and business gurus. The taste for a departure from progress and other teleologies, the fascination with disorder, unfocused modes of attention, or improvisational performances cut across wide swaths of scholarly and activist discourses, practices in the arts, but also in business, warfare, and politics. Yet often the laudible failures are only those that are redeemed by subsequent successes. What could it mean to think errancy beyond such restrictions? And what would a radical critique of productivity, success, and fixed determination look like that doesn’t collapse into the infamous ‘I would prefer not to’? This volume looks for an answer in the complicated word field branching and stretching from the Latin errāre. Its contributions explore the implications of embracing error, randomness, failure, non-teleological temporalities across different disciplines, discourses, and practices, with critical attention to the ambivalences such an impossible embrace generates.

Going Astray, Being Adrift, Coming to Nothing

Errans

What’s in a prefix? How to read a prefix as short as ‘re-’? Does ‘re-’ really signify? Can it point into a specific direction? Can it reverse? Can it become the shibboleth of a ‘postcritical’ reboot? At first glance transparent and directional, ‘re-’ complicates the linear and teleological models commonly accepted as structuring the relations between past, present, and future, opening onto errant temporalities.

An Errant Glossary

Weathering is atmospheric, geological, temporal, transformative. It implies exposure to the elements and processes of wearing down, disintegration, or accrued patina. Weathering can also denote the ways in which subjects and objects resist and pass through storms and adversity. This volume contemplates weathering across many fields and disciplines; its contributions examine various surfaces, environments, scales, temporalities, and vulnerabilities. What does it mean to weather or withstand? Who or what is able to pass through safely? What is lost or gained in the process?

Ecologies of Exposure

Weathering

Multistable figures offer an intriguing model for arbitrating conflicting positions. Moving back and forth between different aspects, one recognizes that contradictory descriptions of a situation can be equally valid and that disputes over the correct account can be settled without dissolving differences or establishing a higher synthesis. Yet, the experience of a gestalt switch also offers a model for radical conversions and revolutions, that is, for irreversible leaps to incommensurable alternatives foiling ideals of rational choice while providing the possibility and necessity of decision. Accentuating the temporal dimensions of multistable figures, this multidisciplinary volume illuminates the critical potential and limits of multistability as a complex figure of thought.

On the Critical Potentials of Ir/Reversible Aspect-Seeing

Multistable Figures

Tension appears in many contexts and carries diverse meanings. It tends to be viewed as something to be avoided and reduced in politics; to be explained, worked through, and resolved in therapy or science; to be endured and sustained in modern art; or to be sought after and enjoyed in popular culture. This volume brings together contributions from several academic and artistic fields in order to question the self-evidence of the deceptively simple term ‘tension’ and explore the possibility of productive transfers among different forms und understandings of tension. Refusing the temptation of a stabilizing synthesis, it establishes a dense web of approaches, providing a new critical paradigm for further inquiry.

Tension / Spannung

Manuele Gragnolati

Luca Di Blasi

Pier Paolo Pasolini (1922-1975) was both a writer and filmmaker deeply rooted in European culture, as well as an intellectual who moved between different traditions, identities and positions. Early on he looked to Africa and Asia for possible alternatives to the hegemony of Western Neocapitalism and Consumerism, and in his hands the Greek and Judeo-Christian Classics morphed into unsettling multistable figures constantly shifting between West and East, North and South, the present and the past, rationality and myth, identity and otherness. The contributions in this volume, which belong to different intellectual and disciplinary fields, are bound together by a fascination for Pasolini's ability to recognize contradictions, to intensify and multiply them, as well as to make them aesthetically and politically productive. What emerges is a "euro-eccentric" and multifaceted Pasolini of great interest for the present.

Pasolini's Multistable Subjectivities, Geographies, Traditions

The Scandal of Self-contradiction

Astrid Deuber-Mankowsky

Anja Michaelsen

Die gesellschaftlichen und kulturellen Veränderungen, die sich aus dem Einsatz von biomedizinischen und biotechnischen Verfahren, von lebenswissenschaftlich generierten Fakten, Bildern und Wissensbeständen in diverse Öffentlichkeiten und in den gelebten Alltag ergeben, sind seit längerem Thema von geistes- und kulturwissenschaftlicher Forschung. Wenig untersucht ist bisher jedoch die Frage, wie sich das kulturwissenschaftliche Wissen im Zuge dieser Veränderungen und ihrer diskursiven Bedingungen selbst modifiziert und sich durch seine eigene Thematisierung des Lebens und des Körpers selbst an einer umfassenden »lebenswissenschaftlichen Wende« beteiligt. Dieser Prozess zeigt sich in einem veränderten Verständnis der Arbeit, der Produktion, aber auch der Reproduktion, der Verwandtschaftsbeziehungen, der Familie, des lebendigen Körpers, der Sexualität und des Geschlechts. Doch, wie wird diese Veränderung auf methodologischer Ebene reflektiert? Wie wird die Verwischung der Grenzen zwischen Tod und Leben in den Gebrauch dieser Begriffe bei der Produktion kulturwissenschaftlichen Wissens etwa in der Psychoanalyse, oder in der Film- und Medienwissenschaft integriert?

Lebenswissen, Medialisierung, Geschlecht

Der Einsatz des Lebens

Wie wird das Leben zum Objekt des Wissens? Und wie gestaltet sich das Verhältnis von Leben, Wissenschaft und Technik? Donna J. Haraway und Georges Canguilhem verstehen diese Fragen als politische Fragen und Epistemologie als eine politische Praxis. Die besondere Aktualität von Canguilhems Denken leitet sich aus der von ihm gestellten Frage her, wie sich eine Geschichte der Rationalität des Wissens vom Leben schreiben lässt. Niemand hat die politische Intention dieser Frage besser verstanden als Foucault, der in Canguilhems Nachfolge den Menschen als Lebewesen und dessen Geschichte als Teil der Geschichte der Rationalisierung des Lebens problematisierte. Haraway bezieht sich nicht explizit auf Canguilhem, schließt jedoch in ihrer Auseinandersetzung mit der amerikanischen feministischen Wissenschaftskritik, der Actor-Netzwerk-Theorie, der Philosophie des Pragmatismus und Whiteheads relationistischen Philosophie an die von ihm gestellte Frage an. In dem vorliegenden Band diskutieren namhafte PhilosophInnen, EpistemologInnen und MedienwissenschaftlerInnen aus Frankreich, Belgien und Deutschland offenliegende und verborgene Bezüge, Relationen und Differenzen zwischen dem Konzept des „situierten Wissens“ Haraways und der „regionalen Epistemologie“ Canguilhems. Es ist eine Diskussion, die zugleich interdisziplinär und international ist und damit in doppelter Weise versucht, dem Anspruch der Situiertheit und der Regionalität des Wissens gerecht zu werden.

zur Aktualität Georges Canguilhems und Donna J. Haraways

Situiertes Wissen und regionale Epistemologie

How can the power of wholes be resisted without essentializing their parts? Drawing on different archives and methodologies, including aesthetics, history, biology, affect, race, and queer, the interventions in this volume explore different ways of troubling the consistency and stability of wholes, breaking up their closure and making them more dynamic. Doing so without necessarily presupposing or producing parts, an outside, or a teleological development, they indicate the critical potential of partiality without parts.

Christoph F. E. Holzhey

Books

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